"Duncan Patterson, cela ne vous dit rien ? ex Anathema, Antimatter ce musicien multi instrumentiste nous délivre un nouvel album du groupe ION après le bel ouvrage de 2009 « Madre, Protégenos ». A(...)"
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Boy Harsher’s debut album stands out as one of the strongest admissions to the recent wave of EBM and Darkwave influenced Synth-Pop. Paradoxically massive yet minimal, their sound provides the perfect space for Jae Matthew's rich, deep, emotive vocals.
For the expanded edition of the 2017 "Country Girl" EP, Boy Harsher adds four brand new tracks that range from atmospheric soundscapes, moody instrumental compositions and some more of their signature Cold Wave adjacent Synth Pop. Lim. 500x.
Bracco has the kind of smooth and wet skin labels can't stick to. Still, they let their music be haunted by ghosts of the dark wave family. They fancy Psychic TV, DAF, Suicide, Throbbing Gristle.
Bragolin is a two-piece Post-Punk / Dark Wave band from Utrecht, The Netherlands, who skillful bring the genre into a brilliantly produced level, with a mixture of baritone and shoegaze guitars, organ, synths and pounding drum machines.
Adam Tristar joins Bragolin for their second album, in their pursuit to combine Minimal Synth, Postpunk and Darkwave in a new fresh and unique concept. Influenced by music from Germany and USA, both projects try to mix the best of both worlds.
Adam Tristar joins Bragolin for their second album, in their pursuit to combine Minimal Synth, Postpunk and Darkwave in a new fresh and unique concept. Influenced by music from Germany and USA, both projects try to mix the best of both worlds. Lim. 500x.
Bragolin is a two-piece Post-Punk / Dark Wave band from Utrecht, The Netherlands, who skillful bring the genre into a brilliantly produced level, with a mixture of baritone and shoegaze guitars, organ, synths and pounding drum machines. Lim. 400x.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere. Lim. 500x.
Dark, hypnotic and simmering with tension, “I Don’t Like What it Does to Me’ unfolds as a restless journey through fear and escape. Post-Punk guitars, 80s-style synths and drum machines conjure a nostalgic yet unsettling atmosphere. Lim. 500x.
44.00EUR • approx. 63.8USD [ new : recommended ] : [ add to cart ]
The debut solo album from Brendan Perry, one half of Dead Can Dance, finally available again and complemented with his 1993 "Live at the I.C.A." recording!
Brian Eno, Holger Czukay, J. Peter Schwalm (UK / DE)
32.00EUR • approx. 46.4USD [ new : recommended ] : [ add to cart ]
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
An exhilarating weave of rich textural drones, trance-like atmospheres and instrumental Folk traditions, delivered by Scottish smallpipes player Brìghde Chaimbeul is a leading purveyor of experimental Celtic music and featurning Colin Stetson.
An exhilarating weave of rich textural drones, trance-like atmospheres and instrumental Folk traditions, delivered by Scottish smallpipes player Brìghde Chaimbeul is a leading purveyor of experimental Celtic music and featurning Colin Stetson.
Chaimbeul returns with a magic(k)al album, which sees her push forward experimentally but also immerse her music deeper in tradition, folklore and mystery. A revelatory album, steeped in landscape, ritual, minimalism and the eternal presence of the drone.
All too bad, here is one bad to all. While the project has never compromised its original vision, it is fair to say Brighter Death Now has evolved into one of the few bands upholding the black flag of Industrial music.
All too bad, here is one bad to all. While the project has never compromised its original vision, it is fair to say Brighter Death Now has evolved into one of the few bands upholding the black flag of Industrial music. Lim. 300x.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
Bronco's debut is deeply steeped in Doom Metal and Southern Sludge. "Bronco" is massive and brutal, and stands out in its defiant, unrelenting individuality - a mix of grinding horror and beat-down resignation.
A Psyouthern Gothic journey that explores escapism, class structure, and the opiated dark side of America’s small town rural communities. It swarms with otherworldly slide guitars, rustic psychedelia, possessed barn burners, and cinematic songcraft.
A Psyouthern Gothic journey that explores escapism, class structure, and the opiated dark side of America’s small town rural communities. It swarms with otherworldly slide guitars, rustic psychedelia, possessed barn burners, and cinematic songcraft.
A Psyouthern Gothic journey that explores escapism, class structure, and the opiated dark side of America’s small town rural communities. It swarms with otherworldly slide guitars, rustic psychedelia, possessed barn burners, and cinematic songcraft.
