"“Grace of God” is, in my opinion, the best Puissance recording so far. What a way to start a review, right? Trust my words here, it’s that good. Obviously their most accessible release, this album mig(...)"
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The Tribal Ambient group from Italy, previously known as Terroritmo, unveil a brand new chapter in the exploration of that dimension where all chants and sounds co-exist, beyond time and space.
Gentle acoustic guitar tunes played in honor of the Awakening of the Mother Nature after the long cold winter. The music is slow, melodic and in the same time dramatic at places. A real jewel for fans of Empyrium, Tenhi, Nest or October Falls.
"Femundsmarka" chronicles a trek undertaken through the Femundsmarka National Park in Norway. Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of Black Metal.
The roots of the whispering forest: "Herbstklagen", the debut album of Waldgeflüster, is now available on LP for the first time, lim. 300x. Pagan-oriented Black Metal unapologetically rooted in nature worship.
"Femundsmarka" chronicles a trek undertaken through the Femundsmarka National Park in Norway. Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of Black Metal.
Mid 90's debut demo of epic symphonic Pagan Black Metal from Norway, now for the first time on vinyl. Lim. 566 copies, comes with double sided lyric sheet and hypesticker on the front.
Wallachia is dark, ominous and doom laden with a very unique vocal style that hints of Death Metal. Wallachia bridge both classic and modern Norwegian Black Metal, often resorting to symphonic parts as well as acoustic passages. Lim. 513x.
Wallachia is dark, ominous and doom laden with a very unique vocal style that hints of Death Metal. Wallachia bridge both classic and modern Norwegian Black Metal, often resorting to symphonic parts as well as acoustic passages. Lim. 566x.
"Unlearning" plays out like a musical. While the themes of the album are universally relatable, Walt Disco’s gift is in the unique experience of discovery and heartbreak between queer people.
Originally released in 1973, with an all-star line-up which included Klaus Schulze and Manuel Göttsching, "Tarot" is Walter Wegmüller's only foray into the world of music. Presented in 2 remastered versions, each on a double CDs, from the master tapes.
Originally released in 1973, with an all-star line-up which included Klaus Schulze and Manuel Göttsching, "Tarot" is Walter Wegmüller's only foray into the world of music.
Originally released in 1973, with an all-star line-up which included Klaus Schulze and Manuel Göttsching, "Tarot" is Walter Wegmüller's only foray into the world of music. Remastered by Dieter Dierks and Dennis Flüchter, from the original master tapes!
2nd part of a trilogy of albums focusing on the mythology of the 24 runes of the ancient Norwegian alphabet. Ritualistic Pagan Folk with thundering drums, acoustic instruments and chants that evoke the spirits of ancient Vikings and their legends.
For years now Wardruna founder Einar Selvik has done acoustic concerts and lectures, performing Wardruna songs on his own, as well as creations made for the TV-show “Vikings” in an acoustic format. "Skald" collects live studio recordings of this material.
For years now Wardruna founder Einar Selvik has done acoustic concerts and lectures, performing Wardruna songs on his own, as well as creations made for the TV-show “Vikings” in an acoustic format. "Skald" collects live studio recordings of this material.
An immersive audio arrangement that underscores the experiential paradigm shift and masterful musicianship of their superlative and boundary-pushing virtual live experience "First Flight of the White Raven" of March 26th 2021!
Crushing underground Thrash / Death Metal from German worshippers of the legendary Hellhammer. You will find nothing but old-school, rough and simple underground metal in the vein of Hellhammer, Delirium, Usurper, Celtic Frost or Venom. Lim. 300x.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
Bold, rhythmic and riff-laden, the band’s pointed expedition across the frontiers of Black and extreme Metal are tinged with the grit and genuine air of artists like 16 Horsepower and Jay Munly, and the majestic heights of the Morricone / Leone collabs.
Weihan return with a more sophisticated and variable version of Martial Industrial that is conceptually based in norsk sagas and sacrificial pagan rites, leaving aside the more acoustic side of their work. A strong return for fans of HERR or Puissance.
The long awaited debut album by Brussels based Post-Punk outfit, produced by Micha Volders and mixed by Bert Libeert. The band’s first major release since their incredibly successful EP "Endless Party" in 2015.
Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
White Birches create a very own and unique style of Cold/Darkwave. Mixing their distinct minimal electronic sound with noise and gothic influences, the album is strongly defined by the fantastic female vocals of Jenny Gabrielsson-Mare.
White Birches create a very own and unique style of Cold/Darkwave. Mixing their distinct minimal electronic sound with noise and gothic influences, the album is strongly defined by the fantastic female vocals of Jenny Gabrielsson-Mare.
