"De paganistisch geïnspireerde band The Moon And The Nightspirit werd in 2003 opgericht door het duo Agnes Toth en Mihaly Szabo. Inspiratie voor hun muziek putten ze uit oeroude heidense legenden, eeu(...)"
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For their highly anticipated third album, the Turkish Post-Punk/Darkwave duo present a concentration of their past work, but with a new flavour, and the commitment to dance away through the misery of everyday life. Deluxe re-issue with two bonus tracks.
For their highly anticipated third album, the Turkish Post-Punk/Darkwave duo present a concentration of their past work, but with a new flavour, and the commitment to dance away through the misery of everyday life. Re-issue on colored vinyl, lim. 500x!
The amazing Turkish combo Ductape continue to deliver a mature mix of Electro and Postpunk. The 8-track album brings Ductape's dark, chaotic sound to an even more tense feeling, and is likely to set them up alongside their countrymen She Past Away.
After having conquered the world by extensively touring with IAMX and She Past Away, the Turkish Post-Punk duo finally see their debut album pressed for the first time on vinyl!
An audial vomit orchestra, straight from the mouth of Satan, "Tirades uit de Hel" brings you hateful Black Metal from the days of yore. Prepare to be scorched by purgatory fires and trampled by sulphuric hooves!
Best listened to from inside the womb, Duster's 1998's debut simultaneously capped off and reinvented the Slow Core's first wave. A four track dreamscape that will wake the neighbors and then lull them back to sleep.
With a solid base in Black Metal, but also taking many elements from Doom as well as traditional music, the duo has moved beyond the Post-Black Metal tag and created melancholic, haunting melodies within a unique emotional sound.
With a solid base in Black Metal, but also taking many elements from Doom as well as traditional music, the duo has moved beyond the Post-Black Metal tag and created melancholic, haunting melodies within a unique emotional sound. Hardcover artbook.
With a solid base in Black Metal, but also taking many elements from Doom as well as traditional music, the duo has moved beyond the Post-Black Metal tag and created melancholic, haunting melodies within a unique emotional sound.
With a solid base in Black Metal, but also taking many elements from Doom as well as traditional music, the duo has moved beyond the Post-Black Metal tag and created melancholic, haunting melodies within a unique emotional sound. Lim. 500x copies.
The 2016 debut by the band infused with new blood and a particular Belarusian element into Black Metal, with lyrics based on the main events in the course of their country’s history and its legends which also referenced classic Belarusian literature.
The 2016 debut by the band infused with new blood and a particular Belarusian element into Black Metal, with lyrics based on the main events in the course of their country’s history and its legends which also referenced classic Belarusian literature.
With their sophomore album, Dymna Lotva returned to the topic of Chernobyl while musically extending and expanding the style based on Nordic Black Metal with added Slavonic elements created on their debut album.
With their sophomore album, Dymna Lotva returned to the topic of Chernobyl while musically extending and expanding the style based on Nordic Black Metal with added Slavonic elements created on their debut album. Lim. 500x.
The long-awaited debut album by this Reverorum Ib Malacht side-project! A total tonal subversion of both "black metal" and BLACK METAL beyond compare, stretched over a single 45 min. composition.
Dödfödd's 3rd demo would come to be considered to be the work that put the band on the international map. This demented Black Metal classic still has a few characteristics that would later rise to the surface in more pronounced ways. Lim. 333 copies.
The sixth studio album of bleak, dark and dissonant sounds from Norway’s Dødheimsgard. Thematically the album deals with the idea of authenticity, the battle of free will versus determinism and what this implies for our moral responsibilities.
Twisted, technical, sprawling epics of Experimental Black Progressive Metal & an inverted outlook on existence from the depths of band mastermind/writer/producer Vicotnik, with similarities drawn to previous classic DHG works taken to a whole new level.
Swiss post doomers E-L-R offer a new perspective on panoramic musical vistas, with an atmospheric, heavy and heady brew that sounds familiar and fresh at once while sharing a shamanist quality with Our Survival Depends On Us or Hexvessel. Lim. 500x.
E-L-R's hypnotic phrases - constantly varied and warped in repeating loops throughout the meandering, down-tempo doom-epics - are reminiscent of shamanic rituals imbued with psychedelic colours.
E-L-R's hypnotic phrases - constantly varied and warped in repeating loops throughout the meandering, down-tempo doom-epics - are reminiscent of shamanic rituals imbued with psychedelic colours.
A purge of the embellishment and panache from previous releases, "Full Upon Her Burning Lips" intimates Earth’s commitment to the minimalism of their primordial days as they commemorate thirty trips around the sun as one of Metal’s most monolithic bands.