The critically-acclaimed debut album - a record that Quentin Tarantino later referred to as "like a greatest hits album” of new Delta Blues. "Too Old to Die Young” was hand-picked by Tarantino himself for inclusion in the movie "Django Unchained".
The critically-acclaimed debut album - a record that Quentin Tarantino later referred to as "like a greatest hits album” of new Delta Blues. "Too Old to Die Young” was hand-picked by Tarantino himself for inclusion in the movie "Django Unchained".
The critically-acclaimed debut album - a record that Quentin Tarantino later referred to as "like a greatest hits album” of new Delta Blues. "Too Old to Die Young” was hand-picked by Tarantino himself for inclusion in the movie "Django Unchained".
Brother Dege's second album "How to Kill a Horse" is a tour de force artwork that ranges from barn burners to ancient Delta meditations to Babylonian junkyard jams that explore the dark underbelly of what it is to be a man in the modern world.
Brother Dege's second album "How to Kill a Horse" is a tour de force artwork that ranges from barn burners to ancient Delta meditations to Babylonian junkyard jams that explore the dark underbelly of what it is to be a man in the modern world.
Brother Dege's second album "How to Kill a Horse" is a tour de force artwork that ranges from barn burners to ancient Delta meditations to Babylonian junkyard jams that explore the dark underbelly of what it is to be a man in the modern world.
Following his two previous acclaimed solo efforts (2009's "Folk Songs Of The American Longhair" & 2013's "How To Kill A Horse"), "Scorched Earth Policy" features a mix of newly recorded studio songs, demos, covers and field recordings.
Following his two previous acclaimed solo efforts (2009's "Folk Songs Of The American Longhair" & 2013's "How To Kill A Horse"), "Scorched Earth Policy" features a mix of newly recorded studio songs, demos, covers and field recordings.
Following his two previous acclaimed solo efforts (2009's "Folk Songs Of The American Longhair" & 2013's "How To Kill A Horse"), "Scorched Earth Policy" features a mix of newly recorded studio songs, demos, covers and field recordings.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
An expansive and intensely emotive hybrid of Ambient Electronica, Modern Classical and panoramic Post-Rock that delivers a seismic collision of old and new, of sounds organic and electric, that explores our insatiable fascination with technology.
A monumental piece to capture and soothe the mind during this tumultuous cultural era. With a masterful grasp on tension-building and release, it’s a hypnotic lullaby and explosion in one, stretched over a singular sonic experience.
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
"Instinct" meanders through Minimal Synth and Folk, Techno and Industrial, grabbing handfuls of the worst vibes from each genre and combining them to form a slurry of miserable vocals and beats both druggy and danceable without an hint of irony.
The debut album by Belgium's heavy atmospheric three-piece, a powerful and thrilling blend of Punk, Rock, Indie and Hardcore, with a twist of Mogwai. Includes download code.
The first part of "The Destroyer", which is comprised of eight driving, anthemic songs, highlights Industrial and Dream Pop influences, with Alfons' knack for shimmering sounds and powerful vocals heavily on display.
The first part of "The Destroyer", which is comprised of eight driving, anthemic songs, highlights Industrial and Dream Pop influences, with Alfons' knack for shimmering sounds and powerful vocals heavily on display.
With all touring canceled in 2020, Brutus wanted to share their favorite live performance set with highlights from their first two albums. Live in Ghent was recorded and filmed at their' hometown show at Handelsbeurs Ghent, Belgium in May 2019.
"Unison Life" is about all the things that wear you down from the start. It's about the hideousness, the pain, and the acts of courage to get through it all. A striking example of a band pushing boundaries and at the peak of their power.
A complete live concert movie and album, in sixteen songs, ninety-two minutes. This is "Live in Brussels", a testimony of three years of touring "Unison Life" across more than 20 countries and almost 200 shows!
A complete live concert movie and album, in sixteen songs, ninety-two minutes. This is "Live in Brussels", a testimony of three years of touring "Unison Life" across more than 20 countries and almost 200 shows! Lim. 1200x.
Angular Post-Punk à la Gang of Four sustaining pagan declamations in the vein of Fenriz Folk Metal excursus Isengard. Straight forward dark anarcho Punk assaults in Poison Ruin style mitigated by almost new age juxtapositions.
