"Arditi se ha convertido en los últimos tiempos en uno de los pilares de la escena marcial/ambient/neo clásica, gracias a unos lanzamientos sumamente efectivos e interesantes han dejado de ser un pro(...)"
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Special edition of Das Ich's comeback album, which includes an extra full-length album, containing a total of 12 tracks with remixes by both Das Ich themselves and befriended artists, such as Frozen Plasma, Mildreda, Xotox, Kontrast… and more!
A burning testament to a fallen civilization. With their unique blend of electronic-symphonic sounds, expressionist lyrics, and harsh industrial elements, Stefan Ackermann and Bruno Kramm create a work that penetrates deeply musically and thematically.
Ten songs which add Wave melancholia to their dark and impacting Goth/Postpunk sound, widely appraised and respected during the band’s numerous live appearances all across Europe. Lim. 300x.
DAM skillfully blends the quintessence of Post-Punk, Darkwave, and Gothic Rock into a tumultuous cascade of sound: imagine the poignant intensity of a witching hour meeting between despair and euphoria.
DAM skillfully blends the quintessence of Post-Punk, Darkwave, and Gothic Rock into a tumultuous cascade of sound: imagine the poignant intensity of a witching hour meeting between despair and euphoria.
A visceral journey into Post-Punk shadows and persuasive Goth decadence, now reborn in a timeless edition for collectors and new souls alike. This definitive reissue revisits the original cult classic, enriched with three exclusive live recordings.
Returning with their first studio album for seven years, "Stereo Mind Game" is a new chapter for Daughter. After more than a decade spent depicting the darkest emotions, Daughter present their most optimistic record yet.
Daughters continue to follow the same internal compass that guided them to blur the lines of fickle heavy music sub-genres in the first place and quietly ignite a cult fervor typically reserved for grindhouse phenomena.
Daughters continue to follow the same internal compass that guided them to blur the lines of fickle heavy music sub-genres in the first place and quietly ignite a cult fervor typically reserved for grindhouse phenomena.
The spastic, blunt screamo the Rhode Islanders blasted through on their debut turned out to only be a warning of how subversive, innovative, and unrepentant they could be. "Hell Songs" is a landmark album, dynamic, unyielding, and utterly revolutionary.
A melodic and raw Black Metal work rooted in the '90s, mixing desperate acoustic guitars with brutal, intense blasts. High-pitched screams, shouts, and epic spoken-word passages weave a grim, cinematic tale of forced labor.
A melodic and raw Black Metal work rooted in the '90s, mixing desperate acoustic guitars with brutal, intense blasts. High-pitched screams, shouts, and epic spoken-word passages weave a grim, cinematic tale of forced labor.
A melodic and raw Black Metal work rooted in the '90s, mixing desperate acoustic guitars with brutal, intense blasts. High-pitched screams, shouts, and epic spoken-word passages weave a grim, cinematic tale of forced labor. Lim. 300x.
A stark fusion of Gothic Americana and spectral electronics. Banjo, bowed strings, and that unmistakable voice drift through programmed beats and dense ambient textures—ancient hymnals refracted through modern machinery.
A stark fusion of Gothic Americana and spectral electronics. Banjo, bowed strings, and that unmistakable voice drift through programmed beats and dense ambient textures—ancient hymnals refracted through modern machinery.
A stark fusion of Gothic Americana and spectral electronics. Banjo, bowed strings, and that unmistakable voice drift through programmed beats and dense ambient textures—ancient hymnals refracted through modern machinery.
David Eugene Edwards & Alexander Hacke (U.S.A./Germany)
A sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music crafted by the brilliant minds behind Wovenhand, 16 Horsepower and Einstürzende Neubauten.
A sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music crafted by the brilliant minds behind Wovenhand, 16 Horsepower and Einstürzende Neubauten.
An essential reissue of the 2014 jewel from Bauhaus/Love & Rockets bassist, David J! From the sensuous artwork to the lyrical themes of love and lust, this is David J's most adult album and offers a glimpse of the artist rarely seen.
An essential reissue of the 2014 jewel from Bauhaus/Love & Rockets bassist, David J! From the sensuous artwork to the lyrical themes of love and lust, this is David J's most adult album and offers a glimpse of the artist rarely seen.