30th anniversary vinyl edition of this pioneering Ambient-Metal album! The re-release revives the double album’s original packaging and adds a double-sided insert with never-before-seen photos of the band from the "Earth 2" era.
30th anniversary vinyl edition of this pioneering Ambient-Metal album! The re-release revives the double album’s original packaging and adds a double-sided insert with never-before-seen photos of the band from the "Earth 2" era.
Seattle Drone-Rock titans Earth release their latest live document, an unrelenting display of the band's seismic force, recorded during their performance at London's KOKO in 2016. A set of hypnotic intensity, crushing volume, and towering, glacial beauty.
The brainchild of Rune "Blasphemer" Eriksen (Mayhem, Aura Noir, Ava Inferi) and his partner Carmen Simoes (Ava Inferi, Aenima) draws heavily from Classic Rock influences including giants like Deep Purple, Black Sabbath and Pink Floyd.
French/Italian Darkwave, influenced by classics such as New Order or Depeche Mode but also by soundtracks like “You and the Night” by M83, the atmospheres of Lynch's movies and the light voice of French 60s singer France Gall!
This is the first album of a new phase of Echoberyl's artistic path. A collection of dark tales with strong, touching, terrifying, sensual, dangerous female protagonists. This expanded edition includes 6 bonus tracks, and new artwork!
A tribute to "parallel worlds", to mystery literature (and a certain type of B-series movies and TV shows). A twilight zone populated with bewitching and evil, mysterious and troubled female characters. An exploration infused with dark sounds.
This is the first album of a new phase of Echoberyl's artistic path. A collection of dark tales with strong, touching, terrifying, sensual, dangerous female protagonists. This re-issue brings 4 bonus tracks and extended artwork.
"Violence" album marked a shift towards a more electronic, poppier sound compared to their earlier Post-Punk style, blending Dark Wave Rock with synths.
Editors' fifth studio album is a bold and expansive statement and is driven by, according to Tom Smith, a belief that music can be 'both Pop and experimental'. Features guest vocals by Rachel Goswell, of Slowdive!
Editors welcome Blanck Mass as a full member of the band, and offer their most electronic work to date. An emotional physicality runs throughout the album, with a marked urgency and sense of panic.
Debut studio album by British Post-Punk revival band Editors, originally released on 25 July 2005, and arguably one of the albums that kicked off a new wave of Post-Punk at the dawn of a new millennium.
A work recommended for fans of the more lyrical pieces of Current 93 or Nature and Organisation by Ashram's brilliant violnist. A piece of music divided in two acts, born as a union of two different, but profoundly alike art forms, poetry and music.
Eeriærmor (E:Æ:R) is the very personal and immersive new sound mapping motif of Kevin Gan Yuen (Sutekh Hexen), which conceptually honors memory and the moment via granular synthesis sculpture, utilizing detailed dynamic frequency layering techniques.
Black Metal on the surface, but only barely; beneath that foundation, in the dirt and gravel and of the earth, exist a woodland mysticism and mesmerizing songcraft beyond compare - ancient, solemn, almost monastic.
A soundtrack for the end of the world, skillfuly bridging the universes of Doom Metal and Post Rock. Haunting vocal harmonies along with sometimes blistering, and sometimes impressionistic guitar riffing to create heady atmospheres of dark and light.
Imagine, if you will, a parallel universe where Vikings discovered synthesizers and started headbanging to Techno. A wild rumpus of a record that doesn't just break the mold—it smashes it with the ferocity of Thor's hammer.
Imagine, if you will, a parallel universe where Vikings discovered synthesizers and started headbanging to Techno. A wild rumpus of a record that doesn't just break the mold—it smashes it with the ferocity of Thor's hammer. Lim. 400x.
Eihwar take listeners deep into the tenth, hidden world of Yggdrasil, expanding their mythic universe with thunderous war drums, chanting in trance languages, and an irreverent energy that rejects solemn reenactment in favor of visceral experience.
Eihwar take listeners deep into the tenth, hidden world of Yggdrasil, expanding their mythic universe with thunderous war drums, chanting in trance languages, and an irreverent energy that rejects solemn reenactment in favor of visceral experience.
Eihwar take listeners deep into the tenth, hidden world of Yggdrasil, expanding their mythic universe with thunderous war drums, chanting in trance languages, and an irreverent energy that rejects solemn reenactment in favor of visceral experience.
EN reach the boundaries of acoustic feasibilities once again, placing their bets on their ideas about beautiful sound, integrating genuine string instruments into their songs and consequently unsettling a whole genre once more!
On their third album (1985), produced in the legendary Berlin Hansa-Studios by the star producer Gareth Jones, the Einstürzende Neubauten present themselves focused strongly inward and concentrated on noise.