Angular Post-Punk à la Gang of Four sustaining pagan declamations in the vein of Fenriz Folk Metal excursus Isengard. Straight forward dark anarcho Punk assaults in Poison Ruin style mitigated by almost new age juxtapositions. Lim. 200x.
Buñuel stretch their musical tendrils towards discomfort, surrealism and the deconstruction of tradition, as they reach absolute abandon. “Mansuetude” covers from Post-Hardcore to Avant-Noise, Hard Blues to Post-Industrial, and more!
Buñuel stretch their musical tendrils towards discomfort, surrealism and the deconstruction of tradition, as they reach absolute abandon. “Mansuetude” covers from Post-Hardcore to Avant-Noise, Hard Blues to Post-Industrial, and more!
Burzum's 3rd work, originally recorded in 1992 and released two years later. A longstanding classic in the Black Metal genre, "Hvis Lyset Tar Oss" was conceived as a concept album.
"Det Som Engang Var" (Norwegian for "What Once Was") is Burzum's second studio album, recorded in April 1992. "Det Som..." would come to feature a slightly more polished sound and is often considered as one of the main landmarks in Norwegian Black Metal.
According to Varg, yet another return-to-the-roots album, with a strong focus on atmosphere and wholeness rather than anything else and special emphasis on the lyrics (a total of 66 stanzas have been written for the album).
Similar to Burzum’s previous Ambient albums, but differing in style and vocal expression. Haunting story telling channeled through distinct vocals combined with Varg’s compositions, inspired by his in-depth knowledge of European history and evolution.
"Burzum / Aske" gathers the self-titled debut, depicting the project's early days with a very raw and primitive approach to Black Metal reminiscent of early Bathory. 180gr. vinyl.
"Det Som Engang Var" (Norwegian for "What Once Was") is Burzum's second studio album, recorded in April 1992. "Det Som..." would come to feature a slightly more polished sound and is often considered as one of the main landmarks in Norwegian Black Metal.
Genre-defining early Black Metal from Count Grishnack. Simple, and often suffocatingly feral with ghoulish distorted screams garbling any message but the mood: sadness.
"Fallen" can be compared to the music on the groundbreaking "Det Som...", and although it follows "Belus" in sound and structure, it is also more dynamic and hard hitting, holding an even bigger sound while carrying Burzum's trademark melodic lines.
Recorded back to 1993, this holds Varg's last recordings before imprisonment. It depicts two radically different sides - on one hand, a raw yet highly atmospheric Black Metal, on the other a completely Ambient / Electronic work on the last two tracks.
Burzum's 3rd work, originally recorded in 1992 and released two years later. A longstanding classic in the Black Metal genre, "Hvis Lyset Tar Oss" was conceived as a concept album.
Traversing EBM, darkwave and goth sounds with ease, "New Kind Of Cross" traverses much darker waters than Dwyer’s last effort and deals explicitly with themes of isolation, introversion and sometimes anger.
A mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer's personal sonic exploration over time. "Chroma" was Buzz Kull's seminal debut album, and transcends the traditional archetype of Darkwave by pushing Pop sensibilities.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
A mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer's personal sonic exploration over time. "Chroma" was Buzz Kull's seminal debut album, and transcends the traditional archetype of Darkwave by pushing Pop sensibilities.
Traversing EBM, darkwave and goth sounds with ease, "New Kind Of Cross" traverses much darker waters than Dwyer’s last effort and deals explicitly with themes of isolation, introversion and sometimes anger. Lim. 300x.
With "Deep Hate", Dwyer delivers his most visceral and refined work to date. These four new tracks are a ferocious suite of Industrial Pop anthems, relentless and propulsive, yet steeped in an atmosphere of detachment and longing.
Buzzkill draw on Industrial, Synth-Punk and Cold Wave to shape a sound defined by saturated bass, nervous mechanical rhythms, icy synths, and a dense vocal presence. Their universe is cold, immersive, and intensely charged.
Buzzkill draw on Industrial, Synth-Punk and Cold Wave to shape a sound defined by saturated bass, nervous mechanical rhythms, icy synths, and a dense vocal presence. Their universe is cold, immersive, and intensely charged. Lim 200x.
Featuring 80min of exclusive music by Fellwarden, By the Spirits, Osi and the Jupiter and Mosaic, the four artists come together in celebration of creativity, place, and spirituality – all drawn by a common goal and linked vision.
The creative intention behind "We are Falling" is to convey spiritual paths that lead back to nature, which we can only preserve through active (re)action. To this end, By The Spirits makes use of a wonderful folk aesthetic. Reissue with bonus tracks.