This album finds David J staring death in the face, composing elegies and eulogies for the dearly departed, from Hank Williams to Spalding Gray to Jeff Buckley and more, in an atmosphere of a dark cabaret with acoustic instruments.
The seminal ambient records by David Sylvian (of British Art Pop Band Japan) & Holger Czukay (founding member and bassist in legendary German Cosmic Band Can), originally released in 1988 and 1989, remastered for this reissue.
The seminal ambient records by David Sylvian (of British Art Pop Band Japan) & Holger Czukay (founding member and bassist in legendary German Cosmic Band Can), originally released in 1988 and 1989, remastered for this reissue.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track and were mastered by Stephan Mathieu from the original recordings.
A minimalist, ambient piano work reimagined with subtle electronic shadings. Ethereal, resonant notes drift over quiet electronic textures, creating a meditative soundscape where silence and harmony merge, evoking the stillness of dawn and dusk.
This is the first in a series of 5 solo albums by David Tibet of Current 93. Each LP comes on transparent-marble vinyl with a printed insert on Japanese style paper and a small card, signed by David.
This is the second in a series of 5 solo albums by David Tibet of Current 93. Each LP comes on transparent-marble vinyl with a printed insert on Japanese style paper and a small card, signed by David.
This is the second in a series of 5 solo albums by David Tibet of Current 93. Each LP comes on transparent-marble vinyl with a printed insert on Japanese style paper and a small card, signed by David.
Dawn Of Ashes creates a uniquely powerful amalgamation of Black Metal and Electronic influences, seamlessly flowing from haunting atmospheric Dark Ambient interludes to Industrial synth-driven, unrelentingly concussive symphonic Black Metal.
Dawn Of Ashes creates a uniquely powerful amalgamation of Black Metal and Electronic influences, seamlessly flowing from haunting atmospheric Dark Ambient interludes to Industrial synth-driven, unrelentingly concussive symphonic Black Metal.
A descent into pure Black Industrial, raw, hostile, and apocalyptic. With its relentless riffing, cavernous atmospheres, and urgent ferocity, the album channels a vision of absolute destruction. Lim. 300x.
De Arma dive deeper into seven elaborate and personal, nevertheless unhamperedly erupting visions of obsessive feelings and ruminations. This is the soundtrack for the final days when you sit lonely in your room.
While the Swedes shift musically in and out and between melancholic Metal, Gothic Rock, Shoegaze, and even Post-Punk, melancholy remains the duo's anchor point, haunted by the long winters' darkness high up North.
Colin van Eeckhout (of Amenra) and the Zeeuws Flemish folk icon Tonnie ‘broeder’ Dieleman pay tribute to Flemish spirituality in this haunting, droning, emotionally rich journey that feels rooted in a bygone world while still sounding wholly original.
Colin van Eeckhout (of Amenra) and the Zeeuws Flemish folk icon Tonnie ‘broeder’ Dieleman pay tribute to Flemish spirituality in this haunting, droning, emotionally rich journey that feels rooted in a bygone world while still sounding wholly original.
After their successful album "Silhouettes", Dead Astronauts now collaborated with fellow artitsts, mainly label mates from Cold Transmission Music, to release "Silhouettes Redux" featuring 11 remixes of the original release.
Dead Astronauts tint their Synthwave with shades of Darkwave, Goth and Post-Punk. Minimal and magical, he has that syrupy drone, she has that lilting whisper. As one, it's a seeping combination, a thumping transfusion. Lim. 200x.
After their successful album "Silhouettes", Dead Astronauts now collaborated with fellow artitsts, mainly label mates from Cold Transmission Music, to release "Silhouettes Redux" featuring 11 remixes of the original release. Lim. 300x.
An eclectic blend of Darkwave, Post-Punk, Synthwave, and New Wave elements, creating a sonic landscape that reflects the band's expansive musical palette which explores the profound notion that the remnants of our past persist within us.
An eclectic blend of Darkwave, Post-Punk, Synthwave, and New Wave elements, creating a sonic landscape that reflects the band's expansive musical palette. Deluxe edition in heavy gatefold, including an LP-sized 32 pages full colour artbook! Lim. 200x.
