"Die Geburtsstunde von Ashram war irgendwann 1997, als Sergio Panarella und Luigi Rubino damit begannen Ideen für ein Projekt zu sammeln, das später den Namen Ashram tragen sollte. Nachdem das Duo Al(...)"
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"Noise" is an amplification of Boris’ endless pursuit of musical extremes, masterfully intermingling sludge-rock, blistering crust punk, shimmering shoegaze, epic thunderous doom, psychedelic melodies and just about everything else they’ve ever done.
Continuing their series of Heavy Rocks records, BORIS once again channels the classic Proto-Metal sounds of the 70s into something all new, highlighting the very trajectory of this unique Japanese band throughout 10 pulse-pounding tracks.
Continuing their series of Heavy Rocks records, BORIS once again channels the classic Proto-Metal sounds of the 70s into something all new, highlighting the very trajectory of this unique Japanese band throughout 10 pulse-pounding tracks.
Boris and Uniform spent a year swapping song ideas and recordings from their homebase studios until they created an album which covers vast ground in Metal's extreme fringes and that captures the fearless exploration and unbridled power of their shows.
The original release was based on the concept of playing two separate records simultaneously. This "-example-" version features a stereo mix of the paired tracks, creating a reference "example".
Boris' iconic "Pink" available for the first time in a decade! Features the original CD sequence, available for the first time ever as a 2s LP with an exclusive side D etching!
Conceived as a meditation on nature’s brutal beauty, the album channels the relentless flow of the natural world, its internal hierarchies, and the unseen forces that shape it, moving between stillness and intensity. Lim. 200x.
Monstrous and surreal, the album is a strange mix of Black Metal, Noise and dark, post-modern lyrical themes. Comparisons range from ’90s Post-Rock like Slint to fellow Post-Black Metal brethren Deafheaven.
A sprawling, hardcore-infused Post-Black Metal return after eight years. Gritty Hardcore shouts, spoken-word passages, and jazzy piano interludes collide with blasting Black Metal fury and crushing Post-Metal weight.
A sprawling, hardcore-infused Post-Black Metal return after eight years. Gritty Hardcore shouts, spoken-word passages, and jazzy piano interludes collide with blasting Black Metal fury and crushing Post-Metal weight.
Bossk are a metallic post-everything band from Ashford, Kent, England. In many ways all of us are migrating. To who, or from, is unique to the individual. "Migration" from Bossk is a soundtrack to that herculean journey we all take.
".4" forges a more experimental path by presenting re-worked versions of some old favourites, as well as a smattering of re-recorded songs that only the most obsessed fan of this shining beacon of UK Post-Metal will be familiar with. Lim. 1000x.
Split-album between old collaborators: San Francisco Post-Black Metal outfit Botanist (with material from the "VI: Flora" sessions) and LA's Electronic project, Thief (with companion material to their "The 16 Deaths..." album).
For the odd entity known as Botanist, the Black Metal trope about misanthropy and of being alone in the forest is in fact about the woods and its floral inhabitants themselves. A most unique take on the genre, for sure.
"Paleobotany" expands their dark green sonic range of an Avant-Garde Metal sound into a more accessible and dynamic sonic experience, under the supervision of renowned Swedish producer Fredrik Nordström! 2CD-Hardcover-Artbook, lim. 500x copies!
"Paleobotany" expands their dark green sonic range of an Avant-Garde Metal sound into a more accessible and dynamic sonic experience, under the supervision of renowned Swedish producer Fredrik Nordström!
"Paleobotany" expands their dark green sonic range of an Avant-Garde Metal sound into a more accessible and dynamic sonic experience, under the supervision of renowned Swedish producer Fredrik Nordström! Lim. 200x.
For the expanded edition of the 2017 "Country Girl" EP, Boy Harsher adds four brand new tracks that range from atmospheric soundscapes, moody instrumental compositions and some more of their signature Cold Wave adjacent Synth Pop.
The soundtrack to a short horror film written, produced, and directed by the duo titled 'The Runner' which will be released January 2022. The album balances cinematic instrumentals with Pop songs that push the boundaries of Boy Harsher’s sound.
The soundtrack to a short horror film written, produced, and directed by the duo titled 'The Runner', released January 2022. The album balances cinematic instrumentals with Pop songs that push the boundaries of Boy Harsher’s sound.
