"Année chargée pour H. Möller. En sus de l’arrivée d’un nouvel album ("Grace Of God") et d’une réédition ("Back In Control"), toutes deux luxueuses, de son projet martial et orchestral Puis(...)"
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A sonic explosion that vigorously fuses New Wave and Post-Rock. Without gear of imperfection, aggressive basslines and chorused Cure-ish walls of guitars blend to create a unique soundscape, true to the band’s post-wave DNA. Lim. 400x.
A sonic explosion that vigorously fuses New Wave and Post-Rock. Without gear of imperfection, aggressive basslines and chorused Cure-ish walls of guitars blend to create a unique soundscape, true to the band’s post-wave DNA. Lim. 300x.
Fueled by cold bass lines and synthesizers of yesteryear, French Post-Punk and black romanticism, Blind Delon shatters genres and styles to create an evolved strain of Synthpunk. Remasted edition with 3 bonus tracks!
A Darkwave/Coldwave trio from Kaliningrad, Russia, from the same Sovietwave scene that gave us Motorama, Molchat Doma or Ploho. Cold and minimal yet kind of Pop and easy-listening distinguishing approach typical of most of the Former USSR bands.
Ten years ago, the Kaliningrad-based trio started off its adventure in the soon to be known as Sovietwave aka Russian Post-Punk. The time has come to celebrate by gathering some of their best material for a global Post Punk/Darkwave audience. Lim. 300x.
Dreamlike and longing but still vicious and punishing – Nordic Black Metal saturated in that characteristically wild and unbound organic spirit, perhaps somewhere in-between Murg and Panphage, but with an atmosphere rooted in folkloric mysticism.
Blonde Redhead relinquishes conventional song structure to explore a quasi-Art Rock side, with their odd mix of Post-Punk angularity, Ambient trippiness and the sugarcoated vocals of Kazu Makino.
"Fake..." has a lot of the ferocity and dischord of Blonde Redhead's first two albums, but each song has these amazingly catchy grooves that will no doubt get stuck in your head, with their early Noise-Rock/No-Wave sound taking on traces of Dream Pop.
Made over a year between New York and Stockholm together with production duo Van Rivers and The Subliminal Kid (see also Fever Ray and Glasser), "Penny Sparkle" shows the band shedding another skin, adding a glacial elegance to their arsenal. 180gr vinyl.
"Barragán" comes alive with exuberant and sensual vocalizations, surrealist lyrics, discreet notes of electronics, Folk and found sounds, in a magical whole that confirms Blonde Redhead as one of the most fascinating bands of our times.
Using basic instruments, melodies, and rhythms, the recording, the instrumentation, and the general presentation of each song create intricately layered, provocative, and genuinely emotional songs.
Feral Art Rock from the gritty depths of '90s Manhattan. Japanese-Italian guitar symphonies for 120 Minutes refugees and Keith Haring enthusiasts alike. Blonde Redhead's self-titled 1995 debut as a definitive single LP for the first time since... ever.
Art-house kosmische from the battered basements of pre-9/11 New York. Polyrhythmic screamo for unemployed Gen-Xers and trust fund weed dealers alike, which switches between emotional grandeur and eye scratching immediacy.
An immersive, meticulously crafted album which appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence, and perhaps their strongest to date.
An immersive, meticulously crafted album which appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence, and perhaps their strongest to date.
An immersive, meticulously crafted album which appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence, and perhaps their strongest to date.
Dreamlike, intimate, and a slightly surreal, "The Shadow of the Guest" offers a fresh lens on the world of "Sit Down for Dinner" and beyond, inviting listeners to tap into the sense of wonder and childlike emotion that run through the band’s work. 2500x.
A new seed into the murky soil of Dark Folk, produced by Bob Ferbache. Nine fresh songs lit a beacon of inspiration and knowledge into the desolate nights of the wilderness, and set a fire ablaze in our hearts, old and new friends alike.
Blood and Sun are known for dark and haunting songs drawing heavily from Americana and neo-folk – likely to appeal to fans of everything from Of the Wand and the Moon and Steve Von Til to Wovenhand and Echo & The Bunnymen.
Blood and Sun are known for dark and haunting songs drawing heavily from Americana and neo-folk – likely to appeal to fans of everything from Of the Wand and the Moon and Steve Von Til to Wovenhand and Echo & The Bunnymen. Lim. 500x.
Diverse, hypnotic and eminently groovy, the new songs push Blood Ceremony’s sound into new territory while also honouring the atavistic ethos that has led them to such triumphs in the past. Don’t miss out on this beast of an album. Lim. 600x.