An eclectic blend of Darkwave, Post-Punk, Synthwave, and New Wave elements, creating a sonic landscape that reflects the band's expansive musical palette which explores the profound notion that the remnants of our past persist within us. Lim. 300x.
Dark, melodic and occasionally abrasive, "Shallow Grave" pulls from Darkwave, Synthwave and Post-Punk without settling comfortably into one genre. Beneath the syrupy drone and distortion, it’s a record about being human in an increasingly strange world.
Dark, melodic and occasionally abrasive, "Shallow Grave" pulls from Darkwave, Synthwave and Post-Punk without settling comfortably into one genre. Beneath the syrupy drone and distortion, it’s a record about being human in an increasingly strange world.
Dark, melodic and occasionally abrasive, "Shallow Grave" pulls from Darkwave, Synthwave and Post-Punk without settling comfortably into one genre. Beneath the syrupy drone and distortion, it’s a record about being human in an increasingly strange world.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two acts split across seven movements that represent the different facets of the Dionysus myth and his cult, taking the musical form of an oratorio via an array of folk instrumentation and inspiration from across the world.
"Garden Of The Arcane Delights" is the only EP released by DCD, coming out in 1984 and acting as a bridge between their first two albums. This new expanded version also includes both of the band’s sessions for John Peel, recorded in the same time period.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.
The seventh studio album by Dead Can Dance further expands on their exploration of world music, and would prove to be the last before the duo reunited fourteen years later for "Anastasis".
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two legendary John Peel Sessions for one of the most beloved bands on 4AD. Dead Can Dance's BBC Radio Peel Sessions were recorded on 19 November 1983 and on 2 June 1984. Essential!
The soundtrack to total death, “Promulgation Of The Fall” will be recognized as a Death Metal pillar that will define the true essence of the genre and will stand as a defining milestone and a destined classic in the realm of true Death Metal.
Captured live upon rehearsal sometime in June 2005, completely unedited, devoid of overdubs and any mixing treatment whatsoever - this is Dead Congregation in its rawest form, performing tracks that would later appear on "Graves..." in their final form.
Far away from the creative wasteland of retro Synthpop, or the machismo of Metal-infused Industrial, the androgynous duo creates raw art that disrupts gender and genre, offering high energy, dark electronic songs with killer grooves.
"Force Form Free" is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern Heavy Psych continuing their effortless exploration of the transporting, astral-gazing form they've devised.
3CD set exploring the early years of legendary Pete Burns fronted Dead Or Alive, featuring early singles, previously unreleased demos, Peel Sessions and live recordings, including 16 previously unreleased tracks from proto-Gothic Rock to hi-nrg Pop.
The two classic early singles plus five 1982 demos from the legendary band. This release perfectly captures Dead Or Alive’s mutation from proto-Gothic Rock band to hi-nrg Pop superstars.
A dive into Gothic Post-Punk roots before Pop superstardom. Compared to later dance-floor hits, this swaps glossy hooks for murky, nocturnal menace—capturing Pete Burns as a raw, Peel-approved cult figure rather than a glittering icon.
One of this generation’s definitive Neo-Psychedelic works, and one which helped to catalyse a burgeoning underground Psych scene to whom its occult sonic belligerence became a crucial and highly-lauded touchstone. Lim. 1000x.!
Guitar walls clinging to drum machines, a voice that seems to come to beyond the grave. With "Verse", DEAD produces a dark music that undeniably makes you want to dance in smoke and acid vapors.
The French mercenaries of noise are back. Bleak, confrontational, but with a firm command of rhythm and deep grooves, this might be the dancefloor antidote we’ve been waiting for.
The French mercenaries of noise are back. Bleak, confrontational, but with a firm command of rhythm and deep grooves, this might be the dancefloor antidote we’ve been waiting for.
Initially released in 2012 ("Transmissions") and 2014 ("Verse") on vinyl only, these two classic EPS by the Post-Punk/Industrial band from Rennes, France, are now available for the first time on CD!
The world is brutal but there are cherry trees in blossom. This is the philosophy that underpins Deadletter, and their bruising, beautiful debut album "Hysterical Strength".
