"Les Fragments de la Nuit est une jeune formation versaillaise montée par Ombeline Chardes (violon) et Michel Villard (piano), couple ayant auparavant collaboré pour des bandes originales de courts e(...)"
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Reissue of Enslaved's debut EP, a key release in the development of Viking Metal. The re-issue features exclusive liner notes and quotes by major figures of the Black Metal scene and the bonus track 'Enslaved', from the 1992 Satyricon split.
With their original roots in Thrash Metal and Screamo still worn proudly on their sleeves, the band have steadily evolved their sound to incorporate euphoric elements of Post-Rock and Shoegaze to spectacular effect.
With their original roots in Thrash Metal and Screamo still worn proudly on their sleeves, the band have steadily evolved their sound to incorporate euphoric elements of Post-Rock and Shoegaze to spectacular effect. Lim. 350x.
A sweeping Post-Rock and Screamo landmark, trading shorter blasts for lengthy, cinematic buildups, in this deeply emotional evolution. Spoken-word passages, shimmering guitars, and desperate Japanese screams swell into cathartic, orchestral crescendos.
The second EP. »Behaft.Bekert« by the German one man Black Metal institution Erzfeynd contains nearly thirty-six minutes of total Black Metal magic, which takes you into tales of mysteries and darkness far beyond your imagination.
The second EP. »Behaft.Bekert« by the German one man Black Metal institution Erzfeynd contains nearly thirty-six minutes of total Black Metal magic, which takes you into tales of mysteries and darkness far beyond your imagination. Lim. 100x.
The second EP. »Behaft.Bekert« by the German one man Black Metal institution Erzfeynd contains nearly thirty-six minutes of total Black Metal magic, which takes you into tales of mysteries and darkness far beyond your imagination. Lim. 400x.
The final part of the hymnal to the end of the world. Recorded in 2020 and 2021, these are six songs about escaping the false light, the walls of our neon drenched necropoleis and our carnal prisons.
The final part of the hymnal to the end of the world. Recorded in 2020 and 2021, these are six songs about escaping the false light, the walls of our neon drenched necropoleis and our carnal prisons.
The sophomore album from Brighton’s Esben and the Witch. The entire album’s fraught ambience builds to a majestic finale, which folds into a bursting, operatic release.
A hauntingly mystical Black Metal album, with just the right dose of ambiance mixed into the sonic journey. The album's evocative nature is matched by its flawless lo-fi production of ghostly guitars, ethereal synths, and classic 90`s aesthetics.
American Death/Funeral Doom emissaries deliver "Mendacium", which marks an acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s "Quietus" and "Antitheses of Light" masterworks.
A massive leap forward, showcasing a broader instrumental range and their most focused, efficient songwriting to date. It's also within arm's length of matching the overwhelming glory of their legendary live shows.
An inspired, melodic, and meaningful blend of acoustic guitar, slide guitar, strings, piano, bells, and drums that feels as alive and diverse - and vast and lonely - as the place it depicts. The mesmerizing score is now rearranged as a standalone album.
"End" was inspired by darkness, but became a loud, dramatic, wild rumination on life and death. It is perhaps their “grandest” album – melding the quiet restraint and crushing feel of old with the recent sonic texturing and ornate experimentation.
Throughout the sonic journey of "Ligeia," Eye of Nix ups the ante in all respects in a dark and seductive vortex swirling around an inextinguishable light, dragging listeners up and down through peaks and valleys of cacophonous noise and euphoric melody.
The third monolith of Faal, purveyors of fine Doom laced with touches of Black/Death Metal and Post-Rock. "Desolate Grief" will drag you into the depths with its dark, atmospheric and varied approach!
The third monolith of Faal, purveyors of fine Doom laced with touches of Black/Death Metal and Post-Rock. "Desolate Grief" will drag you into the depths with its dark, atmospheric and varied approach! Lim. 200x copies.
"Labyrinthine" holds space for this contradiction; tenderness and intensity, restraint and release. The band's self-branded “Fairy Doom” sound fits between Shoegaze, Doom, and Grunge.
Faetooth's debut album garnered significant accolades, capturing the attention of both audiences and critics alike. It stands as a testament to their ability to conjure a unique and captivating atmosphere, leaving an indelible mark on the Metal landscape.
Faetooth's debut album garnered significant accolades, capturing the attention of both audiences and critics alike. It stands as a testament to their ability to conjure a unique and captivating atmosphere, leaving an indelible mark on the Metal landscape.
Six epic dirges deeply saturated with an eerily mesmerising ambience. A comprehensive work of Black Metal fuelled by an atmosphere which, thanks to the tasteful interludes linking all the tracks together, does not let up from the first moment to the last.
