"The debut album from Europe’s Poets To Their Beloved captures the essence of timeless poetry and romance. The CD offers a dreamy collection of songs comprised of acoustic guitars and percussive rhyt(...)"
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Second album by the former Lupercalia composer, who handles classical guitar and medieval lute accompanied by female voices and musicians from Dwelling, Ashram, Spiritual Front and even Lupercalia's Claudia Florio on vocals.
Mediterranean Folk and ethereal voices full of charm and atmosphere, with guests from Ashram and Daemonia Nymphe, among others. The album was conceived as a journey in some of the most significative places of the region Campania, in southern Italy.
Corde Oblique's eight studio album was inspired by the omonymous Bergman's movie "Cries and Whispers" and is split in two parts: "Cries" featuring the more Post Metal / Folkgaze inspired tracks, and "Whispers", with classic Ethereal / Post Folk songs.
John Peel invited Cranes to record two sessions for his show in 1989 & 1990, the second seeing Mark Francombe (guitarist, keyboardist, bassist) & Matt Cope (guitarist) join ranks to form the line-up who would go on to record multiple albums for Dedicated.
An emotionally charged time capsule showcasing one of the finest bands of the 1990s. This includes albums, B-sides, remixes, rarities and live recordings from their Dedicated releases between 1989 and 1997, curated in association with Cranes' Alison Shaw.
Originally released in 1986, "Fuse" showcases a sparser, darker and more Industrial, Post Punk sound. From the hypnotic allure and rhythmic intensity to the ferocious and challenging beats, the songs are just as mesmerising as Cranes' later work.
Originally released in 1986, "Fuse" showcases a sparser, darker and more Industrial, Post Punk sound. From the hypnotic allure and rhythmic intensity to the ferocious and challenging beats, the songs are just as mesmerising as Cranes' later work.
Originally released in 1986, "Fuse" showcases a sparser, darker and more Industrial, Post Punk sound. From the hypnotic allure and rhythmic intensity to the ferocious and challenging beats, the songs are just as mesmerising as Cranes' later work.
His third full-length of sublime Chamber Musick. Alongside Echo Collective the ensemble on "Rosarium" is augmented by American multi-instrumentalist Peter Broderick, English vocalist Astrud Steehouder, with poems read by O’Sullivan’s daughter Ivy.
New album by this unique multidisciplinary artist. "Medea forgives Jason" is a cycle of improvisations, first inspired by Euripides and his tragedy called "Medea".
A Sonic Journey Into Myth and Fate. Acclaimed artist Darja Kazimira in collaboration with Zura Makharadze presents her latest work, a mesmerizing cycle of vocal-instrumental improvisations dedicated to the final days of the Minotaur’s life. Lim. 300x.
Dark Sanctuary return, reviving the melancholy and dark atmospheres that have been their signature since our debut. A notorious alchemy made of stunning vocal textures, neo-classical and acoustic sounds. Lim. 500x.
Dark Sanctuary is back with their eighth Album “Cernunnos”, the first in fourteen years! One of their most varied releases yet, it oscillates between what has characterized their Neo-Classical sound and new musical horizons.
Dark Sanctuary is back with their eighth Album “Cernunnos”, the first in fourteen years! One of their most varied releases yet, it oscillates between what has characterized their Neo-Classical sound and new musical horizons. Lim. 200x copies.
Returning with their first studio album for seven years, "Stereo Mind Game" is a new chapter for Daughter. After more than a decade spent depicting the darkest emotions, Daughter present their most optimistic record yet.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track and were mastered by Stephan Mathieu from the original recordings.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
Dead Can Dance's most medieval album, which features their wellknown rendition of the XIVth Century piece "Saltarello". A beautiful and timeless classic.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two acts split across seven movements that represent the different facets of the Dionysus myth and his cult, taking the musical form of an oratorio via an array of folk instrumentation and inspiration from across the world.
"Garden Of The Arcane Delights" is the only EP released by DCD, coming out in 1984 and acting as a bridge between their first two albums. This new expanded version also includes both of the band’s sessions for John Peel, recorded in the same time period.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.
