"Although closely linked to the world of black metal (Octinomos and Algaion) even death metal (Murderplan), Frederik Söderlund and his compatriot Henry Moller of Arditi evolve with their band Puissanc(...)"
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Mogwai return with their eleventh album, a reflection of difficult times endured by the four members. "The Bad Fire" is produced by John Congleton, known for his work with Explosions In The Sky, Sigur Rós, John Grant and pretty much everyone in between.
Moirai specialise in the musical treasures of the middle ages with a focus on what has been lost in time, using original written sources and oral traditions, which they artistically interpret and respectfully recombine.
The Devil's Blood's supernal singer Farida Lemouchi has formed new bonds with old cohorts to form Molasses. Now the circle is complete once more through the coming together of a tribe that had been torn apart but found their moment of reconnection.
Debut by the band that gathers former members of The Devil's Blood, fronted by the supernal singer Farida Lemouchi. A culmination of heartache, requisite resolution, a rediscovery of rage and the relighting of a fire that never really burned out. Lim. 200
"Monument" sees Molchat Doma return as conquering heroes, expanding on the minimalist greatness of "S Krysh Nashikh Domov" and "Etazhi" to fully realize a more maximalist vision of their crystalline Post-Punk sound.
"Monument" sees Molchat Doma return as conquering heroes, expanding on the minimalist greatness of "S Krysh Nashikh Domov" and "Etazhi" to fully realize a more maximalist vision of their crystalline Post-Punk sound.
"Monument" sees Molchat Doma return as conquering heroes, expanding on the minimalist greatness of "S Krysh Nashikh Domov" and "Etazhi" to fully realize a more maximalist vision of their crystalline Post-Punk sound.
The second LP by Belarusian trio Molchat Doma quickly became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. They stand at the intersection of Post-Punk, New-Wave and Synth-Pop.
Molchat Doma's 2017 debut stands at the intersection of Post-Punk, New-Wave and Synth-Pop. Dark yet danceable, and with a heavy dose of Goth ethos, their music is reminiscent of the masters that predate them yet creates their own recognizable sound.
Molchat Doma's 2017 debut stands at the intersection of Post-Punk, New-Wave and Synth-Pop. Dark yet danceable, and with a heavy dose of Goth ethos, their music is reminiscent of the masters that predate them yet creates their own recognizable sound.
The second LP by Belarusian trio Molchat Doma quickly became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. They stand at the intersection of Post-Punk, New-Wave and Synth-Pop.
The second LP by Belarusian trio Molchat Doma quickly became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. They stand at the intersection of Post-Punk, New-Wave and Synth-Pop.
A testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber Dancefloor anthems. "Belaya Polosa" propels them into a new direction while retaining their cold minimalism.
A testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber Dancefloor anthems. "Belaya Polosa" propels them into a new direction while retaining their cold minimalism.
A testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber Dancefloor anthems. "Belaya Polosa" propels them into a new direction while retaining their cold minimalism.
26.00EUR • approx. 37.7USD [ new : recommended ] : [ add to cart ]
A testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber Dancefloor anthems. "Belaya Polosa" propels them into a new direction while retaining their cold minimalism.
Molchat Doma's 2017 debut stands at the intersection of Post-Punk, New-Wave and Synth-Pop. Dark yet danceable, and with a heavy dose of Goth ethos, their music is reminiscent of the masters that predate them yet creates their own recognizable sound.
20.00EUR • approx. 29USD [ new : recommended ] : [ add to cart ]
Molchat Doma are releasing their first official live album, performed and recorded at the iconic Panorama Hotel, the striking architectural monument featured on the cover of their breakthrough album "Etazhi".
The first Mono album in 15 years to feature no orchestral instruments whatsoever. This is their blackest album ever, a collection of scorched riffs, Doom rhythms, and an unexpected contribution from Post-Hardcore pioneer Tetsu Fukagawa of Envy.
The first Mono album in 15 years to feature no orchestral instruments whatsoever. This is their blackest album ever, a collection of scorched riffs, Doom rhythms, and an unexpected contribution from Post-Hardcore pioneer Tetsu Fukagawa of Envy.
