"Ecoute pélerin, la Terre, ta mère, appelle, les rêves se sont perdus, les vieilles sagesses se sont égarées...pourtant écoute, le vent porte sur la lande d'étranges mélopées comme autant de f(...)"
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"Anomima" brilliantly combines rich, classical orchestration, celestial female vocals and lush soundscapes involving both modern textures and elements of extreme music, and moves from Classical pieces to Byzantine music, and even oriental sounds.
Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century: a new piece recorded at the artist's studio in Belgium, and a eulogy for Tony Conrad, performed on the bells of St. Thomas Episcopal Church.
CAS waited nearly a decade to release their debut record, and rather fittingly it unfolds at a lethargic pace. The shimmering guitars, placid percussion, and wistfully delivered vocals in their Slowcore also reveal a debt to Dream Pop and Shoegaze.
While the band’s sound may be most associated with the romantic Pop music of the late 50’s and early 60’s, Gonzalez pushes into more unexpected sonic territory on Cry, reaching back to his childhood in El Paso, Texas, drawing a subtle melodic influence.
While the band’s sound may be most associated with the romantic Pop music of the late 50’s and early 60’s, Gonzalez pushes into more unexpected sonic territory on Cry, reaching back to his childhood in El Paso, Texas, drawing a subtle melodic influence.
Deluxe edition of "Cry" on 180g Deluxe Vinyl. Comes in a gatefold jacket printed on metallic foil, with lyrics mini booklet, 4p. folded poster, printed inner sleeve with credits and download card.
CAS waited nearly a decade to release their debut record, and rather fittingly it unfolds at a lethargic pace. The shimmering guitars, placid percussion, and wistfully delivered vocals in their Slowcore also reveal a debt to Dream Pop and Shoegaze.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years. Includes Lyric & Photo Book.
A double single by the Dream Pop band, featuring a dreamy cover of The Doors' classic 'The Crystal Ship' and a dark, noir-style original song that introduces striking spoken-word verses to the band's signature sound.
Cindytalk's 1984 debut is a fearless work that feels even more singular and prescient now forty-plus years beyond its release. Thriving on chance and transformation, it collages elements of noise, balladry, soundtrack, catharsis, and improvisation.
"Sudden Fruit" offers an immersive and chimeric work, which subtly balances between the organic and the digital — the fluidity of nature and the poetry embodied by Hirano’s piano juxtaposed with the gravity of Pavlov’s low-frequency machinery.
"Sudden Fruit" offers an immersive and chimeric work, which subtly balances between the organic and the digital — the fluidity of nature and the poetry embodied by Hirano’s piano juxtaposed with the gravity of Pavlov’s low-frequency machinery.
A reimagining of Henryk Górecki's most famous piece, performed by a 12-piece band including Sarah Neufeld, Saltland's Rebecca Foon, Greg Fox of Liturgy, Megan Stetson and more, performed on woodwinds, synthesizers, and electric guitars...
Stetson ventures into territory both familiar and strange. A reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the Greek tragedies.
Stetson ventures into territory both familiar and strange. A reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the Greek tragedies.
11 new pieces of emotionally scorching music which charts a carefully sequenced ride. A masterclass in the art of storytelling wrought instrumentally in a perfect storm of technical, musical and compositional complexity and achievement.
11 new pieces of emotionally scorching music which charts a carefully sequenced ride. A masterclass in the art of storytelling wrought instrumentally in a perfect storm of technical, musical and compositional complexity and achievement.
One of 2015's most acclaimed releases. Two of Constellation's acclaimed solo instrumental artists join forces on this tremendous new album of original compositions for horn and violin.
An splendid re-issue for one of CAA's finest releases, which finds the band merging Neo-Classical elements with bits reminiscent of Siouxsie and the Banshees on acid. For the first time on vinyl, lim. 400x.
CDAA's brand new album redefines and reinvents the already presumed dead genre of Dark Wave. Elegiac yet powerful Dark Wave, enmeshed in neoclassical drama and electronic finesse, reinforcing their place as peers of Dead Can Dance or Cocteau Twins.
CDAA explore, with strength and elegance, musical territories that bring them closer to Electro, as the band reinvents itself without denying its beautiful influences grounded in Darkwave, Electro-Industrial, Dark Pop, Neo-Classical or Heavenly Voices.
CDAA explore, with strength and elegance, musical territories that bring them closer to Electro, as the band reinvents itself without denying its beautiful influences grounded in Darkwave, Electro-Industrial, Dark Pop, Neo-Classical or Heavenly Voices.
