"È proprio un bel disco l'esordio degli Hexperos, un album che muove dalla musica da camera e dall'ambient per andare a comporre una trama circolare, scura e di sicuro impatto, non distante, anche qua(...)"
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Their third album. After leading us into a Neo-Classical soundscape and battlefield atmosphere on "Heimat...", they now close the circle to "...Fields" and present a heroic acoustic album with German and English vocals and an omnipresent melancholic touch
Darkwood's fourth full-lenght release, and again a slight change of scenery, this time into a more Orchestral Ambient-oriented sonority, still spiced with smooth acoustic ballads.
This acoustic release brings back the original 8 vinyl tracks with 5 further re-recordings from the "In the Fields" and "Flammende Welt" period. A album dealing with Forest as the place for Retreat and Consideration as well as Resistance and Change.
A work of magic realism presenting harsh industrial themes, catchy neofolk songs, and hypnotic folk tracks on a torrent into the dark land, showing Darkwood with a rougher sound using a lot of drums, industrial patterns, acoustic instruments and vocals.
Dedicated to the Lonely Pilot. Acoustic tracks with guitars, accordion, violin, violoncello, bass, and drums presenting English and German vocals express the emptiness of a soul lost in the heights of the skies or in the depths of the desert.
A collection of album tracks, mostly from sold out works, and exclusive compilation tracks. The 14 tunes cover a time range of more than 15 years and are also the ones played live at recent concerts, providing a good overview of Darkwood's career.
A new album on Paganism & Youth. The 10 songs in English language based upon acoustic guitars appear in a new vein with driving bass lines, raw drums, and electronic soundscapes, here and there revealing dots of accordion and trumpet.
16.00EUR • approx. 23.2USD [ new : recommended ] : [ add to cart ]
Darkwood bring two new songs as an appetizer for their forthcoming next album. The two songs impress with minimalist instrumentation of acoustic guitar, bass, accordion, and keyboard and male and female vocals. Lim. 500x.
Darkwood return with a Neofolk album, covering a dark subject with sprinkles of some light and hope. Its rich instrumentation of acoustic guitars, classical instruments, keyboards, and drums draw the listener into a time travel through the last century.
30.00EUR • approx. 43.5USD [ new : recommended ] : [ add to cart ]
Darkwood return with a Neofolk album, covering a dark subject with sprinkles of some light and hope. Its rich instrumentation of acoustic guitars, classical instruments, keyboards, and drums draw the listener into a time travel through the last century.
Pure Black Metal. An unholy alliance forged in decay, featuring the talents of Italian multi-instrumentalist Omega (Fides Inversa, Blut Aus Nord, Kult) and Norwegian voice of Death, Wraath, (Dark Sonority, Mare, Celestial Bloodshed...) on vocals.
Pure Black Metal. An unholy alliance forged in decay, featuring the talents of Italian multi-instrumentalist Omega (Fides Inversa, Blut Aus Nord, Kult) and Norwegian voice of Death, Wraath, (Dark Sonority, Mare, Celestial Bloodshed...) on vocals.
Darvaza's second album ‘We are Him’ is a fierce, finessed, and free-wheeling dedication to the adversarial might of the Devil, here molded with the clay of classicist Black Metal.
Darvaza's second album ‘We are Him’ is a fierce, finessed, and free-wheeling dedication to the adversarial might of the Devil, here molded with the clay of classicist Black Metal.
A burning testament to a fallen civilization. With their unique blend of electronic-symphonic sounds, expressionist lyrics, and harsh industrial elements, Stefan Ackermann and Bruno Kramm create a work that penetrates deeply musically and thematically.
Special edition of Das Ich's comeback album, which includes an extra full-length album, containing a total of 12 tracks with remixes by both Das Ich themselves and befriended artists, such as Frozen Plasma, Mildreda, Xotox, Kontrast… and more!
A burning testament to a fallen civilization. With their unique blend of electronic-symphonic sounds, expressionist lyrics, and harsh industrial elements, Stefan Ackermann and Bruno Kramm create a work that penetrates deeply musically and thematically.