White Chamber is back with their 2nd release of dark electronic music inspired by the 80's, John Carpenter and more. Two cinematic tracks by Kim Larsen, with guest appearances by Bo Rande on trumpet and Iver Ask Overgaard on keyboards. Lim. 250x.
Synthpop / New Romantic the way it really SHOULD sound. Original fans of White Door from 1983 and new followers alike will certainly be MORE than pleased with their new release!
"Gold Nights" explores Italo disco, minimalist Techno and the more primitive end of 1980's German underground. They embrace their love of high fashion, 1980's New York vogue techno and the mutant explorations of Whitehouse or Arthur Russell.
A Post-Punk, psychedelic ride fueled by Industrial-strength fuzz and propelled by powerful beats where songs weave in and out of each other to imitate the rhythm of the city the band calls home.
Pure psychotropic madness! "The Revenge of Heads on Fire" consummates Dave W’s prototype for 2007's "Heads on Fire". Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago.
Pure psychotropic madness! "The Revenge of Heads on Fire" consummates Dave W’s prototype for 2007's "Heads on Fire". Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago.
Pure psychotropic madness! "The Revenge of Heads on Fire" consummates Dave W’s prototype for 2007's "Heads on Fire". Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago.
White Hills & Der Blutharsch and the Infinite Church... (US / AT)
A collaboration between psychedelic rockers White Hills and Der Blutharsch and the Infinite Church of the Leading Hand, rich with lush textures, fuzzy guitars and ethereal vocals. Blackness from Vienna meets New York psychedelia!
One of the most acclaimed proponents of the Witch House movement. Blending heavy, distorted electronics with eerie, unsettling vocals, White Ring subvert genre ideas and mash them all together.
One of the most acclaimed proponents of the Witch House movement. Blending heavy, distorted electronics with eerie, unsettling vocals, White Ring subvert genre ideas and mash them all together.
Special 40th anniversary legacy edition of legendary 1981 LP "Dedicated To Peter Kurten", whoe transgressive themes and wild electronic harshness became a critical defining influence on, indeed often template for, the Noise and Power Electronics genres.
With "Dommedagskvad", WR have clearly succeeded to combine all elements of the so called “True Norwegian Black Metal” yet perfecting it their own way. It’s nothing new, yet so honest, well crafted and unique sounding it’s hard not to be drawn into it.
A record filled to the brim with sulphurous, epic Black Metal as come to be expected from Whoredom Rife by this point, yet holding a more sinister approach than previous works.
A record filled to the brim with sulphurous, epic Black Metal as come to be expected from Whoredom Rife by this point, yet holding a more sinister approach than previous works.
Both bands feature two tracks each, Taake with an exclusive track plus a cover of none other than Sisters of Mercy. Whoredom Rife continues to trample down the classic Norwegian Black Metal-path, delivering two exclusive tracks.
Six new hymns of traditional Norwegian Black Metal, heavily rooted in the 90s glory days. Epic and grandiose, melancholic and utterly aggressive; "Winds of Wrath" is truly a tumultous ride to Hell and back.
Re-issue after 10 years (first issue on CD), originally released in limited edition LP in 1997 on Noton (now Raster-Noton). Full-length CD with bonus track. Delicate and sentimental ghost-like melodies and sheets of echoing fizzing and buzzing.
A new composition featuring a recently discovered tape loop melody from the earliest piano and tape experiments, from Basinski's early days as a composer, c. 1979.
One of Basinski's darkest pieces, even more so than "The Garden of Brokenness". A pensive and cavernous exercise, with its gaze set on darkness, as if you are listening to the entirety of history stretch and warp through time.
Hypnotic new electronic ambient recording using another recently discovered loop from the archive. The sound was an orchestra's melody that floated out of a small tape loop.
Dating 1983, "The River" consists of two long suites, both based upon the superimposition of long loops of found sounds and shortwaves. The idea was to have a piece which could repeat endlessly creating an eternal, meditative womb of tranquility.
Very tranquil, somnolent ambient meditation. Completely conceived on the Voyetra synthesizer, it's a delicate cross of gentle intertwining melodies and cricket-like frequencies that instantly caress the nerves, inducing a state of relaxation and serenity.
Eight lengthy pieces (the shortest is 9:18 and the longest is 23:15), spread over two disks. Each work is very simple, yet there is a shimmering quality to all of them, a metallic undercurrent that bubbles up as the feedback grows increasingly complex.
Electronics, piano, tape-loops and short wave radio blend to evoke a dense atmosphere suggesting hundreds of years of history rising up from the depths of a reverberating cathedral. Lim. 400 copies.