Six epic dirges deeply saturated with an eerily mesmerising ambience. A comprehensive work of Black Metal fuelled by an atmosphere which, thanks to the tasteful interludes linking all the tracks together, does not let up from the first moment to the last.
"Tiurida" emphasises Falkenbach's epic melodic Pagan Metal side, which was generously spiced with some earlier Black Metal elements. The album still evokes an overall impression of confident and experienced songwriting.
Falkenbach's 1996 debut was an extremely atmospheric album, supported by keyboard and acoustic guitar, and obviously influenced both by the Bathory classics "Blood Fire Death" and "Hammerheart" as well as the rising Nordic Black Metal tide.
Falkenbach's 1996 debut was an extremely atmospheric album, supported by keyboard and acoustic guitar, and obviously influenced both by the Bathory classics "Blood Fire Death" and "Hammerheart" as well as the rising Nordic Black Metal tide.
Falkenbach's second album offered a refined, matured and more melodic continuation of the blackened Pagan Metal style that took influences from both Bathory and the second wave of Nordic Black Metal, and is widely considered a milestone of its genre.
Falkenbach's second album offered a refined, matured and more melodic continuation of the blackened Pagan Metal style that took influences from both Bathory and the second wave of Nordic Black Metal, and is widely considered a milestone of its genre.
"Asa" combines all the trademark elements that adherents of the band had come to love, such as epic and highly melodic Pagan Metal hymns with a variety of optional ingredients from Black Metal vocals to folkish acoustics sprinkled on for good measure.
"Heralding – The Fireblade" holds material originally intended for the debut album, but due to production issues got delayed and later re-worked, in a somewhat hybrid album that brought back the early black spirit into a matured Pagan Metal sound.
"Heralding – The Fireblade" holds material originally intended for the debut album, but due to production issues got delayed and later re-worked, in a somewhat hybrid album that brought back the early black spirit into a matured Pagan Metal sound.
"Heralding – The Fireblade" holds material originally intended for the debut album, but due to production issues got delayed and later re-worked, in a somewhat hybrid album that brought back the early black spirit into a matured Pagan Metal sound.
On his third full-length, the German continued to navigate straight along the course that he had set on the previous two releases. This meant a further reduction of obvious Black Metal elements, while adding more melodic and folkish parts.
On his third full-length, the German continued to navigate straight along the course that he had set on the previous two releases. This meant a further reduction of obvious Black Metal elements, while adding more melodic and folkish parts.
On his third full-length, the German continued to navigate straight along the course that he had set on the previous two releases. This meant a further reduction of obvious Black Metal elements, while adding more melodic and folkish parts.
"Tiurida" emphasises Falkenbach's epic melodic Pagan Metal side, which was generously spiced with some earlier Black Metal elements. The album still evokes an overall impression of confident and experienced songwriting.
Falkenbach release their 6th album, and the Heathen Metal forerunners' worthy debut on Prophecy. 2CD in Digibook with booklet, UV spot varnish, golden hotfoil embossing and bonus CD with 4 studio bonus tracks.
Falkenbach's second album offered a refined, matured and more melodic continuation of the blackened Pagan Metal style that took influences from both Bathory and the second wave of Nordic Black Metal, and is widely considered a milestone of its genre.
"Vigilance Perennial" finds Falls of Rauros once again challenging the status quo, for the pure honesty and obvious love for truly unique songcrafting has in part distanced this band from any obvious genre defining terms.
Falls of Rauros masterfully expands their sonic horizon, blending the raw energy of Blackened Metal with the delicate nuances of Folk and Americana. This features meticulously crafted melodies and deeply atmospheric vocals.
"Key..." brings more explicit nods to Death Metal and Prog Rock while still drilling deeper into the Black Metal and North American Folk-Rock that makes up their core sound, and is at once their heaviest and their most technically demanding work. Lim. 200
The first time ever individually on vinyl, the final album from 2005 by Fantomas. The band is Mike Patton, Buzz Osborne, Dave Lombardo and Trevor Dunn. Reissued for Ipecac's 25th Anniversary.
The first time ever individually on vinyl. Mike Patton, Buzz Osborne, Dave Lombardo and Trevor Dunn in a tour-de-force which revisites several iconic movie soundtracks like The Godfather, The Omen or Twin Peaks!
Following their own artistic pace, Farsot have taken all the time needed to create their fourth masterpiece, turning to Grunge for inspiration and bringing a surprisingly captivating edge to their dense and harsh Black Metal sound. Hardcover artbook.
Following their own artistic pace, Farsot have taken all the time needed to create their fourth masterpiece, turning to Grunge for inspiration and bringing a surprisingly captivating edge to their dense and harsh Black Metal sound. Lim. 200x.