A burning testament to a fallen civilization. With their unique blend of electronic-symphonic sounds, expressionist lyrics, and harsh industrial elements, Stefan Ackermann and Bruno Kramm create a work that penetrates deeply musically and thematically.
Ten songs which add Wave melancholia to their dark and impacting Goth/Postpunk sound, widely appraised and respected during the band’s numerous live appearances all across Europe. Lim. 300x.
DAM skillfully blends the quintessence of Post-Punk, Darkwave, and Gothic Rock into a tumultuous cascade of sound: imagine the poignant intensity of a witching hour meeting between despair and euphoria.
DAM skillfully blends the quintessence of Post-Punk, Darkwave, and Gothic Rock into a tumultuous cascade of sound: imagine the poignant intensity of a witching hour meeting between despair and euphoria.
Returning with their first studio album for seven years, "Stereo Mind Game" is a new chapter for Daughter. After more than a decade spent depicting the darkest emotions, Daughter present their most optimistic record yet.
Daughters continue to follow the same internal compass that guided them to blur the lines of fickle heavy music sub-genres in the first place and quietly ignite a cult fervor typically reserved for grindhouse phenomena.
Edwards returns anew to a primarily acoustic approach, its songs written largely on an old banjo and nylon-string guitar. "Hyacinth" is draped in apocalyptic pall and chilly tendrils of Darkwave, co-crafted by producer Ben Chisholm (Chelsea Wolfe).
A sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music crafted by the brilliant minds behind Wovenhand, 16 Horsepower and Einstürzende Neubauten.
A sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music crafted by the brilliant minds behind Wovenhand, 16 Horsepower and Einstürzende Neubauten.
An essential reissue of the 2014 jewel from Bauhaus/Love & Rockets bassist, David J! From the sensuous artwork to the lyrical themes of love and lust, this is David J's most adult album and offers a glimpse of the artist rarely seen.
An essential reissue of the 2014 jewel from Bauhaus/Love & Rockets bassist, David J! From the sensuous artwork to the lyrical themes of love and lust, this is David J's most adult album and offers a glimpse of the artist rarely seen.
This album finds David J staring death in the face, composing elegies and eulogies for the dearly departed, from Hank Williams to Spalding Gray to Jeff Buckley and more, in an atmosphere of a dark cabaret with acoustic instruments.
The seminal ambient records by David Sylvian (of British Art Pop Band Japan) & Holger Czukay (founding member and bassist in legendary German Cosmic Band Can), originally released in 1988 and 1989, remastered for this reissue.
The seminal ambient records by David Sylvian (of British Art Pop Band Japan) & Holger Czukay (founding member and bassist in legendary German Cosmic Band Can), originally released in 1988 and 1989, remastered for this reissue.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track and were mastered by Stephan Mathieu from the original recordings.
This is the first in a series of 5 solo albums by David Tibet of Current 93. Each LP comes on transparent-marble vinyl with a printed insert on Japanese style paper and a small card, signed by David.
This is the second in a series of 5 solo albums by David Tibet of Current 93. Each LP comes on transparent-marble vinyl with a printed insert on Japanese style paper and a small card, signed by David.
This is the second in a series of 5 solo albums by David Tibet of Current 93. Each LP comes on transparent-marble vinyl with a printed insert on Japanese style paper and a small card, signed by David.
An album dedicated to the Nordic world, imaginary, beauty, not related to the runic current but to the french litterary notion of "Septentrion", presenting a unique mixture of progressive-industrial, martial beats, dark ambient, and neo-folk.
Dawn Of Ashes creates a uniquely powerful amalgamation of Black Metal and Electronic influences, seamlessly flowing from haunting atmospheric Dark Ambient interludes to Industrial synth-driven, unrelentingly concussive symphonic Black Metal.
Dawn Of Ashes creates a uniquely powerful amalgamation of Black Metal and Electronic influences, seamlessly flowing from haunting atmospheric Dark Ambient interludes to Industrial synth-driven, unrelentingly concussive symphonic Black Metal.
A descent into pure Black Industrial, raw, hostile, and apocalyptic. With its relentless riffing, cavernous atmospheres, and urgent ferocity, the album channels a vision of absolute destruction. Lim. 300x.