Second album by the former Lupercalia composer, who handles classical guitar and medieval lute accompanied by female voices and musicians from Dwelling, Ashram, Spiritual Front and even Lupercalia's Claudia Florio on vocals.
In SADDLE with House of Mythology, C93 are OverMoon to RIDE again with this extended reissue! This expanded and remastered version includes previously unreleased mixes and versions of classic songs.
A Threnody and a Requiem to David Tibet's father, and a series of blinks at the passing of TREE and BIRD. This expanded and remastered version includes previously unreleased mixes and versions of classic songs.
One of the most desired and long-requested albums is finally available again on LP for the first time since 1991. Originally recorded in Iceland between 1986-1991, it features guest such as HÖH, Björk and Rose McDowall, among several others.
"In Menstrual Night" was recorded in 1985 by Current 93, who could never be: David Michael Tibet, Hilmar Örn Hilmarsson, Steven Stapleton, Diana Rogerson, John Balance, Ruby Tathata Wallis, Keiko Yoshida, Rose McDowall and Bee.
Possibly, probably, maybe, or not, a seminal and sidereal masterpiece, the inspiration for 93,000 Masks On Nothings, none of which were Groovy. For me, well, it was my first Hallucinatory PickNick, and the skies turned Pixie Red for it. Lim.1000x
One of the C93 albums that haunts me the most. (...) Once again, the Voice in the Mask of one of my favourite authors, and longest colleagues, Thomas Ligotti, also joined C93. Lim. 1000x.
3,900 years ago, in 2010, David Tibet and Andrew Liles decided to ReDream and ReName the first 6 and two-halves C93 albums. The box-set also includes a 7” single in full-colour sleeve of “There’s No Hiding From The BlackBird”. Lim. 1000x copies.
29.00EUR • approx. 42.1USD [ new : recommended ] : [ add to cart ]
"Earth Covers Earth" followed up the apocalyptic SingSong Sounds of "Swastikas For Noddy" with another clutch of classic C93 chimes with a stellar set of allies. Remastered from the original, tapes by The Bricoleur at Bladud Flies!
Recorded at the same time as "Swastikas For Noddy", "Imperium" was the BackSide GrimStory to the Bright 'n' Breezy (Locust) SummerTime Whistkes of "Swastikas For Noddy". Remastered from the original, tapes by The Bricoleur at Bladud Flies!
"I Have A Special Plan For This World" was Tibet's second work together with Thomas Ligotti. Andrew Liles also worked on a new version of the piece, appearing on side B. Remastered from the original, tapes by The Bricoleur at Bladud Flies!
His third full-length of sublime Chamber Musick. Alongside Echo Collective the ensemble on "Rosarium" is augmented by American multi-instrumentalist Peter Broderick, English vocalist Astrud Steehouder, with poems read by O’Sullivan’s daughter Ivy.
Dark Sanctuary return, reviving the melancholy and dark atmospheres that have been their signature since our debut. A notorious alchemy made of stunning vocal textures, neo-classical and acoustic sounds. Lim. 500x.
Dark Sanctuary is back with their eighth Album “Cernunnos”, the first in fourteen years! One of their most varied releases yet, it oscillates between what has characterized their Neo-Classical sound and new musical horizons.
Dark Sanctuary is back with their eighth Album “Cernunnos”, the first in fourteen years! One of their most varied releases yet, it oscillates between what has characterized their Neo-Classical sound and new musical horizons. Lim. 200x copies.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track and were mastered by Stephan Mathieu from the original recordings.
A minimalist, ambient piano work reimagined with subtle electronic shadings. Ethereal, resonant notes drift over quiet electronic textures, creating a meditative soundscape where silence and harmony merge, evoking the stillness of dawn and dusk.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two acts split across seven movements that represent the different facets of the Dionysus myth and his cult, taking the musical form of an oratorio via an array of folk instrumentation and inspiration from across the world.
"Garden Of The Arcane Delights" is the only EP released by DCD, coming out in 1984 and acting as a bridge between their first two albums. This new expanded version also includes both of the band’s sessions for John Peel, recorded in the same time period.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.
The seventh studio album by Dead Can Dance further expands on their exploration of world music, and would prove to be the last before the duo reunited fourteen years later for "Anastasis".
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two legendary John Peel Sessions for one of the most beloved bands on 4AD. Dead Can Dance's BBC Radio Peel Sessions were recorded on 19 November 1983 and on 2 June 1984. Essential!
A collection of radical re-workings of traditional and jazz standards, a solo piano interpretation of Thelonious Monk's “Round Midnight”, and live voice and piano interpretations of “O Death” and “Pardon Me I've Got Someone to Kill”.