The seventh studio album by Dead Can Dance further expands on their exploration of world music, and would prove to be the last before the duo reunited fourteen years later for "Anastasis".
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two legendary John Peel Sessions for one of the most beloved bands on 4AD. Dead Can Dance's BBC Radio Peel Sessions were recorded on 19 November 1983 and on 2 June 1984. Essential!
"Avalanche" features collaborations with Lorenz Dangel, Dirk Mallwitz, Max Knoth and the Babelsberg Filmorchestra, in an album that brings epic symphonic pieces in addition to Maassen's unmistakable heartfelt and uniquely timed solo piano.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound. Lim. 500x.
The very first release by the Faroese vocalist, instrumentalist and songwriter who holds a voice of rare beauty and power! Her roots in these remote and astonishingly beautiful islands have remained the source of her musical inspiration.
On stage, Eivør seemingly effortless manages the multiple balancing act of elfish singing, beautiful melodies, cold keyboards and a mystical, subliminal power that passes over to the listener. A haunting manifestation of nordic music.
Room is a wistful album dedicated to the memory of Eivør’s father who passed away in 2011. The album deals with themes of sorrow, loss and love and showcases Eivør’s unique brand of Folktronica with Art Pop influences.
Eivor Palsdottir is considered the grand dame of the Faroe Islands and has long played her way into the hearts of music lovers beyond the borders of Denmark. The songs on Krákan are written in Icelandic and in her native Faroese language.
Ethereal Pop/Folk from the Faroe Islands. A collection of songs sang in Eivor's mother tongue, in a somewhat rawer and more reflective album which indulges in long-distance, breakups and the search for peace.
The Faroese singer/songwriter Eivor interprets together with writer Marjun Syderbo Kjælnes, composer Peter Jensen, the Danish National Choral Ensemble and the Danish Radio Big Band a musical drama that lies deep in rooted in Norse legends.
Brand-new album from the world of the massively popular Netflix Viking series, featuring the distinct, singular voice of Eivør, acclaimed for her otherworldly throat singing, who cooperated with composers John Lunn and Danny Saul on this project.
"Enn" stands out among Eivør’s discography as a bold new venture, which leans heavier into dark electronics, with ties back to her Nordic roots. Lim. 1400x.
"Enn" stands out among Eivør’s discography as a bold new venture, which leans heavier into dark electronics, with ties back to her Nordic roots. Lim. 300x.
The 3rd and final part in the Officium Tenebrarum trilogy, and one of Elend's most apocalyptic and awe-inspiring works. Now carefully remastered, with the artwork originally refused by MFN, and a bonus track recorded during the same sessions.
The 3rd part of the “Winds” cycle. More than 30 musicians and singers have contributed to the massive soundscapes of the album, in its most extreme moments exceeding the denseness of all their previous works, ever aspiring to more radical dimensions.
2019 remaster! The 3rd part of the “Winds” cycle. Ever aspiring to more radical dimensions, more than 30 musicians and singers have contributed to its massive soundscapes, which in their most extreme moments exceed the denseness of all previous works.
A furious, dark and fast effort where Elend combine their talent for large and dense orchestration with the most extreme experiments of XXth century's serious music, ranging from contemporary and experimental music to musique concrete.
2019 remaster! A furious, dark and fast effort where Elend combine their talent for large and dense orchestration with the most extreme experiments of XXth century's serious music, ranging from contemporary and experimental music to musique concrete.
The long-awaited return of this French project, now reduced to a one-man endeavour. On this new incarnation, Elend have acquired a very discreet Industrial flavour, which blends seemlessly with their remarkable Neo-Classical creations.
2019 remaster! The long-awaited return of this French project, now reduced to a one-man endeavour. On this new incarnation, Elend have acquired a very discreet Industrial flavour, which blends seemlessly with their remarkable Neo-Classical creations.
A lush, atmospheric and melancholic debut by this new projects headed by Steve Jansen (of Japan) and the deep, rich vocals of Thomas Feiner (of Anywhen). Absolutely essential!