Highly energetic and possessed of a certain level of danceability, "Haus Der Lüge" was perhaps the most accessible for the band when released back in 1989 in terms of straightforward Industrial-Rock, with less grinding experimentation.
Cathartic noise cascades and finely-dosed, eruptive noise outbreaks of feverish destruction fantasies are beat from the collective soul by a noise community that proliferated into a permanent ensemble.
Recorded over some 200 days in their own studio, "Alles Wieder Offen" comes to dismiss the idea that Neubaten were growing softer. An urgent and compelling album in which conventional instrumentation fuses with Neubauten's own instruments and tools.
Recorded over some 200 days in their own studio, "Alles Wieder Offen" comes to dismiss the idea that Neubaten were growing softer. An urgent and compelling album in which conventional instrumentation fuses with Neubauten's own instruments and tools.
Neubauten abstain from focusing on listener disintegration tactics as they did on prior albums, but opt instead to hone their craftsmanship in new compositional areas to reveal a graceful maturity by Blixa Bargeld and his crew.
Neubauten abstain from focusing on listener disintegration tactics as they did on prior albums, but opt instead to hone their craftsmanship in new compositional areas to reveal a graceful maturity by Blixa Bargeld and his crew.
E.N. masterfully celebrate the unexpected in the exploration of silence. A wonderful album in the classical Neubauten sense, lyrical and melancholy, but also a coming-of-age as metal-defying scrap iron sounds grow into constructed melodiousness.
E.N. masterfully celebrate the unexpected in the exploration of silence. A wonderful album in the classical Neubauten sense, lyrical and melancholy, but also a coming-of-age as metal-defying scrap iron sounds grow into constructed melodiousness.
Cathartic noise cascades and finely-dosed, eruptive noise outbreaks of feverish destruction fantasies are beat from the collective soul by a noise community that proliferated into a permanent ensemble.
Anarchic, loud, undifferentiated and dilettantish! EN's debut “Kollaps” was a component of Berlin’s big bang in the early 1980s – more radical than punk – which was meant to open completely new avenues for the younger generation to make music.
EN´s first compilation release reflects a section through 35 years of band work and includes several favourite tracks. Some of them have been given a new mix, exclusively for this collection.
Originally issued in 2005 as a small, limited edition, strictly intended only for registered band supporters, the much sought-after album is now officially available again, including also a previously unpublished DVD!
"Alles In Allem" marks the quintessence of the band’s output, opening yet another unexpected door in 40 years of ongoing sound research by a very experimental group of musicians around Blixa Bargeld, continuing to create a genre all its own.
"Alles In Allem" marks the quintessence of the band’s output, opening yet another unexpected door in 40 years of ongoing sound research by a very experimental group of musicians around Blixa Bargeld, continuing to create a genre all its own. Lim. 2500x.
Highly energetic and possessed of a certain level of danceability, "Haus Der Lüge" was perhaps the most accessible for the band when released back in 1989 in terms of straightforward Industrial-Rock, with less grinding experimentation.
On their third album (1985), produced in the legendary Berlin Hansa-Studios by the star producer Gareth Jones, the Einstürzende Neubauten present themselves focused strongly inward and concentrated on noise.
In its 44th year of existence, the band is going back to its roots while redefining itself. It’s a change in self-image, for which the Berlin quintet plus one has created its own genre in 2024: APM - Alien Pop Music!
30.00EUR • approx. 43.5USD [ new : recommended ] : [ add to cart ]
In its 44th year of existence, the band is going back to its roots while redefining itself. It’s a change in self-image, for which the Berlin quintet plus one has created its own genre in 2024: APM – Alien Pop Music! Black 140g organic double vinyl.
In its 44th year of existence, the band is going back to its roots while redefining itself. It’s a change in self-image, for which the Berlin quintet plus one has created its own genre in 2024: Alien Pop Music! 180g vinyl, embossed and numbered cover.
The deep sea set to music. Not only does the album contain the most unfathomable and darkest material in the band's history, but also their most atmospheric and epic moments, paving the path to join Germany's leading Black Metal bands. Lim. 200x.
"Hädanfärden" could just be the album we all wished "Dauði Baldrs" could have been. The potential of an album without lyrics to tell a story grows as the waves of mischievous, playful synth wash over our senses and transport us to Asgard. Lim. 300x.
The very first release by the Faroese vocalist, instrumentalist and songwriter who holds a voice of rare beauty and power! Her roots in these remote and astonishingly beautiful islands have remained the source of her musical inspiration.
On stage, Eivør seemingly effortless manages the multiple balancing act of elfish singing, beautiful melodies, cold keyboards and a mystical, subliminal power that passes over to the listener. A haunting manifestation of nordic music.
Room is a wistful album dedicated to the memory of Eivør’s father who passed away in 2011. The album deals with themes of sorrow, loss and love and showcases Eivør’s unique brand of Folktronica with Art Pop influences.