Epitomizing their Cosmic essence and Experimental nature, "Timezero..." reveals an alternate dimension for experiencing the mind-bending songwriting of Blood Incantation´s dense & otherworldly sonic landscapes in an archaic planetarium soundtrack.
At roughly 45 minutes, the two compositions that make up this album are as confounding as they are engaging in their scope, melding the 70's Prog leanings of Tangerine Dream with the deathly intent of Morbid Angel.
At roughly 45 minutes, the two compositions that make up this album are as confounding as they are engaging in their scope, melding the 70's Prog leanings of Tangerine Dream with the deathly intent of Morbid Angel.
Blood of Kingu's debut album, finally available on vinyl again. Shamanistic chants, druidic drones, tribal tapping and ancient atmospheres merge together, raw and rhythmic, bleak and blissful, unveiling a new yet ancient dimension of Black Metal. Lim.226x
Cultish Black Metal that is fast, grim, and unrelenting. Blood of Kingu, headed by Roman of Drudkh and Dark Ages, follows the demise of Hate Forest. An aggressive blend of Black Metal with low-pitched vocals, intertwined with shamanic/ethnic elements.
Sun-scorched riff-rock propelled from the windswept heart of the desert! New album of grooving, raw desert rock for fans of Kyuss, Valley of the Sun, Clutch and High Desert Queen pressed on splendid splatter vinyl dubbed the Primordial Edition! Lim. 300x.
Blut Aus Nord fully realised: richer, deeper, grander, more enigmatic and simultaneously more human than ever. Intermeshing the earthen and the futuristic as a vessel for the dark dreamer, soaring and ascending to vivid realms.
Blut Aus Nord fully realised: richer, deeper, grander, more enigmatic and simultaneously more human than ever. Intermeshing the earthen and the futuristic as a vessel for the dark dreamer, soaring and ascending to vivid realms.
A trailblazing album widely regarded as a cult classic, BLUT AUS NORD’s epiphany distils the sound of urban decay into an industrialised avant-Black Metal template to conjure a unique and refreshing identity.
The Original soundtrack for the cult film, closely linked with the Occult elements of Dark Psychedelic Mystical Sounds. Bobby composed Electronic sounds interspersed with interesting slow trumpet fanfares, keyboard wizardry and fine guitar solos.
"Ghost Highway" is a compilation album featuring some of the greatest recordings made by Bobby Beausoleil dating back from the mid 70s to his most recent works.
"cords. wires" is like inserting your head in a television set showing re-runs of "Lost In Space", intermingling lazily into the next one, bringing new little, warped melodies to your baffled ears.
Bogus Blimp combine the dark 30's of Europe with the avant-gardism of our times' Rock'n'Roll into a genre of its own making: Cabaret Core, Silent Movie Punk, or Horror Pop.
Surfacing shortly on the far side of the fjord, Bogus Blimp leaves yet another fine album in your care. Completing a three record cycle this is the final audio release from the Bogus Blimp Collective.
A mysterious, atmospheric and cinematic record, suitable for a Lynch movie. A blend between Jazz, Ambient and that mesmerising, dark and eerie area on the edge of Experi-Metal.
Shuffling slower than ever, Bohren has stripped down their smoky Jazz lounge sound to the bone, becoming more gentle and less aggressive without any compromise.
25 years since "Gore Motel", Bohren & Der Club of Gore hold their smoky line of doom-jazz in a sublime, haunting 10th album that once again taps into that interzone between classic Lynchian motifs and fizzing gothic undercurrents.
The wonderfully titled "Bohren For Beginners" now collects all the highlights of the Bohren catalogue in partly remixed versions, as well as a new song, for the first time as a 3LP album!
Australian Experimental Metal band Bolt Gun return with their 3rd full length album, which continues to push the boundaries of heavy music, adopting a semi-improvised style that combines elements of Black Metal, Post-metal, Noise and Dark Ambient.
Bone Church’s boldest step yet into the heart of classic and Hard Rock: an album built on big hooks and anthemic songcraft, which trades their debut's Doom-laden expectations for soaring, blues-soaked riffs and sing-along choruses. Crank it! Lim. 300x.
"Thin Skies" zooms forward where previous album “Fragments” (now deleted – few vinyls still available) left off. The nine songs combine a driving, dancefloor pulse with soulful, melodic Post-Punk, yielding results that are positively anthemic.
"Thin Skies" zooms forward where previous album “Fragments” (now deleted – few vinyls still available) left off. The nine songs combine a driving, dancefloor pulse with soulful, melodic Post-Punk, yielding results that are positively anthemic.