This album builds upon the foundations laid by its predecessor, delving faster, fiercer and deeper into the abyssal mysteries. Within these currents, "Chthonic Gates Unveiled" morphs into a merciless entity, transcending the boundaries of sound and words.
Dubbed a "paranoid, claustrophobic masterpiece", "Red Mecca" has been considered one of the best Industrial albums of all time, with the use of echo, space and phasing lending depth and vibrancy to the album.
Quite dramatic and atmospheric, Caesar Romero does recall legendary soundtracks from composers such as Wendy Carlos and Bernard Herrmann. Overall electronic based, the musical expression is strange and dark with a frequent use of classical music elements.
Caldon Glover uses a blend of primitive acoustic Folk instruments, as well as organic and electronic sound sources to create an ancient and timeless sound that evokes feelings of the rituals of a cthonic cults lost in other realms. Lim. 300x.
On sound structures that are formed by an elegant dance of guitars and piano, ethereal voices weave a world animated by intense and lemotional exchanges between human and non-human beings. Lim. 300x.
Originally released on Hyperium in 1991, this is the second in a series of re-releases of classic albums by Electro-Industrial cultact Calva Y Nada! Lim. 500x.
A brutal, lo-fi assault of raw punk fury and nihilistic noise. Compared to prior scrappier recordings, this sharpens the chaos into razor-wire riffs, blown-out vocals, and drum-machine urgency. A middle finger stripped to bone.
Their second and most likely best work. Barroque-verged Neo-Classical compositions with martial outlines from this fine Italian outfit. Re-released in a digipak with 16-page booklet, incl. a bonus CD 5 rare tracks.
For "Madrigali", CM have collected songs of various origins to pay tribute to the heritage of old Europe with their classical-inspired interpretations. Re-issued in digipak with 16-page booklet and bonus CD with 5 rare and unreleased tracks.
Re-release of the first Camerata Mediolanense album, "Musica Reservata", in a Digipak with 16-page booklet, incl. a bonus CD with rare and unreleased tracks. Genuine Medieval anthems, with strong percussions and baroque influences.
5 years in the making, CM continues to proceed on its path, mixing archaic, traditional and tribalistic music with experimental and electronic sounds. A conceptual work based on the poetry of 14th century scholar, poet, and humanist Francesco Petrarca.
A beautiful return for Camerata Mediolanense. A dense, lush work that places the piano in the foreground and uses a strict musical language of tonal harmony which is out of fashion nowadays and thus immerses the listener in the sounds of centuries past.
A return to their 'classic style', relying heavily on strong percussions and orchestral keyboards that serve as the backbone for the soaring melodies and harmonious choirs delivered by the three sopranos that are now part of the line-up.
A return to their 'classic style', with bombastic percussions and orchestral keyboards, and soaring melodies and harmonious choirs. 2CD hardcover book (18x18 cm, 48 pages) with lyrics and enhanced artwork + bonus CD with 4 additional tracks.
A return to their 'classic style', relying heavily on strong percussions and orchestral keyboards that serve as the backbone for the soaring melodies and harmonious choirs delivered by the three sopranos that are now part of the line-up.
10 heart-pounding tracks, combining pain and melancholia with fun and nostalgia, with strong elements of early 80's Dark Disco and Synth-Pop that are wrapped in a modern Darkwave twist, in Camlann's own interpretation of the early 1980's.
10 heart-pounding tracks, combining pain and melancholia with fun and nostalgia, with strong elements of early 80's Dark Disco and Synth-Pop that are wrapped in a modern Darkwave twist, in Camlann's own interpretation of the early 1980's.
"Out of Reach" was the second album to feature percussionist Reebop Kwaku Baah and bass player Rosko Gee, both of Traffic, and continues to explore a new musical direction, inspired by Disco and Latin Rock.
"Can", also known as "Inner Space" is the tenth studio album by Can, released in 1979. This was the final Can album until 1989’s "Rite Time", and comes on 180g vinyl.
Can's eleventh and final studio album consisting of sessions recorded in the South of France in late 1986. "Rite Time" sees the return of the band's original singer, Malcolm Mooney, who had left the group in 1970 shortly after their debut album.
Can’s influence is well known and far-reaching and the impact they made on music is felt today as keenly as ever has been. Of all the band’s oeuvre, "Tago Mago" has been most often cited as an influence for a host of artists.
Mono 
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