Eivor Palsdottir is considered the grand dame of the Faroe Islands and has long played her way into the hearts of music lovers beyond the borders of Denmark. The songs on Krákan are written in Icelandic and in her native Faroese language.
In many ways, "Bridges" is a classic singer/songwriter album that finds its roots deep in sixties Pop, set in the context of Eivor's unique 'Folktronica' in which acoustic guitars play against electronica in an exciting mix of tradition and modernity.
Ethereal Pop/Folk from the Faroe Islands. A collection of songs sang in Eivor's mother tongue, in a somewhat rawer and more reflective album which indulges in long-distance, breakups and the search for peace.
Ethereal Pop/Folk from the Faroe Islands. A collection of songs sang in Eivor's mother tongue, in a somewhat rawer and more reflective album which indulges in long-distance, breakups and the search for peace.
The Faroese singer/songwriter Eivor interprets together with writer Marjun Syderbo Kjælnes, composer Peter Jensen, the Danish National Choral Ensemble and the Danish Radio Big Band a musical drama that lies deep in rooted in Norse legends.
A selection of 16 instant classics from "Room", "Bridges" and "Slør". "Live in Tórshavn" is the natural continuity of the studio albums, giving them a second life and taking the songs further into the territories of Alternative, Rock, and Folktronica.
Brand-new album from the world of the massively popular Netflix Viking series, featuring the distinct, singular voice of Eivør, acclaimed for her otherworldly throat singing, who cooperated with composers John Lunn and Danny Saul on this project.
"Enn" stands out among Eivør’s discography as a bold new venture, which leans heavier into dark electronics, with ties back to her Nordic roots. Lim. 1400x.
"Enn" stands out among Eivør’s discography as a bold new venture, which leans heavier into dark electronics, with ties back to her Nordic roots. Lim. 300x.
20th Anniversary edition of the long deleted debut by the unique Folk-Wave with Heavenly Voices combo, in an expanded 3CD-set which includes the re-recorded "Der Nachtwald" demo, "The Fire of Glenvore" and a live recording of the "Love Can't Wait Tour".
Elder’s eponymous debut from 2008, remastered by Carl Saff. The vinyl version comes on blue 180gr vinyl including a bonus LP containing demo material from 2006, never before given a proper release!
"Liminality/Dream State Return" can be seen as a bridge between eras in their creative universe; one foot is planted in the highly melodic and sometimes Alternative/Grunge tinged riffing of "Omens", the other in "Innate Passage"'s dreamy Prog soundscapes.
The 3rd and final part in the Officium Tenebrarum trilogy, and one of Elend's most apocalyptic and awe-inspiring works. Now carefully remastered, with the artwork originally refused by MFN, and a bonus track recorded during the same sessions.
The 3rd part of the “Winds” cycle. More than 30 musicians and singers have contributed to the massive soundscapes of the album, in its most extreme moments exceeding the denseness of all their previous works, ever aspiring to more radical dimensions.
2019 remaster! The 3rd part of the “Winds” cycle. Ever aspiring to more radical dimensions, more than 30 musicians and singers have contributed to its massive soundscapes, which in their most extreme moments exceed the denseness of all previous works.
2019 remaster! A furious, dark and fast effort where Elend combine their talent for large and dense orchestration with the most extreme experiments of XXth century's serious music, ranging from contemporary and experimental music to musique concrete.
A furious, dark and fast effort where Elend combine their talent for large and dense orchestration with the most extreme experiments of XXth century's serious music, ranging from contemporary and experimental music to musique concrete.
The long-awaited return of this French project, now reduced to a one-man endeavour. On this new incarnation, Elend have acquired a very discreet Industrial flavour, which blends seemlessly with their remarkable Neo-Classical creations.
2019 remaster! The long-awaited return of this French project, now reduced to a one-man endeavour. On this new incarnation, Elend have acquired a very discreet Industrial flavour, which blends seemlessly with their remarkable Neo-Classical creations.
The second titanic volume of Metal, Rock and progressively heavy Psychedelic Doom from Northern English quartet Elephant Tree, masters of combining gloomy atmosphere with head-bobbing grooves... Truly a mind-numbing and nirvana-like experience.
"Day of Doom Live" showcases Elephant Tree offering what Metal Injection describes as "gloomy atmosphere with head-bobbing grooves" in a live setting, following more than 5 years delivering their heavy yet melodic sound to the world!
The second titanic volume of Metal, Rock and progressively heavy Psychedelic Doom from Northern English quartet Elephant Tree, masters of combining gloomy atmosphere with head-bobbing grooves... Truly a mind-numbing and nirvana-like experience.
Cradle of Filth 
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