The soundtrack to a short horror film written, produced, and directed by the duo titled 'The Runner' which will be released January 2022. The album balances cinematic instrumentals with Pop songs that push the boundaries of Boy Harsher’s sound. Lim. 500x.
A proper 12” maxi single containing four versions of the track “Burn it Down”, a sumptuously eerie track which Boy Harsher contributed for the David Gordon Green directed finale to the iconic Halloween franchise!
A proper 12” maxi single containing four versions of the track “Burn it Down”, a sumptuously eerie track which Boy Harsher contributed for the David Gordon Green directed finale to the iconic Halloween franchise!
Boy Harsher at their world's most fully fleshed-out, in an album brimming with hits. Muller's composing skills have gotten stronger, at once groovier and more unnerving than ever, as he melds crunchy SPK-style sounds with sweaty Goth Pop tones. Lim. 700x.
Boy Harsher’s debut album stands out as one of the strongest admissions to the recent wave of EBM and Darkwave influenced Synth-Pop. Paradoxically massive yet minimal, their sound provides the perfect space for Jae Matthew's rich, deep, emotive vocals.
A gleaming major-label pivot into '80s Synthpop brightness. Polished production, pedal steel, and catchy hooks frame Matthews' husky vocals, processing romantic dissolution and grief through a leaner, more danceable lens.
Bragolin is a two-piece Post-Punk / Dark Wave band from Utrecht, The Netherlands, who skillful bring the genre into a brilliantly produced level, with a mixture of baritone and shoegaze guitars, organ, synths and pounding drum machines.
Adam Tristar joins Bragolin for their second album, in their pursuit to combine Minimal Synth, Postpunk and Darkwave in a new fresh and unique concept. Influenced by music from Germany and USA, both projects try to mix the best of both worlds.
Adam Tristar joins Bragolin for their second album, in their pursuit to combine Minimal Synth, Postpunk and Darkwave in a new fresh and unique concept. Influenced by music from Germany and USA, both projects try to mix the best of both worlds. Lim. 500x.
Bragolin is a two-piece Post-Punk / Dark Wave band from Utrecht, The Netherlands, who skillful bring the genre into a brilliantly produced level, with a mixture of baritone and shoegaze guitars, organ, synths and pounding drum machines. Lim. 400x.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere. Lim. 500x.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere. Lim. 500x.
44.00EUR • approx. 63.8USD [ new : recommended ] : [ add to cart ]
The debut solo album from Brendan Perry, one half of Dead Can Dance, finally available again and complemented with his 1993 "Live at the I.C.A." recording!
Brian Eno, Holger Czukay, J. Peter Schwalm (UK / DE)
32.00EUR • approx. 46.4USD [ new : recommended ] : [ add to cart ]
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
An exhilarating weave of rich textural drones, trance-like atmospheres and instrumental Folk traditions, delivered by Scottish smallpipes player Brìghde Chaimbeul is a leading purveyor of experimental Celtic music and featurning Colin Stetson.
An exhilarating weave of rich textural drones, trance-like atmospheres and instrumental Folk traditions, delivered by Scottish smallpipes player Brìghde Chaimbeul is a leading purveyor of experimental Celtic music and featurning Colin Stetson.
Chaimbeul returns with a magic(k)al album, which sees her push forward experimentally but also immerse her music deeper in tradition, folklore and mystery. A revelatory album, steeped in landscape, ritual, minimalism and the eternal presence of the drone.
All too bad, here is one bad to all. While the project has never compromised its original vision, it is fair to say Brighter Death Now has evolved into one of the few bands upholding the black flag of Industrial music.
All too bad, here is one bad to all. While the project has never compromised its original vision, it is fair to say Brighter Death Now has evolved into one of the few bands upholding the black flag of Industrial music. Lim. 300x.
A reissue of the 2022 Death Industrial EP, now expanded with five additional tracks from the same sessions. Cavernous bass pulses, haunting samples, and Åsa Tedebro's demonic guest vocals on "Love Hard" forge a primitive, crushing atmosphere.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
A Psyouthern Gothic journey that explores escapism, class structure, and the opiated dark side of America’s small town rural communities. It swarms with otherworldly slide guitars, rustic psychedelia, possessed barn burners, and cinematic songcraft.
A Psyouthern Gothic journey that explores escapism, class structure, and the opiated dark side of America’s small town rural communities. It swarms with otherworldly slide guitars, rustic psychedelia, possessed barn burners, and cinematic songcraft.