Composed and performed by Galás in September 2019, this 21:19 minute piece is based on the expressionist poem Das Fieberspital (The Fever Hospital), a depiction of warehoused patients of yellow fever by Georg Heym.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
Galas takes a turn to the slightly more accessible with her collaboration with Jones on "The Sporting Life", with both Hammond organ and piano widely used throughout, alongside Jones' bass and production duties and Pete Thomas on percussion.
Employing a vast array of advanced vocal and instrumental techniques, "Broken Gargoyles" is arguably Galas’ most intellectually, sonically and viscerally formidable work to date.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
35 years after starting Diary of Dreams, the time has come for Adrian Hates, to record an entire album with a full philharmonic orchestra: 9 classic Diary of Dreams in a completely new acoustic guise.
A journey to discover completely new worlds of sound in the Diary. The title already offers a slight hint as to what we can expect – dark and apocalyptic scenarios as well as a retreat into one’s own thoughts.
A journey to discover completely new worlds of sound in the Diary. The title already offers a slight hint as to what we can expect – dark and apocalyptic scenarios as well as a retreat into one’s own thoughts.
Debut album by this folk project of Negura Bunget's Negru! Authentic Romanian traditional songs, sung by local performers and recorded in their original environment, meet Negru's personal visions and reinterpretations of Romanian traditional music.
"Avalanche" features collaborations with Lorenz Dangel, Dirk Mallwitz, Max Knoth and the Babelsberg Filmorchestra, in an album that brings epic symphonic pieces in addition to Maassen's unmistakable heartfelt and uniquely timed solo piano.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound. Lim. 500x.
A work recommended for fans of the more lyrical pieces of Current 93 or Nature and Organisation by Ashram's brilliant violnist. A piece of music divided in two acts, born as a union of two different, but profoundly alike art forms, poetry and music.
Eeriærmor (E:Æ:R) is the very personal and immersive new sound mapping motif of Kevin Gan Yuen (Sutekh Hexen), which conceptually honors memory and the moment via granular synthesis sculpture, utilizing detailed dynamic frequency layering techniques.
"Hädanfärden" could just be the album we all wished "Dauði Baldrs" could have been. The potential of an album without lyrics to tell a story grows as the waves of mischievous, playful synth wash over our senses and transport us to Asgard.
"Hädanfärden" could just be the album we all wished "Dauði Baldrs" could have been. The potential of an album without lyrics to tell a story grows as the waves of mischievous, playful synth wash over our senses and transport us to Asgard. Lim. 300x.
“Kvasis Dreyri” draws its inspiration from Norse mythology and the legendary mead of poetry created from the blood of Kvasir. The album comes to life through melancholic synth melodies, subtle percussion, patient repetition, and vast ambient textures.
20th Anniversary edition of the long deleted debut by the unique Folk-Wave with Heavenly Voices combo, in an expanded 3CD-set which includes the re-recorded "Der Nachtwald" demo, "The Fire of Glenvore" and a live recording of the "Love Can't Wait Tour".
The 3rd and final part in the Officium Tenebrarum trilogy, and one of Elend's most apocalyptic and awe-inspiring works. Now carefully remastered, with the artwork originally refused by MFN, and a bonus track recorded during the same sessions.
2019 remaster! The 3rd part of the “Winds” cycle. Ever aspiring to more radical dimensions, more than 30 musicians and singers have contributed to its massive soundscapes, which in their most extreme moments exceed the denseness of all previous works.
The 3rd part of the “Winds” cycle. More than 30 musicians and singers have contributed to the massive soundscapes of the album, in its most extreme moments exceeding the denseness of all their previous works, ever aspiring to more radical dimensions.
2019 remaster! A furious, dark and fast effort where Elend combine their talent for large and dense orchestration with the most extreme experiments of XXth century's serious music, ranging from contemporary and experimental music to musique concrete.
A furious, dark and fast effort where Elend combine their talent for large and dense orchestration with the most extreme experiments of XXth century's serious music, ranging from contemporary and experimental music to musique concrete.
The long-awaited return of this French project, now reduced to a one-man endeavour. On this new incarnation, Elend have acquired a very discreet Industrial flavour, which blends seemlessly with their remarkable Neo-Classical creations.
2019 remaster! The long-awaited return of this French project, now reduced to a one-man endeavour. On this new incarnation, Elend have acquired a very discreet Industrial flavour, which blends seemlessly with their remarkable Neo-Classical creations.
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