"Rajna formed in 1997 and have nine albums to their credit with their latest entitled Offering. The French duo consists of Fabrice Lefebvre (instruments and arrangements) and Jeanne Lefebvre (vocals). (...)"
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"The Laughing Stalk" mines the bottomless chasm of a desperate man at the mercy of an inscrutable God; of one standing at the foot of a great mountain, the top of which is shrouded in cloud and mystery.
A moving masterwork that shows Wovenhand exploring louder roots hinted at on prior albums. Ten songs in all, "Refractory Obdurate" plays as a beautifully crafted patchwork that transcends genres and expectation.
A moving masterwork that shows Wovenhand exploring louder roots hinted at on prior albums. Ten songs in all, "Refractory Obdurate" plays as a beautifully crafted patchwork that transcends genres and expectation.
A sweeping tapestry of gothic Americana, Neo-Folk, Punk, Alternative Country and Psych, in a sound so distinctive and compellingly crushing that even the heaviest of Metal bands can’t match.
A totally unique record for Wovenhand. All done at home, lots of electronics, mixed during a pandemic, backs to the wall. It's another feather in the wild hat that is the Wovenhand catalog. 180 g vinyl.
A sweeping tapestry of gothic Americana, Neo-Folk, Punk, Alternative Country and Psych, in a sound so distinctive and compellingly crushing that even the heaviest of Metal bands can’t match.
"The Threshingfloor" lies at the foot of a mountain in the American West. In Wovenhand’s sixth full-length album, soundscape mimics landscape, towering and jagged like high peaks, enveloping like the star-studded dome of the sky.
A collection of primarily sombre songs, largely arranged around acoustic guitar and strings, originally conceived as a theatre play revolving around a clairvoyant who can only foresee misery. Comes in a deluxe hardcover book.
Although the expression had shifted from Black Metal to a more Acid Folk-like approach on this, the band's unique elements remain: the ominous and deranged, the melancholic brooding and the dreamlike, the sinister and the pain. Lim. 200x.
Although the expression had shifted from Black Metal to a more Acid Folk-like approach on this, the band's unique elements remain: the ominous and deranged, the melancholic brooding and the dreamlike, the sinister and the pain. Lim. 200x.
Firmly set in the Acid Folk phase of Scott Conner's works, "Other Worlds..." has mostly led a life of a hidden gem in the band's catalogue as it transforms the ominous, melancholic, and dreamlike aspects of Black Metal into an acoustic sound.
Firmly set in the Acid Folk phase of Scott Conner's works, "Other Worlds..." has mostly led a life of a hidden gem in the band's catalogue as it transforms the ominous, melancholic, and dreamlike aspects of Black Metal into an acoustic sound. Lim. 200x.
A musical leap of faith for Xasthur: mastermind, multi-instrumentalist, and singer Scott Conner abandoned Black Metal as a form of musical expression, and turned to something stylistically rather comparable to Acid Folk and Neofolk instead.
A musical leap of faith for Xasthur: mastermind, multi-instrumentalist, and singer Scott Conner abandoned Black Metal as a form of musical expression, and turned to something stylistically rather comparable to Acid Folk and Neofolk instead.
A musical leap of faith for Xasthur: mastermind, multi-instrumentalist, and singer Scott Conner abandoned Black Metal as a form of musical expression, and turned to something stylistically rather comparable to Acid Folk and Neofolk instead. Lim. 200x.
The thirteen bitter, painful, dirt-stained, and sometimes even hopeful tracks on "Disharmonic Variations" tend towards the acidic taste of American Dark Folk with one detour into Ambient sound, again stepping away from his Black Metal heritage, sonically.
The thirteen bitter, painful, dirt-stained, and sometimes even hopeful tracks on "Disharmonic Variations" tend towards the acidic taste of American Dark Folk with one detour into Ambient sound, again stepping away from his Black Metal heritage, sonically.
A stark, fully instrumental departure into Dark American Folk and Acid Folk, sharing only a spiritual affinity to their Black Metal early days. Twelve-string guitars, prominent bass, and programmed drums build hypnotic, meditative soundscapes.
A stark, fully instrumental departure into Dark American Folk and Acid Folk, sharing only a spiritual affinity to their Black Metal early days. Twelve-string guitars, prominent bass, and programmed drums build hypnotic, meditative soundscapes.
A serious and heartfelt listen - one that sacrifices modern perfection for an older sensibility, character and quality of tone and mood, as Zachary drifts from his folk beginnings into a country and English ballad tradition. Lim. 250x.
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