Following their own artistic pace, Farsot have taken all the time needed to create their fourth masterpiece, turning to Grunge for inspiration and bringing a surprisingly captivating edge to their dense and harsh Black Metal sound. Lim. 200x.
Two of the most distinct names in German black metal join forces to put their own spin on the famous, and equally mysterious, "Toteninsel" ("Isle of the Dead") painting by Swiss Symbolist artist Arnold Böcklin.
Eight harsh tracks in the same vein of the previous releases, yet rather more versatile and dynamic. But make no mistake - the fire, the chaos, the misanthropy and the darkness is still right there where it always has been. And always will be...
Eight harsh tracks in the same vein of the previous releases, yet rather more versatile and dynamic. But make no mistake - the fire, the chaos, the misanthropy and the darkness is still right there where it always has been. And always will be... Lim. 100x
Originators of Cascadian Black Metal, Fauna utilize both unrelenting Black Metal alongside periodic acoustic meditations. While still incorporating the band’s trademark soundscapes, “Avifauna” is much more melodic and less sound heavy than “The Hunt”.
A shamanic journey back deep in time into an age of early hunters and gatherers with a Black Metal ritual that echoes ancient humans assembling at torchlight in dark caves to spray-paint hands, animals, and tools.
A shamanic journey back deep in time into an age of early hunters and gatherers with a Black Metal ritual that echoes ancient humans assembling at torchlight in dark caves to spray-paint hands, animals, and tools.
39.00EUR • approx. 56.6USD [ new : recommended ] : [ add to cart ]
A shamanic journey back deep in time into an age of early hunters and gatherers with a Black Metal ritual that echoes ancient humans assembling at torchlight in dark caves to spray-paint hands, animals, and tools. Lim. 500x.
These three overlooked tracks take the best aspects of post-rock and black metal and intertwine key elements of traditional folk to create a masterpiece laced with a definite touch of the "epic"!
Fen explore the beauty that comes from destruction. Representing the vanguard of contemporary UK Post Black Metal, the band offers its heaviest, most direct album to date.
Fen explore the beauty that comes from destruction. Representing the vanguard of contemporary UK Post Black Metal, the band offers its heaviest, most direct album to date. Lim. 300x.
An expression of anger, hopelessness and despair – anger at the desperate futility of a human species hell-bent on self-destruction, which is reflected in the decidedly harsh and black sound of the East Anglian Post-Black Metal trio on this new work.
An expression of anger, hopelessness and despair – anger at the desperate futility of a human species hell-bent on self-destruction, which is reflected in the decidedly harsh and black sound of the East Anglian Post-Black Metal trio on this new work.
An expression of anger, hopelessness and despair – anger at the desperate futility of a human species hell-bent on self-destruction, which is reflected in the decidedly harsh and black sound of the East Anglian Post-Black Metal trio on this new work.
An expression of anger, hopelessness and despair – anger at the desperate futility of a human species hell-bent on self-destruction, which is reflected in the decidedly harsh and black sound of the East Anglian Post-Black Metal trio on this new work.
Fen return to their atmospheric roots, blending Post-Black Metal with progressive textures. Aggression remains but breathes with organic, live-recorded dynamics and expansive soundscapes, topped by haunting clean vocals and ethereal moments.
Fen return to their atmospheric roots, blending Post-Black Metal with progressive textures. Aggression remains but breathes with organic, live-recorded dynamics and expansive soundscapes, topped by haunting clean vocals and ethereal moments.
Fen return to their atmospheric roots, blending Post-Black Metal with progressive textures. Aggression remains but breathes with organic, live-recorded dynamics and expansive soundscapes, topped by haunting clean vocals and ethereal moments.
Fen return to their atmospheric roots, blending Post-Black Metal with progressive textures. Aggression remains but breathes with organic, live-recorded dynamics and expansive soundscapes, topped by haunting clean vocals and ethereal moments.
Fen return to their atmospheric roots, blending Post-Black Metal with progressive textures. Aggression remains but breathes with organic, live-recorded dynamics and expansive soundscapes, topped by haunting clean vocals and ethereal moments.
A meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation, by the Canadian atmospheric Black Metal entity.
A meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation, by the Canadian atmospheric Black Metal entity.
"Defeat" sees Fire! track new paths and reach new levels of excellence, honoring their 12 year old vow of presenting a fresh approach to improvised music. They're a bit more subdued, yet the distinctive bass figures and hypnotic mood is fully intact.
"Testament" finds Fire! stripped down to the bare-bones essentials - no flutes, no electronics, no guests and no extras, recorded live in the studio to analogue tape, under the watchful eye of the master Steve Albini.