A departure from all that's gone before. It is the sound of a band heading in different directions, and coming together all at once. It is the sound of a band exploring their dark side and opening up to the light simultaneously.
On "Nowhere Now Here", Mono add electronics to their repertoire – perhaps inspired by guitarist/composer Takaakira ‘Taka’ Goto’s recent project with John McEntire, the beguiling Behind the Shadow Drops. Tamaki also makes her vocal debut here.
A stranger to time, space or any geographical scene, Monte Penumbra returns with might and main. An opus for the Antagonist, ranging from vicious Black Metal to eerie Ambient sections, beseeching the abyss and rejoicing at the antipode of the Sun.
A work as dense and profound as the void itself – a chaotic, shape-shifting force that drags the listener to the brink of the abyss. “Austere Dawning” delves deep into the turbulent realms of cutting-edge Black Metal.
A work as dense and profound as the void itself – a chaotic, shape-shifting force that drags the listener to the brink of the abyss. “Austere Dawning” delves deep into the turbulent realms of cutting-edge Black Metal.
One of the most musically experimental albums ever released while still structurally carved into ethereal Wave, Gothic Rock and Doom Metal, with an avant-garde, Middle Eastern-inspired sound. Highly recommended.
Monumentum's 1989 debut demo. With its still unripe sound, rooted in early avantgarde Doom/Dark Metal, it clearly disclosed a strong influence by Celtic Frost. For the first time available on vinyl, lim. 150 copies.
Monumentum's sophomore album sees them drifting towards a more Electronic sound with a decisely Industrial edge when compared to the debut. Now for first time on LP, it comes in a green/black marble vinyl and gatefold cover with UV spot print, lim. 250x.
One of the most musically experimental albums ever released while still structurally carved into ethereal Wave, Gothic Rock and Doom Metal, with an avant-garde, Middle Eastern-inspired sound. Lim. 150x. Highly recommended!
"Slumber Wood" pushes the band's experimental approach further through its eight confident and mind-infiltrating steamrollers, worthy of being mentioned in the same league as stoner Doom scene pillars like Mars Red Sky, Monolord, even Acid King.
Transcendent heavy Psych-Doom for fans of REZN, King Buffalo, Pelican and Dead Meadow. Gritty and distorted yet hazy and hypnotic, "She Walks By Moonlight" shifts from shimmering Post-Rock to driving riff-Doom and back to Shoegazy Psychedelia.
Transcendent heavy Psych-Doom for fans of REZN, King Buffalo, Pelican and Dead Meadow. Gritty and distorted yet hazy and hypnotic, "She Walks By Moonlight" shifts from shimmering Post-Rock to driving riff-Doom and back to Shoegazy Psychedelia.
This release showcases two of the bands appearances at the Austin Psych Fest in 2012 and 2014, capturing Moon Duo as they rose to prominence as one of the defining creative forces of the Psychedelic Rock scene.
Moonspell pay homage to the massive catastrophe in which a giant earthquake leveled the city of Lisboa in 1755. A true magnum opus, and a musical masterpiece which takes us on a dark adventure into medieval times.
A trip through melancholic desolation and raging subversion. The album crosses Doom, Death and Black Metal, while standing on its own with its dark and obscure atmosphere, monolithic riffs, liturgic drumming and gloomy vocals.
The new EP by German Blackened Doom band Morast. Written in pandemic isolation, the two new songs reflect the claustrophobic atmosphere of its time and are a resumption of the band's fierce and obscure path to complete and total darkness. Lim. 608x.
Simone Salvatori of Spiritual Front brings hypnotic, symphonic Dark Ambient, inspired by the atmosphere of morgues, locations often attended by the artist, who is working as thanatos aesthetician. Lim. 299 copies.
Blood Incantation guitarist Kolontyrsky's hypnotic debut of iridescent electric guitar-based Ambient. The interlocking textures ring with scorching guitar riffs drifting into sustained ghostly Ambient atmospheres, with sonic enhancements by Steve Roach.
The first-ever solo Morrissey show at Wolverhampton's Civic Hall in December 1988! Recorded for live radio broadcast, it featured a mix of Morrissey songs and Smiths tracks from 1987, performed live for the first time on this occasion.