Exit North continue to explore provocative song structures that weave piano and strings into layered threads where intimacy and atmospherics give way to powerful dynamics, animated rhythms and grooves, driving distortions and cinematic scale crescendos.
35.00EUR • approx. 50.8USD [ new : recommended ] : [ add to cart ]
Exit North continue to explore provocative song structures that weave piano and strings into layered threads where intimacy and atmospherics give way to powerful dynamics, animated rhythms and grooves, driving distortions and cinematic scale crescendos.
With their boldest and most energised tracks to date, Exit North dive into the shadowy undercurrents of grievance and retribution. Known for their understated, subtle compositions, the band increases intensity both musically and thematically.
Faith and the Muse's debut was heralded for its diverse musical explorations and incantations, in a beautiful concoction that merges Gothic Rock with Ethereal and Neo-Classical sensibilities. An essential release.
Deeply rooted in classical aesthetics, Elizabethan melodies, and Victorian structures, "Evidence of Heaven" yielded a haunting, yet divine listening experience, and harboured dance floor classics such as "Scars Flown Proud" and "Shattered in Aspect".
Faith and the Muse's 4th studio album marked a daring departure for the band, taking them well outside the realm of traditional Goth Rock as elements of Trance, Punk, Jazz and straight-up Rock 'N Roll permeated the different facets of their sound.
Faith and the Muse's debut was heralded for its diverse musical explorations and incantations, in a beautiful concoction that merges Gothic Rock with Ethereal and Neo-Classical sensibilities. An essential release, now re-issued with remastered sound!
An Ethereal Dark/Ambient musical project based on eerie and emotional soundscapes, delicate flute melodies and melancholic female voices. An intimate and heartfelt work, conceived as an artistic path through suffering and melancholy towards healing.
Ganavya harnesses the power of communal harmony to touch something deeper than song. A celebration of the ties that bind, it is both intimate and honest, a poignant expression of gratitude for the blessings which keep us grounded. Lim. 1000x.
This 1979 debut introduced listeners to the surreal, mysterious and truly unclassifiable statement of Tazartès and his out-of-time place in the French avant-garde canon. A chant to the gods in an undefined whail, both haunting and spiritually divine.
Recorded in the Californian Mojave desert, "Perseverantia" is mostly instrumental, with a few spoken-word lyrics by Danielle. An acoustic world of mysteries, which floats out of the loudspeakers like an epic movie, both disturbing and mesmerizing.
Recorded in the Californian Mojave desert, "Perseverantia" is mostly instrumental, with a few spoken-word lyrics by Danielle. An acoustic world of mysteries, which floats out of the loudspeakers like an epic movie, both disturbing and mesmerizing.
A hypnotic, ritualistic union of droning electronics and ethereal vocals. Layers of shimmering guitar, pulsing synths, and meditative repetitions create a spiritual, luminous soundscape—more organic and expansive than previous collaborative works.
Ethereal compositions drift between breathless fluttering and sorrowful slow dances, blending minimalist modern classical with ambient textures for a deeply meditative journey.
A live album capturing an expanded sonic palette with an eight-piece string ensemble, double bass, and Moog synthesizers. Ethereal vocals float over intricate piano, lush orchestration, and subtle electronics, recorded in a historic Warsaw studio.
Original music for Joachim Trier’s movie. A deeply intuitive, minimalist film score blending piano, strings, and field recordings, focused on subtle character dynamics which floats alongside the film's emotion rather than directing it.
Original music for Joachim Trier’s movie. A deeply intuitive, minimalist film score blending piano, strings, and field recordings, focused on subtle character dynamics which floats alongside the film's emotion rather than directing it.
In four unpredictable, mysterious and beautiful tracks, Hatis Noit presents unknown worlds of sound that imitate the sounds of nature and that do not require any words, drawing on elements as diverse as Western classical, Japanese folk and natural tones.