De Arma dive deeper into seven elaborate and personal, nevertheless unhamperedly erupting visions of obsessive feelings and ruminations. This is the soundtrack for the final days when you sit lonely in your room.
While the Swedes shift musically in and out and between melancholic Metal, Gothic Rock, Shoegaze, and even Post-Punk, melancholy remains the duo's anchor point, haunted by the long winters' darkness high up North.
Colin van Eeckhout (of Amenra) and the Zeeuws Flemish folk icon Tonnie ‘broeder’ Dieleman pay tribute to Flemish spirituality in this haunting, droning, emotionally rich journey that feels rooted in a bygone world while still sounding wholly original.
Colin van Eeckhout (of Amenra) and the Zeeuws Flemish folk icon Tonnie ‘broeder’ Dieleman pay tribute to Flemish spirituality in this haunting, droning, emotionally rich journey that feels rooted in a bygone world while still sounding wholly original.
After their successful album "Silhouettes", Dead Astronauts now collaborated with fellow artitsts, mainly label mates from Cold Transmission Music, to release "Silhouettes Redux" featuring 11 remixes of the original release.
Dead Astronauts tint their Synthwave with shades of Darkwave, Goth and Post-Punk. Minimal and magical, he has that syrupy drone, she has that lilting whisper. As one, it's a seeping combination, a thumping transfusion. Lim. 200x.
After their successful album "Silhouettes", Dead Astronauts now collaborated with fellow artitsts, mainly label mates from Cold Transmission Music, to release "Silhouettes Redux" featuring 11 remixes of the original release. Lim. 300x.
An eclectic blend of Darkwave, Post-Punk, Synthwave, and New Wave elements, creating a sonic landscape that reflects the band's expansive musical palette which explores the profound notion that the remnants of our past persist within us.
An eclectic blend of Darkwave, Post-Punk, Synthwave, and New Wave elements, creating a sonic landscape that reflects the band's expansive musical palette. Deluxe edition in heavy gatefold, including an LP-sized 32 pages full colour artbook! Lim. 200x.
An eclectic blend of Darkwave, Post-Punk, Synthwave, and New Wave elements, creating a sonic landscape that reflects the band's expansive musical palette which explores the profound notion that the remnants of our past persist within us. Lim. 300x.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
"Garden of the Arcane Delights" is Dead Can Dance's only EP. Originally released in 1984, it acted as a bridge between the band's first two albums. This edition includes also both of the sessions held for John Peel, recorded in 1983 and 1984.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
Dead Can Dance's most medieval album, which features their wellknown rendition of the XIVth Century piece "Saltarello". A beautiful and timeless classic.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
"Garden Of The Arcane Delights" is the only EP released by DCD, coming out in 1984 and acting as a bridge between their first two albums. This new expanded version also includes both of the band’s sessions for John Peel, recorded in the same time period.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.
The seventh studio album by Dead Can Dance further expands on their exploration of world music, and would prove to be the last before the duo reunited fourteen years later for "Anastasis".
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two legendary John Peel Sessions for one of the most beloved bands on 4AD. Dead Can Dance's BBC Radio Peel Sessions were recorded on 19 November 1983 and on 2 June 1984. Essential!
The soundtrack to total death, “Promulgation Of The Fall” will be recognized as a Death Metal pillar that will define the true essence of the genre and will stand as a defining milestone and a destined classic in the realm of true Death Metal.
Captured live upon rehearsal sometime in June 2005, completely unedited, devoid of overdubs and any mixing treatment whatsoever - this is Dead Congregation in its rawest form, performing tracks that would later appear on "Graves..." in their final form.
The soundtrack to total death, “Promulgation Of The Fall” will be recognized as a Death Metal pillar that will define the true essence of the genre and will stand as a defining milestone and a destined classic in the realm of true Death Metal.
Far away from the creative wasteland of retro Synthpop, or the machismo of Metal-infused Industrial, the androgynous duo creates raw art that disrupts gender and genre, offering high energy, dark electronic songs with killer grooves.