The first authorized reissue of Mort Garson's legendary 1976 album of Moog music for plants. Includes the original Mother Earth's indoor plant care booklet! Includes digital download on real seed-paper card. Plant it and watch it sprout!
Yet another find in the Garson archives, which includes the soundtrack to the 1974 blaxploitation film Black Eye, alongside some newly unearthed music for advertising and other comissioned sound track work for the likes of National Geographic or CBS.
Yet another find in the Garson archives, which includes the soundtrack to the 1974 blaxploitation film Black Eye, alongside some newly unearthed music for advertising and other comissioned sound track work for the likes of National Geographic or CBS.
Yet another find in the Garson archives, which includes the soundtrack to the 1974 blaxploitation film Black Eye, alongside some newly unearthed music for advertising and other comissioned sound track work for the likes of National Geographic or CBS.
Spiritual acoustic Dark Folk from Groningen, in the vein of King Dude, Lana Del Rey or Death in June. Female vocals, acoustic guitars and bass, bring forth a cbompelling and atmospheric work. Lim. 580x.
Deep voices echoing from the distant past… A ritualistic soundscape for journeys to deserts and dungeons. Drony, ritualistic and repetetive by nature. A recording from 1997, originally used as background atmospheres for the rare live shows held back then.
An ode to Valkenstijn's beloved Thuringian homelands, which takes us on a journey through misty woods and foggy nights. To complete the autumnal feast, the orignal "Samhain Celebration" song cycle was added, too..
The first solo album by Einstürzende Neubauten drummer, instrument maker and composer Rudi Moser. Possessing a more pared-down, minimalistic approach to sound composition, it still holds all of EN's hard-driving force compelling it forward.
The sound of a world with internet access and passport visas! “Uncannily, for a band from a southern port near the Ukraine border, Motorama resemble a bunch of New Yorkers emulatin the sound of 80s Manchester (...)” (BBC).
The sound of a world with internet access and passport visas! “Uncannily, for a band from a southern port near the Ukraine border, Motorama resemble a bunch of New Yorkers emulatin the sound of 80s Manchester (...)” (BBC).
Motorama's returns with their special melodies, harmonies and lyrics, faithful to their familiar DIY attitude. "Dialogues" brings Pop infused with surprising melancholy, enhanced by breathtaking texts, stubborn keyboards and round yet dynamic basslines.
Motorama continue on their own melodious seamless way, carving out their identity and a niche on the musical scene as travels, journeys, landscapes and encounters have helped them forge ahead with a global outlook.
It´s safe to say that after 25 years Motorpsycho has cemented their position as an institution in Norwegian music, no Rock band has even been close to achieving the same status when it comes to longterm quality, credibility, integrity and respect.
Having forgone the strings and horns so prevalent on albums like “Let Them Eat Cake”, “Phanerothyme” and “It’s A Love Cult”, the instinctive side of Motorpsycho is what’s on display here, with arrangements kept comparatively sparse.
"The Crucible" starts where "The Tower" ended, but it soon takes on its own hue, summing up the extremes from the most Neanderthal of rock riffs to the most rhythmically oblique polytonal solo sections they’ve ever recorded.
"The Crucible" starts where "The Tower" ended, but it soon takes on its own hue, summing up the extremes from the most Neanderthal of rock riffs to the most rhythmically oblique polytonal solo sections they’ve ever recorded.
Much of the music here somehow continues in the manner of the band’s popular long form “N.O.X.” suite from "The All Is One" album, ranging from pretty frantic and angular to grandiose and hypnotic.
Muhd is Samuel Vaney (Fargue, Cortez, Consor) and close collaborator of Dehn Sora/Treha Sektori. “Dilogia” shows a study of contrasts within saturated, nostalgic and heart wrenching ambient melodies and pulsing passages. Lim. 300x.
Fernando Corona taps into the works of European composers such as Arvo Pärt, Henryk Górecki and Giya Kancheli and brings their spiritual composition work into his Electronic minimal cosmos. A sublime album full of depth and texture.