A Psyouthern Gothic journey that explores escapism, class structure, and the opiated dark side of America’s small town rural communities. It swarms with otherworldly slide guitars, rustic psychedelia, possessed barn burners, and cinematic songcraft.
The critically-acclaimed debut album - a record that Quentin Tarantino later referred to as "like a greatest hits album” of new Delta Blues. "Too Old to Die Young” was hand-picked by Tarantino himself for inclusion in the movie "Django Unchained".
The critically-acclaimed debut album - a record that Quentin Tarantino later referred to as "like a greatest hits album” of new Delta Blues. "Too Old to Die Young” was hand-picked by Tarantino himself for inclusion in the movie "Django Unchained".
The critically-acclaimed debut album - a record that Quentin Tarantino later referred to as "like a greatest hits album” of new Delta Blues. "Too Old to Die Young” was hand-picked by Tarantino himself for inclusion in the movie "Django Unchained".
Brother Dege's second album "How to Kill a Horse" is a tour de force artwork that ranges from barn burners to ancient Delta meditations to Babylonian junkyard jams that explore the dark underbelly of what it is to be a man in the modern world.
Brother Dege's second album "How to Kill a Horse" is a tour de force artwork that ranges from barn burners to ancient Delta meditations to Babylonian junkyard jams that explore the dark underbelly of what it is to be a man in the modern world.
Brother Dege's second album "How to Kill a Horse" is a tour de force artwork that ranges from barn burners to ancient Delta meditations to Babylonian junkyard jams that explore the dark underbelly of what it is to be a man in the modern world.
Following his two previous acclaimed solo efforts (2009's "Folk Songs Of The American Longhair" & 2013's "How To Kill A Horse"), "Scorched Earth Policy" features a mix of newly recorded studio songs, demos, covers and field recordings.
Following his two previous acclaimed solo efforts (2009's "Folk Songs Of The American Longhair" & 2013's "How To Kill A Horse"), "Scorched Earth Policy" features a mix of newly recorded studio songs, demos, covers and field recordings.
Following his two previous acclaimed solo efforts (2009's "Folk Songs Of The American Longhair" & 2013's "How To Kill A Horse"), "Scorched Earth Policy" features a mix of newly recorded studio songs, demos, covers and field recordings.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
An expansive and intensely emotive hybrid of Ambient Electronica, Modern Classical and panoramic Post-Rock that delivers a seismic collision of old and new, of sounds organic and electric, that explores our insatiable fascination with technology.
An expansive and intensely emotive hybrid of Ambient Electronica, Modern Classical and panoramic Post-Rock that delivers a seismic collision of old and new, of sounds organic and electric, that explores our insatiable fascination with technology.
An expansive and intensely emotive hybrid of Ambient Electronica, Modern Classical and panoramic Post-Rock that delivers a seismic collision of old and new, of sounds organic and electric, that explores our insatiable fascination with technology.
A monumental piece to capture and soothe the mind during this tumultuous cultural era. With a masterful grasp on tension-building and release, it’s a hypnotic lullaby and explosion in one, stretched over a singular sonic experience.
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
The debut album by Belgium's heavy atmospheric three-piece, a powerful and thrilling blend of Punk, Rock, Indie and Hardcore, with a twist of Mogwai. Includes download code.
The first part of "The Destroyer", which is comprised of eight driving, anthemic songs, highlights Industrial and Dream Pop influences, with Alfons' knack for shimmering sounds and powerful vocals heavily on display.
The first part of "The Destroyer", which is comprised of eight driving, anthemic songs, highlights Industrial and Dream Pop influences, with Alfons' knack for shimmering sounds and powerful vocals heavily on display.
With all touring canceled in 2020, Brutus wanted to share their favorite live performance set with highlights from their first two albums. Live in Ghent was recorded and filmed at their' hometown show at Handelsbeurs Ghent, Belgium in May 2019.
"Unison Life" is about all the things that wear you down from the start. It's about the hideousness, the pain, and the acts of courage to get through it all. A striking example of a band pushing boundaries and at the peak of their power.
"Unison Life" is about all the things that wear you down from the start. It's about the hideousness, the pain, and the acts of courage to get through it all. A striking example of a band pushing boundaries and at the peak of their power.