In four unpredictable, mysterious and beautiful tracks, Hatis Noit presents unknown worlds of sound that imitate the sounds of nature and that do not require any words, drawing on elements as diverse as Western classical, Japanese folk and natural tones.
An autodidact with an impressive range, Noit is inspired by Gagaku — Japanese classical music — folk music, operatic styles, Bulgarian and Gregorian chanting, as well as avant-garde and Pop vocalists to create her inimitable style of wordless music.
"Für Euch…" consists of two complete, separate conceptual twin sister albums - the first full of sad and hymnic lovesongs, while the second deals with general ‘social’ themes, such as greed, war and the eternal longing and search for paradise on Earth.
“Liod” tells the story of the fate of a woman that lives in the middle-ages, in a conceptual album which again combines medieval moods and modern electronic sounds with beautiful ballads and dark sound experiments.
"Wohin?" combines medieval and new poetry with historical music and the electronic avant-garde. Helium Vola is a project by Ernst Horn, the classically-trained pianist, composer and conductor who also co-founded Deine Lakaien and Qntal.
23 songs quick-firing through emotions, with moments of soothing calm soon clashing with white noise and visceral chaos, which found the band entering a confident creative stride, leaving listeners enthralled by both its beauty and darkness.
23 songs quick-firing through emotions, with moments of soothing calm soon clashing with white noise and visceral chaos, which found the band entering a confident creative stride, leaving listeners enthralled by both its beauty and darkness.
His Name Is Alive’s 1990 4AD label debut Livonia cemented the band’s presence among 4AD’s well-established ethereal lineage, reinventing and refracting the label’s sound through a prism. A tender and slightly deranged Dream-Pop record.
His Name Is Alive’s 1990 4AD label debut Livonia cemented the band’s presence among 4AD’s well-established ethereal lineage, reinventing and refracting the label’s sound through a prism. A tender and slightly deranged Dream-Pop record.
His Name Is Alive’s third record on 4AD, the first where the band controlled all processes including mixing, saw a marked shift; their most diverse, yet accessible catalogue entry, embracing the surreal and taking experimentalism up a notch.
His Name Is Alive’s third record on 4AD, the first where the band controlled all processes including mixing, saw a marked shift; their most diverse, yet accessible catalogue entry, embracing the surreal and taking experimentalism up a notch.
"Ten Small Fractures" offers new presentations and arrangements of songs from past Human Drama albums, limited to vocal, piano, flute, violin, muted bass anda classical nylon string guitar, recreating what would be 6 persons playing in a room.
A ground-breaking conceptual double album shaped by a collision of ancient gods and bleeding-edge technology. This singular vision weaves together genre-defiant soundscapes, abstract cinema and ancient meteorological mythologies.
A ground-breaking conceptual double album shaped by a collision of ancient gods and bleeding-edge technology. This singular vision weaves together genre-defiant soundscapes, abstract cinema and ancient meteorological mythologies.
Taking influences from the likes of Porcupine Tree, Philip Glass and Kate Bush, the duo's songwriting is rich with metaphorical layers, referencing the modern human condition as well as Shakespearean poetry, and Pre-Raphaelite visual aesthetics.
Featuring guests Gavin Harrison, Colin Edwin and Mariusz Duda (Riverside) and engineered/mixed by Marcel Van Limbeek (Tori Amos), Lighthouse is the award-winning 2016 album from Russian Post-Progressive duo iamthemorning.
A classic in the Brazilian alternative scene, "Templum Probus" offers a mix of ethereal voices with electronic punch and touches of early Trip Hop and soft Techno Pop. This new remaster offers also 6 bonus tracks and is limited to 150 copies.
"Sulphur English" finds Inter Arma mining deeper in the proggy organic Doom fields that made both "Paradise Gallows" and "Sky Burial" so thrilling while expanding further the on the Psych-Folk strain that made those albums' peaks seem so lofty.
A compelling testament to perseverance. Its thicket of ever-dense layers of Doom, Death, and Black Metal occasionally let bits of light slip in, fleeting reminders to keep going amid the tumult.
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