"Piano, violoncelle et 3 violons, voilà le quintet composant Les Fragments de la Nuit. Et c’est tout. Pas d’artifices, pas de superflu, «Musique du crépuscule» est tout simplement un album inst(...)"
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Jac Berrocal, David Fenech and Vincent Epplay (France)
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
An astounding collection of musical memories and emotional fragments, all drawn together from previous recording sessions and previous lives in order to chart a cathartic creative course into new, unknown territories.
An astounding collection of musical memories and emotional fragments, all drawn together from previous recording sessions and previous lives in order to chart a cathartic creative course into new, unknown territories.
An astounding collection of musical memories and emotional fragments, all drawn together from previous recording sessions and previous lives in order to chart a cathartic creative course into new, unknown territories. Lim. 100x.
Je T'Aime debut re-released in a completely re-mastered Deluxe edition, containing an exclusive Bonus-track on CD1 and the full-length live album "Live at Gibus" on CD2, recorded in Paris on the 14th September 2019. A Post-Punk / Cold Wave hybrid.
Merging Electro-Clash, New-Wave, and Post-Punk, now deliver their second album. The tone hardens, the atmosphere becomes more melancholic, and the lyrics embrace bitterness and anger. Lim. 500x copies.
Re-issue of "Aggressive" for the Post-Punk/New-Wave Parisian band, augmented with a huge remix album called "Aggression", which revisits the original tracks with a lot of distortion bringing influences such as Nine Inch Nails, Killing Joke, Ministry and s
Weeks of sleepless summer nights in the pursuit of new sounds result in the creation of eleven tracks: the sound of a Post-Punk / Cold Wave hybrid, reminiscent of the great Mancunian Factory era and suffused with hints of the Smiths. Lim. 300x.
Twin release to the highly successful album "Passive". Together with the debut album, these two albums form a triptych on the theme of the Peter Pan syndrome and the difficulty of growing up set to a danceable hybrid of Post-Punk and Coldwave. Lim. 500x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 400x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 400x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
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An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
Naive and sentimental music, as John Adams would put it. A beautiful work of contemporary Chamber Music, which should please fans of Yann Tiersen or Wim Mertens.
EBM / Industrial sounds, Post-Punk songs with his own vocals and high-level collaborations make up this work. Undoubtedly a musically mature album that shows the identity of this chameleon-like artist with a career spanning more than 30 years.
“The Cartographer” is a piece commissioned by the renowned Roadburn Festival, which explores the space where classical instrumentation and contemporary heavy music intersect.
Acclaimed pianist Joep Beving and Berlin-based producer and cellist Maarten Vos share their first collaborative album, released via Nils Frahm’s Leiter label. Lim. 400x.
Inspired by a recording of an IBM mainframe computer which Jóhann’s father made on a reel-to-reel tape machine more than 30 years ago, "IBM 1401" was recorded by a sixty-piece string orchestra which added to incorporated electronics of the original tape.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
A record that harnesses the punch and intensity of their blistering live shows with the band’s increasingly textural, cinematic and expressive sensibilities, redefining and expanding the role, function and parameters of what a guitar and drum duo can do.
Their 3rd collaboration album. “Opalus” dives further into the psychedelic cosmic vacuum that the previous albums only touched on, and sounds like a lost Cluster, Popol Vuh, or Tangerine Dream album with that magical old tone and spirit of the 1970s.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
Jordfäst envelopes the melancholy and rawness of Scandinavia. The music stems from Black Metal soil and its canopy covers everything from the melodic and atmospheric to the harsh and brutal, steeped in both earthen melancholy and icy brutality.
Originally put together by a couple of Belgian Joy Division experts to celebrate the 25th anniversary of Ian Curtis. A collection of rare audio interviews, interspersed with superb live performances from various venues.
A compilation of singles which originally did not appear on albums — "Transmission", "Komakino", "Love Will Tear Us Apart", and "Atmosphere" — as well as most of their B-sides and further oddities. 180gm heavyweight vinyl.
Joy Division's classic debut album on 180gm heavyweight vinyl. Replicating original album artwork on textured sleeve, with audio cut from the 2007 remasters.
Vinyl housed in a generic "Radio Broadcast" diecut sleeve and diecut white paper inner. Incl. 12" × 12" card insert with band image and titles. Limited edition 300 copies.
"An Attempt..." delves into the theology of William Blake and Emanuel Swedenborg, exploring also the work of Russian occultist Helena Blavatsky. It finds much of its power in minimalism, with unadorned lute set against drones and subdued electronica.
Soundtrack for the acclaimed Jim Jarmusch film "Only Lovers Left Alive", a collaboration between SQÜRL (Jim Jarmusch, Carter Logan and Shane Stoneback) and Dutch lutenist Jozef Van Wissem bridging ancient and modern sounds, entangled and timeless.
While one song written about the pandemic came to be the album's centrepiece, the rest grapples with the world as it moved on and all the dualism and dichotomies that followed. The luthe players contains to mesmerize with his unique instrument.
While one song written about the pandemic came to be the album's centrepiece, the rest grapples with the world as it moved on and all the dualism and dichotomies that followed. The luthe players contains to mesmerize with his unique instrument.
"Character", the cellist third album, refines the layering technique with which different cello motifs are interwoven. As an accompaniment to her actual instrument, she plays natural and ambient noises, which work as a kind of substitute voice.
On her fourth work, Julia Kent again masterfully combines the sound of the cello with electronic music, creating a completely unique acoustic world, which can be both mysterious and moving. Limited vinyl version including CD.
Following the dissonance and tension of "Asperities", "Temporal" is a meditation on the transitory and fragile nature of existence. Plaintive cello lines floating over metronomic rhythms echo the passage of time, and the emotions that can evoke. Lim. 500x
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