"Ranskalaisen Les Fragments de la Nuit’n takana hääräilevät Michael Villar ja Ombeline Chardes ovat aiemmin olleet tekemässä elokuvien, animaatioiden ja dokumenttien soundtrackeja, mikä kuuluu myös kak(...)"
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Vanhorn continues to hone his craft by merging literary and cinematic influences with philosophical attentiveness, set to a Shoegaze/Post-Punk palette.
A new project by Der Blutharsch and 7 That Spells! Hailing from 13th century, these mystical troubadours failed to destroy the Earth in an apocalyptic event gone horribly awry. Now, making music seems the only way to get cosmic redemption and women.
Jastreb are back with Indo-European vengeance, now featuring Lina B. Doll of Deutsch Nepal on vocals! Upon the highest of mountains, where the cold wind blows, warriors have assembled from all corners of the Earth.
Jaye Jayle unfurls a tapestry of neo-folk economy, krautrock-esque repetition, skid row’s darkest blues, Midwestern indie rock’s nihilism, and Tangerine Dream’s analog oscillations. A prime candidate for a Twin Peaks season four Roadhouse band.
Weeks of sleepless summer nights in the pursuit of new sounds result in the creation of eleven tracks: the sound of a Post-Punk / Cold Wave hybrid, reminiscent of the great Mancunian Factory era and suffused with hints of the Smiths.
14.50EUR • approx. 21USD [ new : recommended ] : [ add to cart ]
Twin release to the highly successful album "Passive". Together with the debut album, these two albums form a triptych on the theme of the Peter Pan syndrome and the difficulty of growing up set to a danceable hybrid of Post-Punk and Coldwave. Lim. 500x.
Twin release to the highly successful album "Passive". Together with the debut album, these two albums form a triptych on the theme of the Peter Pan syndrome and the difficulty of growing up set to a danceable hybrid of Post-Punk and Coldwave. Lim. 500x.
Je T'Aime debut re-released in a completely re-mastered Deluxe edition, containing an exclusive Bonus-track on CD1 and the full-length live album "Live at Gibus" on CD2, recorded in Paris on the 14th September 2019. A Post-Punk / Cold Wave hybrid.
Merging Electro-Clash, New-Wave, and Post-Punk, now deliver their second album. The tone hardens, the atmosphere becomes more melancholic, and the lyrics embrace bitterness and anger. Lim. 500x copies.
Re-issue of Je T’Aime’s 2nd album. This new edition for the Post-Punk/New-Wave Parisian band, comes now augmented with a huge remix album called "Passion". CD1 contains the 10 tracks of the regular album, CD2 contains 10 exclusive, special mixes.
“Viscera” is set in the body. The songs are stories of flesh and travelling, both sensual and provocative. The music is poetic, sensual, challenging, sometimes dark and always immensely beautiful, crafted out of gentle acoustic guitars and siren vocals.
A musical combination of improvisation, contemporary Feldmanian music, pop and the spoken word, created by guitarist, improviser and composer Kim Myhr alongside Jenny Hval for a new collaboration with the never-stagnant Trondheim Jazz Orchestra.
"Classic Objects" is Hval’s version of a Pop album. Every song has a verse and a chorus. There are interchangeable moments of complexity, interesting melodies throughout, and a feeling of elevation and clarity in the choruses.
Combining traditional Arabic musical stylings with modern electronics, "Daqa’iq Tudaiq" is a remarkably powerful and innovative work that continues to expand the horizons in JIMH's conceptual and aesthetic engagement with Arabic/Middle-Eastern tradition.
One of the most renowned and uncompromising entities working in 21st century avant-garde Arab-Levantine art and music presents a new album of vital and haunting electronics and electroacoustics, framed by spoken and sung Arabic, buzuk and sound design.
The most overtly searching, mournful and inexorable music Moss has made to date. The pieces on "Phosphenes" exquisitely navigate consonance and dissonance, building patiently from single notes to multiple voicings, harmonic stacks and clusters.
The most overtly searching, mournful and inexorable music Moss has made to date. The pieces on "Phosphenes" exquisitely navigate consonance and dissonance, building patiently from single notes to multiple voicings, harmonic stacks and clusters.
Thematically inspired by the concepts of rejection, dependency, nostalgia, and ultimate loneliness, Jesu explores the entire gamut of his oeuvre since it's initial inception: Dream Pop, Shoegaze, Electronica and non aligned/non genre specific heaviness.
30.00EUR • approx. 43.5USD [ new : recommended ] : [ add to cart ]
A Slo-mo, Slo-fi, Sewer tech journey into utter gutter level filth. Overdriven, corroded, corrupted and absolutely blasted, it contains so many essential elements of clubland low life, but yet manages to remain beautifully original.
The music of "Divers" is a wonder of considered arrangements — a taut line, threaded with the pearls of passed and passing times... a round, a chant, an incantation... a ray of light diverted eleven ways, into eleven songs.