A remix album based off the success of their “Thin Skies”, boasting a stunning remix by Nine Inch Nails collaborator Chris Vrenna, as well as a remarkable cast of contributors, including Twin Tribes, Martial Canterel, Kanga and William Faith.
“Paradise” marks a departure from the manic percussion and guitar-driven energy of the artist’s angular Post-Punk roots to a more electronic and immersive soundscape, which borrows greatly from 1980’s musical output.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
“Paradise” marks a departure from the manic percussion and guitar-driven energy of the artist’s angular Post-Punk roots to a more electronic and immersive soundscape, which borrows greatly from 1980’s musical output.
"Noise" is an amplification of Boris’ endless pursuit of musical extremes, masterfully intermingling sludge-rock, blistering crust punk, shimmering shoegaze, epic thunderous doom, psychedelic melodies and just about everything else they’ve ever done.
A unique work featuring over 150 minutes of new music by renowned Japanese innovators, holding a near-infinite potential for aural discovery and encouraging direct interactivity with the listener. An untouchable paroxysm of noisy, droning experimentation!
Continuing their series of Heavy Rocks records, BORIS once again channels the classic Proto-Metal sounds of the 70s into something all new, highlighting the very trajectory of this unique Japanese band throughout 10 pulse-pounding tracks.
Continuing their series of Heavy Rocks records, BORIS once again channels the classic Proto-Metal sounds of the 70s into something all new, highlighting the very trajectory of this unique Japanese band throughout 10 pulse-pounding tracks.
Boris and Uniform spent a year swapping song ideas and recordings from their homebase studios until they created an album which covers vast ground in Metal's extreme fringes and that captures the fearless exploration and unbridled power of their shows.
The original release was based on the concept of playing two separate records simultaneously. This "-example-" version features a stereo mix of the paired tracks, creating a reference "example".
Conceived as a meditation on nature’s brutal beauty, the album channels the relentless flow of the natural world, its internal hierarchies, and the unseen forces that shape it, moving between stillness and intensity. Lim. 200x.
Monstrous and surreal, the album is a strange mix of Black Metal, Noise and dark, post-modern lyrical themes. Comparisons range from ’90s Post-Rock like Slint to fellow Post-Black Metal brethren Deafheaven.
Bossk are a metallic post-everything band from Ashford, Kent, England. In many ways all of us are migrating. To who, or from, is unique to the individual. "Migration" from Bossk is a soundtrack to that herculean journey we all take.
".4" forges a more experimental path by presenting re-worked versions of some old favourites, as well as a smattering of re-recorded songs that only the most obsessed fan of this shining beacon of UK Post-Metal will be familiar with. Lim. 1000x.
Split-album between old collaborators: San Francisco Post-Black Metal outfit Botanist (with material from the "VI: Flora" sessions) and LA's Electronic project, Thief (with companion material to their "The 16 Deaths..." album).
For the odd entity known as Botanist, the Black Metal trope about misanthropy and of being alone in the forest is in fact about the woods and its floral inhabitants themselves. A most unique take on the genre, for sure.
"Paleobotany" expands their dark green sonic range of an Avant-Garde Metal sound into a more accessible and dynamic sonic experience, under the supervision of renowned Swedish producer Fredrik Nordström! 2CD-Hardcover-Artbook, lim. 500x copies!
"Paleobotany" expands their dark green sonic range of an Avant-Garde Metal sound into a more accessible and dynamic sonic experience, under the supervision of renowned Swedish producer Fredrik Nordström!
"Paleobotany" expands their dark green sonic range of an Avant-Garde Metal sound into a more accessible and dynamic sonic experience, under the supervision of renowned Swedish producer Fredrik Nordström! Lim. 200x.
Boy Harsher’s debut album stands out as one of the strongest admissions to the recent wave of EBM and Darkwave influenced Synth-Pop. Paradoxically massive yet minimal, their sound provides the perfect space for Jae Matthew's rich, deep, emotive vocals.
Boy Harsher’s debut album stands out as one of the strongest admissions to the recent wave of EBM and Darkwave influenced Synth-Pop. Paradoxically massive yet minimal, their sound provides the perfect space for Jae Matthew's rich, deep, emotive vocals.
Boy Harsher at their world's most fully fleshed-out, in an album brimming with hits. Muller's composing skills have gotten stronger, at once groovier and more unnerving than ever, as he melds crunchy SPK-style sounds with sweaty Goth Pop tones.
For the expanded edition of the 2017 "Country Girl" EP, Boy Harsher adds four brand new tracks that range from atmospheric soundscapes, moody instrumental compositions and some more of their signature Cold Wave adjacent Synth Pop.