Basinski plunges deeper than ever for the plaintive, solitary eulogy to David Bowie, aptly titled “For David Robert Jones.” Conversely, the title track, “A Shadow In Time,” is a subtle, celestial escalation of melody and drone.
A suite of commissioned works which utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes.
Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on "Lamentations" he transforms operatic tragedy into abyssal beauty, haunted by an ominous grief throughout the album.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
14 short melancholy tape-loops from the early eighties. Unlike his 'continuing' projects such as Disintegration Loops and Watermusic, this is a sort of a sketch album, made of short pieces all created with tape loops and the occasionla synthetic wave.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. 750x.
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued!
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued!
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued! Lim. 750x.
The decline of industrial society set to music, for a new life in harmony with nature. Mixing the rough sound of Crust Punk with the dense atmosphere of Black Metal makes Wind In His Hair a unique representative of this relatively new musical niche.
The decline of industrial society set to music, for a new life in harmony with nature. Mixing the rough sound of Crust Punk with the dense atmosphere of Black Metal makes Wind In His Hair a unique representative of this relatively new musical niche.
Roman Sayenko (Drudkh, Hate Forest, Dark Ages) returns with Windswept, for two long tracks of melodic mid-paced Black Metal. Lim. 300x copies, on 180gr. vinyl.
The debut by this Chicago duo finds its guitar work inherently in the vein of Disintegration-era Cure, while injecting electronic elements that would be at home on records by OMD, in a refreshing mix of Electropop, Darkwave, and Goth.
Wingtips sophomore record combines their trademark Gothic sound with a dark, Post-Punk groove. Often described as a mixture of "Disintegration"-era Cure with electronic elements that would be at home on records by OMD.
Wingtips sophomore record combines their trademark Gothic sound with a dark, Post-Punk groove. Often described as a mixture of "Disintegration"-era Cure with electronic elements that would be at home on records by OMD.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
"Finsternis" successfully evokes the eponymous darkness of its German title and frozen cineastic soundscapes delivered in Winterblood's typical, minimalistic style that has been aptly dubbed "Polar Ambient".
The definitive re-release of this early Wire classic! The aim with these re-issues is to approximate the original statements as closely as possible, but with remastered audio and as such the vinyl releases have the same covers and inners as the originals.
The definitive re-release of this early Wire classic! The aim with these re-issues is to approximate the original statements as closely as possible, but with remastered audio and as such the vinyl releases have the same covers and inners as the originals.
In a classic act of Wire perversity, the group have decided to redress the balance and reclaim one of the shadier moments of their history, by giving "Not About To Die" its first official release, with a proper remastering.
The debut album by this project founded by The Gathering's original, Bart Smits. Depressive Doom Metal, mixed with elements of Gothic Rock, atmospheric Metal and the occasional death grunt. Lim. 300x.
The debut album by this project founded by The Gathering's original, Bart Smits. Depressive Doom Metal, mixed with elements of Gothic Rock, atmospheric Metal and the occasional death grunt. Lim. 233x.
A loving pastiche of the legendary pulp science fiction stories of old, musically packed with aggression and barely tamed electricity adorned with fleetly intricate guitar interplay, subtle synth, and cosmic atmospherics as well as catchy clean vocals.
A loving pastiche of the legendary pulp science fiction stories of old,
musically packed with aggression and barely tamed electricity adorned with fleetly intricate guitar interplay, subtle synth, and cosmic atmospherics as well as catchy clean vocals.
Now into the second decade of existence in the material plane, Wode’s provide a definitive melding of Black Metal’s ecstatic desecration, Death Metal’s sharply attuned sense of violent purpose and classic anthemic ’80s Metal.
Now into the second decade of existence in the material plane, Wode’s provide a definitive melding of Black Metal’s ecstatic desecration, Death Metal’s sharply attuned sense of violent purpose and classic anthemic ’80s Metal.
Now into the second decade of existence in the material plane, Wode’s provide a definitive melding of Black Metal’s ecstatic desecration, Death Metal’s sharply attuned sense of violent purpose and classic anthemic ’80s Metal.
11 Dark Folk hymns of a mythological nature, refining the epic nature of Wolcensmen's previous work and bringing together classical guitar, cello, voice, synth, piano and percussion to build memorable songs filled with tension, drama and emotion.
Recorded at the beginning of the pandemic which was diving humanity in obscure days and an unprecedented situation, every member injected soul, heart, sweat and opened the gates of their temple for this ultimate bewitching occult ceremony.
Fluisteraars 
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