"Entro in una galleria d’arte (la mia anima), vedo esposti diversi quadri: raffigurano stati d’animo che chiunque nel corso della vita può aver provato. All’entrata mi attende un uomo, una sorta(...)"
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On sound structures that are formed by an elegant dance of guitars and piano, ethereal voices weave a world animated by intense and lemotional exchanges between human and non-human beings. Lim. 300x.
"Anomima" brilliantly combines rich, classical orchestration, celestial female vocals and lush soundscapes involving both modern textures and elements of extreme music, and moves from Classical pieces to Byzantine music, and even oriental sounds.
CAS waited nearly a decade to release their debut record, and rather fittingly it unfolds at a lethargic pace. The shimmering guitars, placid percussion, and wistfully delivered vocals in their Slowcore also reveal a debt to Dream Pop and Shoegaze.
CAS waited nearly a decade to release their debut record, and rather fittingly it unfolds at a lethargic pace. The shimmering guitars, placid percussion, and wistfully delivered vocals in their Slowcore also reveal a debt to Dream Pop and Shoegaze.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years.
Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn Pop songs, Greg captures every emotion a romantic arc inspires. "X’s" centralizes on just one relationship that spanned four years. Includes Lyric & Photo Book.
A rhapsodic, hedonistic, dance floor-adjacent, pagan-friendly, horns-adorning wall of sound and emotion. "Halo on the Inside" finds CdY renewed, recombinant, and thrillingly alien, veering towards synth-heavy Pop and Electronica.
A rhapsodic, hedonistic, dance floor-adjacent, pagan-friendly, horns-adorning wall of sound and emotion. "Halo on the Inside" finds CdY renewed, recombinant, and thrillingly alien, veering towards synth-heavy Pop and Electronica.
Working as a good primer to the Cocteau Twins stellar catalogue, "Stars and Topsoil" brings together tracks released during the group's time on 4AD between 1982 and 1990, covering everything from debut "Garlands" through to "Heaven or Las Vegas".
Their fourth album, released in spring 1986. This largely acoustic, non-percussive album was made with Elizabeth and Robin, while Simon was working on This Mortal Coil's second album. 24bit HD remaster, from the original tapes.
Working as a good primer to the Cocteau Twins stellar catalogue, "Stars and Topsoil" brings together tracks released during the group's time on 4AD between 1982 and 1990, covering everything from debut "Garlands" through to "Heaven or Las Vegas".
Delivered after a slightly longer period between records than fans had been used to, this was their first self-produced album, introducing a new Pop sensibility while showing the band’s continued maturity. Remastered from HD audio, on 180 gr vinyl.
“a core of ungodly gorgeous songs that is every bit as moving and relevant today as it ever was” Their most commercially successful release, reaching number seven in the UK album charts, and often declared one of the best albums of the 90s.
"The Pink Opaque" was originally released in 1986 by 4AD as a special retrospective to coincide with the band’s first US-based label and distribution contract with Relativity. This pressing has been remastered from HD audio and comes in 180g vinyl.
Released in late-1983, "Head Over Heels" is the Cocteau Twins’ second album. By moving on from the starkness of their debut, they were now making the music that would help them define the decade ahead.
The band's debut album. Far darker than some their later offerings, being influenced by Siouxsie and the Banshees, early Cure and The Birthday Party. 24bit HD remaster, from the original tapes.
Their fourth album, released in spring 1986. This largely acoustic, non-percussive album was made with Elizabeth and Robin, while Simon was working on This Mortal Coil's second album. 24bit HD remaster, from the original tapes.
“a core of ungodly gorgeous songs that is every bit as moving and relevant today as it ever was” Their most commercially successful release, reaching number seven in the UK album charts, and often declared one of the best albums of the 90s.
These two EPs were originally released two weeks apart back in November 1985. Seen as companion pieces, they both acted as a precursor to their fourth studio album, "Victorialand", and are now brought together on one piece of vinyl, 30 years later!
A singular record for Cocteau Twins – unusually ethereal, even by their standards, and largely instrumental, guided by the free-form improvisations of Harold Budd, an ambient pioneer who had drifted into their orbit as if by divine intervention.
An splendid re-issue for one of CAA's finest releases, which finds the band merging Neo-Classical elements with bits reminiscent of Siouxsie and the Banshees on acid. For the first time on vinyl, lim. 400x.
CDAA's brand new album redefines and reinvents the already presumed dead genre of Dark Wave. Elegiac yet powerful Dark Wave, enmeshed in neoclassical drama and electronic finesse, reinforcing their place as peers of Dead Can Dance or Cocteau Twins.
CDAA explore, with strength and elegance, musical territories that bring them closer to Electro, as the band reinvents itself without denying its beautiful influences grounded in Darkwave, Electro-Industrial, Dark Pop, Neo-Classical or Heavenly Voices.
CDAA explore, with strength and elegance, musical territories that bring them closer to Electro, as the band reinvents itself without denying its beautiful influences grounded in Darkwave, Electro-Industrial, Dark Pop, Neo-Classical or Heavenly Voices.
The debut by this new project fronted by guitarist-composer Riccardo Prencipe, already the mind behind Lupercalia. A folk-ethereal-ethnic album which forms a resonant journey that takes us from little rainy harbours to distant valleys.
Second album by the former Lupercalia composer, who handles classical guitar and medieval lute accompanied by female voices and musicians from Dwelling, Ashram, Spiritual Front and even Lupercalia's Claudia Florio on vocals.
Mediterranean Folk and ethereal voices full of charm and atmosphere, with guests from Ashram and Daemonia Nymphe, among others. The album was conceived as a journey in some of the most significative places of the region Campania, in southern Italy.
Deluxe Edition of this outstanding Italian act’s third album, “The Stones of Naples“, originally released on Prikosnovenie and quickly sold out. This new edition comes with new artwork and two unreleased bonus tracks.
John Peel invited Cranes to record two sessions for his show in 1989 & 1990, the second seeing Mark Francombe (guitarist, keyboardist, bassist) & Matt Cope (guitarist) join ranks to form the line-up who would go on to record multiple albums for Dedicated.
An emotionally charged time capsule showcasing one of the finest bands of the 1990s. This includes albums, B-sides, remixes, rarities and live recordings from their Dedicated releases between 1989 and 1997, curated in association with Cranes' Alison Shaw.
Originally released in 1986, "Fuse" showcases a sparser, darker and more Industrial, Post Punk sound. From the hypnotic allure and rhythmic intensity to the ferocious and challenging beats, the songs are just as mesmerising as Cranes' later work.
Originally released in 1986, "Fuse" showcases a sparser, darker and more Industrial, Post Punk sound. From the hypnotic allure and rhythmic intensity to the ferocious and challenging beats, the songs are just as mesmerising as Cranes' later work.
Originally released in 1986, "Fuse" showcases a sparser, darker and more Industrial, Post Punk sound. From the hypnotic allure and rhythmic intensity to the ferocious and challenging beats, the songs are just as mesmerising as Cranes' later work.
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