A special collection of remixes, single tracks and unreleased pieces by the Mexican electronic artist and composer, hereby remixed by the likes of Sutekh, Deathprod, Jan Jelinek, Geoff White or Colleen.
A dramatic departure from previous wors. Truly monumental in scale, "Cosmos" is composed almost entirely of recordings of classical instruments, a process which Corona describes as "expanding the possibilities of acoustic instruments through electronics".
The original soundtrack for the "Lost In Time" film blends the aria of the Goldberg Variations sung by Les Petits Chanteurs du Mont-Royal with a piece by Murcof. "Lost in Time" plunges us into perpetual renewal, each ending leading to a new beginning.
A mammoth and visionary double album that brings together all the elements incorporated into the project to date - meticulous sound design, ghostly samples, forceful beats, diaphanous atmosphere - pushed further in terms of both abstraction and beauty.
Fernando Corona taps into the works of European composers such as Arvo Pärt, Henryk Górecki and Giya Kancheli and brings their spiritual composition work into his Electronic minimal cosmos. A sublime album full of depth and texture.
Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by science fiction films of the 1980s, which immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness.
Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by science fiction films of the 1980s, which immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness.
Are you searching for something beyond this world but yet down to earth? Are you longing for that eerie sound which made you shiver? Look no further, Murg are coming for you with the face of an un-tamed Black Metal relic from the past.
Risen from the ashes of what once was, this piece of art appears with the full fiery force of contemporary Black Metal. In a ferocious dance among coal dust and mists "Gudatall" occupies our senses with a strong sense of innovation and loneliness.
The long audial march to the altar of cosmic destruction. Murg's pitch Black Metal is driven by slow-paced, churning riffs imbued with stoic darkness and aggressive pride, sinister and somber meandering throughout its eight tracks.
The long audial march to the altar of cosmic destruction. Murg's pitch Black Metal is driven by slow-paced, churning riffs imbued with stoic darkness and aggressive pride, sinister and somber meandering throughout its eight tracks. Lim. 300x.
Are you searching for something beyond this world but yet down to earth? Are you longing for that eerie sound which made you shiver? Look no further, Murg are coming for you with the face of an un-tamed Black Metal relic from the past. 180g vinyl.
"Emak Bakia" stands out of all albums from that period, due its rather unique (House-music related) sound and short tracks. Like a crossmix between Psychic TV (circa Towards "Thee Infinite Beat") and Muslimgauze’s trademark percussion and eastern vibes.
Extremely intense Arabic Dub Noise music, designed to blow minds and loudspeakers. 2021 Remastered reissue with new artwork of this absolute “Cult” release from a real cult act of the late 80ies / early 90ies.
A Muslimgauze gem from the late 80s. Cinematic, minimal, noisy, hypnotic, and gloomy. Originally released on legendary Parade Amoureuse in 1989, it is propably not as overtly Middle Eastern as his later works, though definitely bearing an influence.
"Emak Bakia" stands out of all albums from that period, due its rather unique (House-music related) sound and short tracks. Like a crossmix between Psychic TV (circa Towards "Thee Infinite Beat") and Muslimgauze’s trademark percussion and eastern vibes.
"Emak Bakia" stands out of all albums from that period, due its rather unique (House-music related) sound and short tracks. Like a crossmix between Psychic TV (circa Towards "Thee Infinite Beat") and Muslimgauze’s trademark percussion and eastern vibes.
Hypnotic rhythms mixed with with eastern vibes. In short: Muslimgauze at its best! A brand new compilation of rare and special Muslimgauze-tracks, recorded between 1989 and 1996 and all carefully remastered for this album.
Hypnotic rhythms mixed with with eastern vibes. In short: Muslimgauze at its best! A brand new compilation of rare and special Muslimgauze-tracks, recorded between 1989 and 1996 and all carefully remastered for this album. Lim. 500x.
Recorded in 1998, "Lo-Fi..." brings some "pure" Muslimgauze tracks alongside re-mixes of tracks from Systemwide's "Sirius". Nearly all of the tracks have hand percussion and at least 1/2 make use of electronic noise sources with a crisp and clean sound.