Inspired by a recording of an IBM mainframe computer which Jóhann’s father made on a reel-to-reel tape machine more than 30 years ago, "IBM 1401" was recorded by a sixty-piece string orchestra which added to incorporated electronics of the original tape.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
First collaboration between Agalloch's John Haughm and influential German sound architect Mathias Grassow. Expansive celestial ambience meets Eastern meditation over the duration of a 45 minute sonic landscape.
A haunting, dystopian soundscape John Haughm of Agalloch, heavily influenced by Cormac McCarthy and the mid-1800s renegade period of the old West. For fans of Swans, Ennio Morricone, Fields Of The Nephilim, and Neil Young's “Dead Man” soundtrack.
Their 3rd collaboration album. “Opalus” dives further into the psychedelic cosmic vacuum that the previous albums only touched on, and sounds like a lost Cluster, Popol Vuh, or Tangerine Dream album with that magical old tone and spirit of the 1970s.
The followup to “+37.717364 // -117.247955” continues the wayward journey of the dystopian 19th century nomad as he navigates the inter-dimensional desert, taking on a more fully orchestrated soundtrack approach.
Three dimensional beds of analogue warmth encompassed in raw electronic moisture, in an expansive pallet of soft color amid canyons of jagged oscillations by the Chromatics mastermind David Lynch collaborator.
"Themes for Television" is an epic from the cutting room floor. A nearly hour-long foray into the blurry hours of night, which began as a sonic exploration of sounds heard in nightmares while keeping with the unpredictable twilit splendor of Jewel.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
Jordfäst envelopes the melancholy and rawness of Scandinavia. The music stems from Black Metal soil and its canopy covers everything from the melodic and atmospheric to the harsh and brutal, steeped in both earthen melancholy and icy brutality.
With folky melodies and theatrical narratives woven into a solid backbone of Black Metal, Jordfäst delve further into the barren realms of Scandinavian hardship and melancholy. Epic and dreaming, it should appeal to fans of Skogen, Saiva or Primordial.
With folky melodies and theatrical narratives woven into a solid backbone of Black Metal, Jordfäst delve further into the barren realms of Scandinavian hardship and melancholy. Epic and dreaming, it should appeal to fans of Skogen, Saiva or Primordial.
Selofan present themselves under a totally new musical identity resembling a sweet dream into a Synthwave universe, where everything is brighter and more natural. And it's all in Greek this time! A unique Synthpop beauty, lim. 250x copies.
25.00EUR • approx. 36.3USD [ new : recommended ] : [ add to cart ]
Selofan present themselves under a totally new musical identity resembling a sweet dream into a Synthwave universe, where everything is brighter and more natural. And it's all in Greek this time! A unique Synthpop beauty, lim. 250x copies.
"An Attempt..." delves into the theology of William Blake and Emanuel Swedenborg, exploring also the work of Russian occultist Helena Blavatsky. It finds much of its power in minimalism, with unadorned lute set against drones and subdued electronica.
Soundtrack for the acclaimed Jim Jarmusch film "Only Lovers Left Alive", a collaboration between SQÜRL (Jim Jarmusch, Carter Logan and Shane Stoneback) and Dutch lutenist Jozef Van Wissem bridging ancient and modern sounds, entangled and timeless.
Soundtrack for the acclaimed Jim Jarmusch film "Only Lovers Left Alive", a collaboration between SQÜRL (Jim Jarmusch, Carter Logan and Shane Stoneback) and Dutch lutenist Jozef Van Wissem bridging ancient and modern sounds, entangled and timeless.
An all instrumental album, which consists of sparse works for lute and electronics, marking a return to the minimal Neo Classical style of this unique avant garde composer and lutenist.
An all instrumental album, which consists of sparse works for lute and electronics, marking a return to the minimal Neo Classical style of this unique avant garde composer and lutenist.
A piece comissioned by Cinémathèque Française in Paris which was to serve as the soundtrack to the restored original version of the “Nosferatu” film (1922). Lim. 1000x copies.
A piece comissioned by Cinémathèque Française in Paris which was to serve as the soundtrack to the restored original version of the “Nosferatu” film (1922). Lim. 1000x copies.
The latest album of work by Irish composer and Dead Can Dance member. An exquisite album of meditative instrumental music, quiet and circular in nature but deeply atmospheric and dramatic at moments. Lim. 500x on blue and gold vinyls!
On her fourth work, Julia Kent again masterfully combines the sound of the cello with electronic music, creating a completely unique acoustic world, which can be both mysterious and moving.
"Character", the cellist third album, refines the layering technique with which different cello motifs are interwoven. As an accompaniment to her actual instrument, she plays natural and ambient noises, which work as a kind of substitute voice.
23.00EUR • approx. 33.4USD [ new : recommended ] : [ add to cart ]
Following the dissonance and tension of "Asperities", "Temporal" is a meditation on the transitory and fragile nature of existence. Plaintive cello lines floating over metronomic rhythms echo the passage of time, and the emotions that can evoke. Lim. 500x
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