For the expanded edition of the 2017 "Country Girl" EP, Boy Harsher adds four brand new tracks that range from atmospheric soundscapes, moody instrumental compositions and some more of their signature Cold Wave adjacent Synth Pop.
The soundtrack to a short horror film written, produced, and directed by the duo titled 'The Runner' which will be released January 2022. The album balances cinematic instrumentals with Pop songs that push the boundaries of Boy Harsher’s sound.
The soundtrack to a short horror film written, produced, and directed by the duo titled 'The Runner', released January 2022. The album balances cinematic instrumentals with Pop songs that push the boundaries of Boy Harsher’s sound.
The soundtrack to a short horror film written, produced, and directed by the duo titled 'The Runner' which will be released January 2022. The album balances cinematic instrumentals with Pop songs that push the boundaries of Boy Harsher’s sound. Lim. 500x.
A proper 12” maxi single containing four versions of the track “Burn it Down”, a sumptuously eerie track which Boy Harsher contributed for the David Gordon Green directed finale to the iconic Halloween franchise!
A proper 12” maxi single containing four versions of the track “Burn it Down”, a sumptuously eerie track which Boy Harsher contributed for the David Gordon Green directed finale to the iconic Halloween franchise!
Boy Harsher at their world's most fully fleshed-out, in an album brimming with hits. Muller's composing skills have gotten stronger, at once groovier and more unnerving than ever, as he melds crunchy SPK-style sounds with sweaty Goth Pop tones. Lim. 700x.
Boy Harsher’s debut album stands out as one of the strongest admissions to the recent wave of EBM and Darkwave influenced Synth-Pop. Paradoxically massive yet minimal, their sound provides the perfect space for Jae Matthew's rich, deep, emotive vocals.
For the expanded edition of the 2017 "Country Girl" EP, Boy Harsher adds four brand new tracks that range from atmospheric soundscapes, moody instrumental compositions and some more of their signature Cold Wave adjacent Synth Pop. Lim. 500x.
Bracco has the kind of smooth and wet skin labels can't stick to. Still, they let their music be haunted by ghosts of the dark wave family. They fancy Psychic TV, DAF, Suicide, Throbbing Gristle.
Bragolin is a two-piece Post-Punk / Dark Wave band from Utrecht, The Netherlands, who skillful bring the genre into a brilliantly produced level, with a mixture of baritone and shoegaze guitars, organ, synths and pounding drum machines.
Adam Tristar joins Bragolin for their second album, in their pursuit to combine Minimal Synth, Postpunk and Darkwave in a new fresh and unique concept. Influenced by music from Germany and USA, both projects try to mix the best of both worlds.
Adam Tristar joins Bragolin for their second album, in their pursuit to combine Minimal Synth, Postpunk and Darkwave in a new fresh and unique concept. Influenced by music from Germany and USA, both projects try to mix the best of both worlds. Lim. 500x.
Bragolin is a two-piece Post-Punk / Dark Wave band from Utrecht, The Netherlands, who skillful bring the genre into a brilliantly produced level, with a mixture of baritone and shoegaze guitars, organ, synths and pounding drum machines. Lim. 400x.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere. Lim. 500x.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere. Lim. 500x.
44.00EUR • approx. 63.8USD [ new : recommended ] : [ add to cart ]
The debut solo album from Brendan Perry, one half of Dead Can Dance, finally available again and complemented with his 1993 "Live at the I.C.A." recording!
Brian Eno, Holger Czukay, J. Peter Schwalm (UK / DE)
32.00EUR • approx. 46.4USD [ new : recommended ] : [ add to cart ]
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
An exhilarating weave of rich textural drones, trance-like atmospheres and instrumental Folk traditions, delivered by Scottish smallpipes player Brìghde Chaimbeul is a leading purveyor of experimental Celtic music and featurning Colin Stetson.
An exhilarating weave of rich textural drones, trance-like atmospheres and instrumental Folk traditions, delivered by Scottish smallpipes player Brìghde Chaimbeul is a leading purveyor of experimental Celtic music and featurning Colin Stetson.
Chaimbeul returns with a magic(k)al album, which sees her push forward experimentally but also immerse her music deeper in tradition, folklore and mystery. A revelatory album, steeped in landscape, ritual, minimalism and the eternal presence of the drone.
All too bad, here is one bad to all. While the project has never compromised its original vision, it is fair to say Brighter Death Now has evolved into one of the few bands upholding the black flag of Industrial music.
All too bad, here is one bad to all. While the project has never compromised its original vision, it is fair to say Brighter Death Now has evolved into one of the few bands upholding the black flag of Industrial music. Lim. 300x.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
Vexagon 
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