"Force Form Free" is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern Heavy Psych continuing their effortless exploration of the transporting, astral-gazing form they've devised.
The two classic early singles plus five 1982 demos from the legendary band. This release perfectly captures Dead Or Alive’s mutation from proto-Gothic Rock band to hi-nrg Pop superstars.
A dive into Gothic Post-Punk roots before Pop superstardom. Compared to later dance-floor hits, this swaps glossy hooks for murky, nocturnal menace—capturing Pete Burns as a raw, Peel-approved cult figure rather than a glittering icon.
One of this generation’s definitive Neo-Psychedelic works, and one which helped to catalyse a burgeoning underground Psych scene to whom its occult sonic belligerence became a crucial and highly-lauded touchstone. Lim. 1000x.!
Guitar walls clinging to drum machines, a voice that seems to come to beyond the grave. With "Verse", DEAD produces a dark music that undeniably makes you want to dance in smoke and acid vapors.
The French mercenaries of noise are back. Bleak, confrontational, but with a firm command of rhythm and deep grooves, this might be the dancefloor antidote we’ve been waiting for.
The French mercenaries of noise are back. Bleak, confrontational, but with a firm command of rhythm and deep grooves, this might be the dancefloor antidote we’ve been waiting for.
Initially released in 2012 ("Transmissions") and 2014 ("Verse") on vinyl only, these two classic EPS by the Post-Punk/Industrial band from Rennes, France, are now available for the first time on CD!
The world is brutal but there are cherry trees in blossom. This is the philosophy that underpins Deadletter, and their bruising, beautiful debut album "Hysterical Strength".
The world is brutal but there are cherry trees in blossom. This is the philosophy that underpins Deadletter, and their bruising, beautiful debut album "Hysterical Strength".
Post Black Metal. Deafheaven’s music at its best represents a brilliant collision of beauty and despair. A tsunami of noise, swelling and crashing like waves sent from Poseidon amid a vast ocean.
Originally only available on cassette tape and digitally, this is Deafheaven's demo remastered by Jack Shirley (Loma Prieta, Comadre). A melding of epic Post Rock leanings with experimental Black Metal and classic era "Screamo".
Deafheaven are no longer toying with the juxtaposition of pitting metallic abrasion against swirling grandeur. "Infinite Granite" is a bold and brave leap forward into Shoegaze territory, a gorgeous and invigorating album brimming with style and splendor.
Deafheaven’s most mature and complete work to date - a synthesis of everything, playing to the band’s strengths while wearing its unironic heart on its sleeve.
Dear Deceased's heavy, rhythmic sound and complex arrangements took form out of the ashes bands whose members were influenced by everything from West Coast crossover Thrash to Post-Punk, Glam Rock, Industrial, Grunge, British Heavy Metal and Sabbath!
Dear Deceased's heavy, rhythmic sound and complex arrangements took form out of the ashes bands whose members were influenced by everything from West Coast crossover Thrash to Post-Punk, Glam Rock, Industrial, Grunge, British Heavy Metal and Sabbath!
"Scifi" oscillates between raw rhythmic power, hypnotic beats, and cosmic textures — organic yet calculated, intimate yet stellar, both danceable and disorienting, a glamorous glitch in the Post-Punk continuum.
"Scifi" oscillates between raw rhythmic power, hypnotic beats, and cosmic textures — organic yet calculated, intimate yet stellar, both danceable and disorienting, a glamorous glitch in the Post-Punk continuum.
In 2024, to celebrate the 40th Anniversary of The Cult, Ian Astbury and Billy Duffy have curated the previously released Death Cult collection "Ghost Dance", and recompiled the tracks for a 2024 release titled "Paradise Now".
Recorded at the iconic Albert Hall in Duffy’s hometown of Manchester on November 18th, 2023, this 16-track live album documents the rebirth of Death Cult, the band which laid the groundwork for what we now know as The Cult.
Recorded at the iconic Albert Hall in Duffy’s hometown of Manchester on November 18th, 2023, this 16-track live album documents the rebirth of Death Cult, the band which laid the groundwork for what we now know as The Cult.
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