Post Black Metal. Deafheaven’s music at its best represents a brilliant collision of beauty and despair. A tsunami of noise, swelling and crashing like waves sent from Poseidon amid a vast ocean.
Originally only available on cassette tape and digitally, this is Deafheaven's demo remastered by Jack Shirley (Loma Prieta, Comadre). A melding of epic Post Rock leanings with experimental Black Metal and classic era "Screamo".
Deafheaven are no longer toying with the juxtaposition of pitting metallic abrasion against swirling grandeur. "Infinite Granite" is a bold and brave leap forward into Shoegaze territory, a gorgeous and invigorating album brimming with style and splendor.
Deafheaven’s most mature and complete work to date - a synthesis of everything, playing to the band’s strengths while wearing its unironic heart on its sleeve.
A visceral 4-track live EP capturing the band at their heaviest since shifting from Shoegaze back to Blackgaze. Seismic dream-sludge, unhinged blast-beats, and tortured shrieks deliver a rare, intimidating aura from the KEXP session.
Dear Deceased's heavy, rhythmic sound and complex arrangements took form out of the ashes bands whose members were influenced by everything from West Coast crossover Thrash to Post-Punk, Glam Rock, Industrial, Grunge, British Heavy Metal and Sabbath!
Dear Deceased's heavy, rhythmic sound and complex arrangements took form out of the ashes bands whose members were influenced by everything from West Coast crossover Thrash to Post-Punk, Glam Rock, Industrial, Grunge, British Heavy Metal and Sabbath!
"Scifi" oscillates between raw rhythmic power, hypnotic beats, and cosmic textures — organic yet calculated, intimate yet stellar, both danceable and disorienting, a glamorous glitch in the Post-Punk continuum.
"Scifi" oscillates between raw rhythmic power, hypnotic beats, and cosmic textures — organic yet calculated, intimate yet stellar, both danceable and disorienting, a glamorous glitch in the Post-Punk continuum.
A progressive Death Metal swan song, trading guttural depths for piercing, power-metal-tinged screams and technical, jazzy riffing. Complex time signatures, acoustic interludes, and a haunting cover of Painkiller crown this restless, virtuosic farewell.
One of the definitive Indie-Rock bands of the century. The new album embodies the sound of loss, compartmentalization, and then grief bursting out from the seams.
In 2024, to celebrate the 40th Anniversary of The Cult, Ian Astbury and Billy Duffy have curated the previously released Death Cult collection "Ghost Dance", and recompiled the tracks for a 2024 release titled "Paradise Now".
Recorded at the iconic Albert Hall in Duffy’s hometown of Manchester on November 18th, 2023, this 16-track live album documents the rebirth of Death Cult, the band which laid the groundwork for what we now know as The Cult.
Recorded at the iconic Albert Hall in Duffy’s hometown of Manchester on November 18th, 2023, this 16-track live album documents the rebirth of Death Cult, the band which laid the groundwork for what we now know as The Cult.
Spanning 41 years of existence, “NADA-IZED!” is a selection of tracks that spiritually revisit the group’s mid-1980’s dalliance with militant electro-dance whilst remaining very much aware of the present. An infectiously catchy retro-Electro collection!
After years of lurking in the deepest, darkest corners of the underground, DLM spews forth 45 minutes of relentless Black Metal Magic. An album that will divide the herd with its unabating fury, maniacal madness and theatrical grandeur.
American Minimal Wave from the singer / producer Veronica Campbell, who recently also sang as guest in legendary Mephisto Walz, who explores the vast fields of minmal electro and delivers fine Synth and Darkwave tunes with a special ´Lynchian´ atmosphere.
The first official Death Loves Veronica full length Album! 10 brand new tracks of gloomy Synthwave and experimental Alt Rock of urban phobias, eros, love…. Coming in digipak format with an amazing coverart by Daniele Serra.
A perverse, dark-electronic journey infused with themes of nihilism, inhibition, and deception. Heavily saturated with Post-Industrial and Gothic influences, this album is a corruption of the expected and resonates with the disillusion of our times.
A perverse, dark-electronic journey infused with themes of nihilism, inhibition, and deception. Heavily saturated with Post-Industrial and Gothic influences, this album is a corruption of the expected and resonates with the disillusion of our times.
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