Recorded in 1998, "Lo-Fi..." brings some "pure" Muslimgauze tracks alongside re-mixes of tracks from Systemwide's "Sirius". Nearly all of the tracks have hand percussion and at least 1/2 make use of electronic noise sources with a crisp and clean sound.
A transcendental journey into Eastern soundscapes and a secret weapon for DJs who enjoy to tear down the borders of tribal underground house and psychedelic trance music, full of heavy percussion fire with deep tribal grooves and field recordings.
"Martyr Shrapnel" was originally released by The Muslimgauze Preservation Society in 2012 in a limited CD edition, and it was written, played, and recorded by Bryn Jones aka Muslimgauze from 1996 to 1998. Lim. 400x, on 180g vinyl.
An album of exotic Arabic textures where traditional instruments intermesh with technology, found sounds and voices meld with drones and synthesizers. "Citadel" uses both eastern and western rhythmic patterns embedded in layers of shifting soundscapes.
The second part in a series of 4 double vinyl albums with bonus songs, previously released on CD between 1990 and 1994 via Extreme Music. "USoI" showcases a moodier side of Muslimgauze, with its typical driving percussions and minimalism.
An album of contrasts, evocative of a culture caught up in a web of local and global politics, where the boundary between East and West coalesces. Up tempo, carefree soundscapes of human activity interspersed with digitized spatial rhythms.
75 minutes of mellow eastern-style hypnotism. Consisting of only five parts, the album shows Bryn’s ability to create lengthy and detailed compositions filled with Arabic percussion, droning keyboards, vocal samples and ethereal atmospheres.
75 minutes of mellow eastern-style hypnotism. Consisting of only five parts, the album shows Bryn’s ability to create lengthy and detailed compositions filled with Arabic percussion, droning keyboards, vocal samples and ethereal atmospheres.
A diverse Darkwave output that meanders between New Wave, New Romantic, Postpunk, Gothrock, Synthpop, Dark Electro and much more, self-described as "Sounds like a demotape by your favorite 80s band"! Lim. 300x.
A diverse Darkwave output that meanders between New Wave, New Romantic, Postpunk, Gothrock, Synthpop, Dark Electro and much more, self-described as "Sounds like a demotape by your favorite 80s band"! Lim. 300x.
Combining the rawness of second wave black metal bands like Ulver and Darkthrone with a natural sonic, ethereal beauty, Myrkur has created a wholly unique perspective on the genre. Debut EP on silver vinyl.
Featuring production and guest appearances from renowned metal legends such as Garm (Ulver) and Teloch (Mayhem/Nidingr), "M" showcased Bruun’s learned and mature perspective on Black Metal alongside her prodigious compositional and vocal talents.
Myrkur explores deeper into the mysterious and the feminine with 12 tracks that further progress her visionary blend of metal with gorgeous, stirring melodies, dark folk passages, choral arrangements and superb, horrific beauty.
Amalie Bruun has set out to journey into the very heart of the Scandinavian culture that marked her childhood. Folkesange relinquishes Black Metal for a refined yet far-reaching evocation of traditional Folk.
Myrkur explores deeper into the mysterious and the feminine with 12 tracks that further progress her visionary blend of metal with gorgeous, stirring melodies, dark folk passages, choral arrangements and superb, horrific beauty.
A captivating live recording from the historic Emanuel Vigeland Mausoleum in Oslo, Norway, featuring beautifully dramatic & stripped down acoustic reinventions of seven songs from "M" plus one brand new song and a Bathory cover.
Combining the rawness of second wave Black Metal bands like Ulver and Darkthrone with a natural sonic, ethereal beauty, Myrkur has created a wholly unique perspective on the genre.
A tour-de-force amalgamating some of the most exciting, innovative, and genre-defying moments from Myrkur's catalog into something that is haunting, extreme, and brilliant as ever. Spine lays Myrkur bare, at her most raw and unwavering.
25.00EUR • approx. 36.3USD [ new : recommended ] : [ add to cart ]
A tour-de-force amalgamating some of the most exciting, innovative, and genre-defying moments from Myrkur's catalog into something that is haunting, extreme, and brilliant as ever. Spine lays Myrkur bare, at her most raw and unwavering.
Current 93 
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