"Testament" finds Fire! stripped down to the bare-bones essentials - no flutes, no electronics, no guests and no extras, recorded live in the studio to analogue tape, under the watchful eye of the master Steve Albini.
With a mixture of East Coast and Midwestern roots stirred into their California melting pot, Fireball Ministry move ever forward with a clear focus on bottom-heavy tunes, channeling timeless Hard Rock away from the traps of mere imitation or novelty.
A unique combination of righteous Doom and subtle, yet noble acoustic Folk, in 7 towering tracks that are sure to capture the ears of listeners eager to hear an innovative take on a genre that too often conforms to stereotypes. Lim. 500x.
A unique combination of righteous Doom and subtle, yet noble acoustic Folk, in 7 towering tracks that are sure to capture the ears of listeners eager to hear an innovative take on a genre that too often conforms to stereotypes. Lim. 150x.
A heavy Stoner Doom journey that balances crushing riffs and ethereal, hypnotic soundscapes. Drawing from Black Sabbath's weight and Sleep's ritualistic crawl, shimmering synths and hypnotic sitar drones drift over fuzz-soaked guitars.
"Dromers" comprises three epic-length tracks that take the listener on a winding, windswept journey through the catacombs of ancient Black Metal mysticism, conjuring visions both familiar and foreign, both immediate and distant. 180gr. vinyl, lim. 500x.
Blending the welcoming, epic affair of "Dromers" with more harsh and biting effort's more reminiscent of 90s Black Metal, "Luwte" captures the band from a slightly different, yet none less qualitative angle.
"Dromers" comprises three epic-length tracks that take the listener on a winding, windswept journey through the catacombs of ancient Black Metal mysticism, conjuring visions both familiar and foreign, both immediate and distant. Lim. 500x.
Blending the welcoming, epic affair of "Dromers" with more harsh and biting effort's more reminiscent of 90s Black Metal, "Luwte" captures the band from a slightly different, yet none less qualitative angle. Lim. 500x.
A true sonic odyssey. "Manifestaties..." takes a daring leap into experimental soundscapes while retaining their haunting atmosphere, creating something that extends beyond mere musicality, in an album that transcends conventional boundaries.
36.00EUR • approx. 52.2USD [ new : recommended ] : [ add to cart ]
A true sonic odyssey. "Manifestaties..." takes a daring leap into experimental soundscapes while retaining their haunting atmosphere, creating something that extends beyond mere musicality, in an album that transcends conventional boundaries.
For the final volume of "De Kronieken van het Verdwenen Kasteel", Fluisteraars wandered through the misty fields and marshes surrounding Grunsfoort Castle—erased from the map, its foundations whispering like gaping mouths beneath the stars.
“Gegrepen door de Geest der Zielsontluiking” is in many ways a polar opposite of what “Bloem” had to offer, as Fluisteraars sought to indulge in a deep current of animalistic urge guided by a spirit of self-transcendence.
Dublin’s Fontaines D.C. offer with an intensely confident, patient, and complex sophomore album. "A Hero’s Death" arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
"Romance" seizes on the momentum of 2022’s "Skinty Fia", which firmly established them as one of today’s most exciting Rock bands. It represents a bold sonic and stylistic evolution for the band, at their most electrifying to date!
A cold, synthetic fifth album that decisively moves beyond guitar-rooted songwriting. Cinematic synths, marching drums, and swooning strings meet a dark tension between gratification and dread.
A cold, synthetic fifth album that decisively moves beyond guitar-rooted songwriting. Cinematic synths, marching drums, and swooning strings meet a dark tension between gratification and dread.
A cold, synthetic fifth album that decisively moves beyond guitar-rooted songwriting. Cinematic synths, marching drums, and swooning strings meet a dark tension between gratification and dread.
29.00EUR • approx. 42.1USD [ new : recommended ] : [ add to cart ]
A cold, synthetic fifth album that decisively moves beyond guitar-rooted songwriting. Cinematic synths, marching drums, and swooning strings meet a dark tension between gratification and dread.
A new band by S.D. of Árstíðir lífsins. The lyrics taken from the rich corpus of Old Norse skaldic poetry, whereas the music contains both modern and classic Black Metal elements stemming from older Norwegian and current Icelandic metal scenes. Lim. 300x.
A new band by S.D. of Árstíðir lífsins. The lyrics taken from the rich corpus of Old Norse skaldic poetry, whereas the music contains both modern and classic Black Metal elements stemming from older Norwegian and current Icelandic metal scenes. Lim. 200x.
A journey of self discovery in a post-apocalyptic world by a new rising talent in the Dark Ambient scene. Very much recommended for fans of the Cryo Chamber roster given its cinematic nature, the use of guitars adds an extra Post-Rock tone to "Hypnagogia"
Fauna 
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