A complete live concert movie and album, in sixteen songs, ninety-two minutes. This is "Live in Brussels", a testimony of three years of touring "Unison Life" across more than 20 countries and almost 200 shows!
A complete live concert movie and album, in sixteen songs, ninety-two minutes. This is "Live in Brussels", a testimony of three years of touring "Unison Life" across more than 20 countries and almost 200 shows! Lim. 1200x.
Angular Post-Punk à la Gang of Four sustaining pagan declamations in the vein of Fenriz Folk Metal excursus Isengard. Straight forward dark anarcho Punk assaults in Poison Ruin style mitigated by almost new age juxtapositions. Lim. 200x.
Buñuel stretch their musical tendrils towards discomfort, surrealism and the deconstruction of tradition, as they reach absolute abandon. “Mansuetude” covers from Post-Hardcore to Avant-Noise, Hard Blues to Post-Industrial, and more!
Recorded back to 1993, this holds Varg's last recordings before imprisonment. It depicts two radically different sides - on one hand, a raw yet highly atmospheric Black Metal, on the other a completely Ambient / Electronic work on the last two tracks.
Burzum's 3rd work, originally recorded in 1992 and released two years later. A longstanding classic in the Black Metal genre, "Hvis Lyset Tar Oss" was conceived as a concept album.
"Det Som Engang Var" (Norwegian for "What Once Was") is Burzum's second studio album, recorded in April 1992. "Det Som..." would come to feature a slightly more polished sound and is often considered as one of the main landmarks in Norwegian Black Metal.
According to Varg, yet another return-to-the-roots album, with a strong focus on atmosphere and wholeness rather than anything else and special emphasis on the lyrics (a total of 66 stanzas have been written for the album).
Described as "relaxing, slow-paced, contemplative and very much original", Burzum returns to a purely electronic and instrumental expression, closer to early tracks like "Tomhet" and "Channelling the power of Minds..." on this one-hour long album.
Similar to Burzum’s previous Ambient albums, but differing in style and vocal expression. Haunting story telling channeled through distinct vocals combined with Varg’s compositions, inspired by his in-depth knowledge of European history and evolution.
"Burzum / Aske" gathers the self-titled debut, depicting the project's early days with a very raw and primitive approach to Black Metal reminiscent of early Bathory. 180gr. vinyl.
A stark synth-based Ambient and Dungeon Synth work, composed entirely on a prison keyboard with no guitars. Minimal, repetitive MIDI melodies retell Norse myth with mournful medieval atmosphere, trading Black Metal fury for cold, hypnotic sorrow.
Much like "Dauði Baldrs", and also recorded during imprisonment, "Hliðskjálf" continues to blend Medieval and Neoclassical motives inspired by Norse mythology into Varg's minimalist synth Ambient compositions.
Burzum's fifth album was conceived and recorded in jail, using a synthesizer (the only instrument available to him at the time). It strays away from the early Black Metal sound in its mix of medieval music, ambient, neoclassical and minimalism.
"Det Som Engang Var" (Norwegian for "What Once Was") is Burzum's second studio album, recorded in April 1992. "Det Som..." would come to feature a slightly more polished sound and is often considered as one of the main landmarks in Norwegian Black Metal.
Genre-defining early Black Metal from Count Grishnack. Simple, and often suffocatingly feral with ghoulish distorted screams garbling any message but the mood: sadness.
Burzum's first work, after an 11 year hiatus, sees Varg return to the earlier highly atmospheric and dynamic sound, but this time focusing solely on Black Metal and leaving the ambient parts out, for the most part.
"Fallen" can be compared to the music on the groundbreaking "Det Som...", and although it follows "Belus" in sound and structure, it is also more dynamic and hard hitting, holding an even bigger sound while carrying Burzum's trademark melodic lines.
Recorded back to 1993, this holds Varg's last recordings before imprisonment. It depicts two radically different sides - on one hand, a raw yet highly atmospheric Black Metal, on the other a completely Ambient / Electronic work on the last two tracks.
Traversing EBM, darkwave and goth sounds with ease, "New Kind Of Cross" traverses much darker waters than Dwyer’s last effort and deals explicitly with themes of isolation, introversion and sometimes anger.
A mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer's personal sonic exploration over time. "Chroma" was Buzz Kull's seminal debut album, and transcends the traditional archetype of Darkwave by pushing Pop sensibilities.
Ulver 
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