"Saviez-vous qu’au Portugual, pays à priori peu réceptif aux musiques sombres et métalliques, résidait un label : Equilibrium Music dédié depuis plusieurs années aux styles néoclassique, heav(...)"
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Der Blutharsch and the Infinite Church of the Leading Hand (Austria)
Albin Julius and Marthynna join forces with Michel Kirby, Marc De Backer (Mongolito, Mucky Pup) and von Burtle, for a darker, doomier and more despondent take on their recent Kraut Rock experimentations.
Albin Julius and Marthynna join forces with Michel Kirby, Marc De Backer (Mongolito, Mucky Pup) and von Burtle, for a darker, doomier and more despondent take on their recent Kraut Rock experimentations. Black vinyl, lim. 250 copies.
"Retriggered" is the remixed version of "The Cosmic Trigger" by Geoffroy Delacroix of Dernière Volonté, now remastered and re-recorded. This includes also guest appearances by Edward Ka-Spell of The Legendary Pink Dots and Deutsch Nepal's Lina Baby Doll!
Dermabrasion offer Siouxsie-influences with an Industrial / Electronic edge, in what they have dubbed as Death Rock'n'Roll - a sound swinging equally in the directions of first Wave and contemporary Post-Punk, Industrial, NWOBHM and meathead Rock.
"Immortel" brings a huge development from the former style which redefined the therm "Military Pop" to a more homogeneous sound, less neoclassic but much more modern in sounds, more electronic yet organic at the same time. Lim. 888x, with one bonus track.
Geoffroy is back with 12 new songs, inspired by his own introspection on fighting and to loving his best enemy. A mix between "Devant..." and "Immortel", in a more powerfull approach, which also uses some texts by French poets like Verlaine or Gauthier.
Re-release of the 1st ever Derniere Volonte 2MC boxset. The material was completely re-mastered and contains the original music dating back to 1998, showcasing Derniere Volonte at its purest form stripped down to melancholic nihilism. Lim. 444 copies!
A compilation of songs which appeared on some limited vinyls and deleted compilations, but also unreleased tracks as well as songs from different side projects which never got released.
A compilation of songs which appeared on some limited vinyls and deleted compilations, but also unreleased tracks as well as songs from different side projects which never got released. Lim. 250x.
A compilation of songs which appeared on some limited vinyls and deleted compilations, but also unreleased tracks as well as songs from different side projects which never got released. Lim. 250x.
Dernière Volonté's new and ninth album is coming three years after the highly acclaimed "Frontiers" and contains ten new tracks recorded between 2019 and 2022. Bright and gloomy electronics at its best. Dedicated to Albin Julius (1967 - 2022).
15.00EUR • approx. 21.8USD [ new : recommended ] : [ add to cart ]
Dernière Volonté now returns to this original substance. The album revisits the dense, nocturnal and melancholic atmospheres of its formative works, as though time had left behind a dust of memories, voices, and melodies.
Dernière Volonté now returns to this original substance. The album revisits the dense, nocturnal and melancholic atmospheres of its formative works, as though time had left behind a dust of memories, voices, and melodies.
Dernière Volonté now returns to this original substance. The album revisits the dense, nocturnal and melancholic atmospheres of its formative works, as though time had left behind a dust of memories, voices, and melodies.
The former OOMPH! frontman delivers a massive statement of intent with a fascinating fusion of beloved Retro-Synth sounds, Synth-Wave, and EBM with contemporary electronic elements, and even a dose of his former life as a Rock and Metal musician.
The former OOMPH! frontman delivers a massive statement of intent with a fascinating fusion of beloved Retro-Synth sounds, Synth-Wave, and EBM with contemporary electronic elements, and even a dose of his former life as a Rock and Metal musician.
An improved take on Deserta's approach to Indie/Post-Rock/Shoegaze with swirling guitars and gigantic soundscapes which weave tales of worry, frustration and catharsis that eventually stretch to a gentle resolution.
An improved take on Deserta's approach to Indie/Post-Rock/Shoegaze with swirling guitars and gigantic soundscapes which weave tales of worry, frustration and catharsis that eventually stretch to a gentle resolution.
With hints of classic Death Industrial and a unique cover version of Brighter Death Now's classic track "Necroses Evangelicum", Johan Levin exposes a new facet of his expanding discography. Nothing is Black nor White, we all fade to Grey... Lim. 300x.
A haunting ode to the night, to the darkness that is not blindness, to the intense tranquility and boundless inner wilderness of the void. Watch the sparkles glisten in the night, bathe in black light, for there is no light without darkness. Lim. 200x.
A story based in a dystopic and crime-ridden world where a group of people are trying to survive when machines start to come alive and become homicidal. Musically and production-wise, it is strongly inspired by 80s sci-fi and horror movie soundtracks.
Back in 1997, Destroyer 666's debut presented devastating yet dynamic to the bitter, bloody end, of Black Metal magick'n'might with an epic and anthemic songwriting, and gritty yet considered execution. This self-release re-issue comes with a poster.
2002's “Cold Steel…” unleashed another relentless assault of thrashing Black Metal misanthropy and spite. Now remastered, repackaged and featuring liner notes and a bonus track! Lim. 550x, with poster.
A furious assault of Black Thrash, chainsaw riffs, and warlike drums, offering no moment of reprisal as it rages on for 40 unyielding minutes. Collector's edition in deluxe clamshell box, with woven patch and 3D pendant! Inc. exclusive bonus track.
The band around mastermind KK unleashes "Wildfire" with burning tracks that will hunt you down like a pack of fiery wolves. Deströyer 666 deliver metal at its best – made powerful by an unbroken and unrelenting spirit. No compromise! Lim. 550x.
This savage 1994 demo from Destroyer 666 remains to this day the most vicious blast of Black Metal to ever come from Australia, and has set the tone for the career of one of metal's most infamous and uncompromising bands! Lim. 250x.
"To The Devil His Due" collects four long out-of-print 7" EPs from the one, and only, DESTRÖYER 666. Spanning from 1998 - 2010, this collection is satanic Speed Metal savagery! Lim. 250x.
A new Black Metal entity fronted by the poisonous tongue of MkM of Antaeus / Aosoth fame. Although slightly less filthy than Antaeus, it still holds the same vicious grip.
Black Metal rooted in both tradition and transgression – an offering bleeding from old wounds that refuse to heal, through a patchwork of soundscapes, samples and scalding riffs in which Destruction Ritual channel internal chaos into ritual discipline.
Morphine boogie for the 21st century noise addict. Destruction Unit play loud Rock music. A spiritual odyssey of sadomasochistic self-loathing with songs about love and freedom. The world is a sick place and Destruction Unit is it’s medicine.
This is crazed-psychedelic-freek-noise guerrilla warfare and these are our streets. Destruction Unit sacrificed their ears to make this album as loud of a statement as possible. Will you lend them yours?
Two Swedish titans united: Nordvargr (MZ.412) and Trepaneringsritualen – teaming up for a bludgeoning dose of Death Industrial majesty. Punishingly heavy rhythmic tracks, with savage incantations flanked by death-scarred lamentations.
Two Swedish titans united: Nordvargr (MZ.412) and Trepaneringsritualen – teaming up for a bludgeoning dose of Death Industrial majesty. Punishingly heavy rhythmic tracks, with savage incantations flanked by death-scarred lamentations.
After two release on the UK-based label Unrest Productions, Detrimental Effect joins Tesco for their 1st CD release. Fresh Analog Power Electronic sounds that create an old school Industrial feeling.
A testament of resilience and the transformative journey of the soul, delving deep into the realms of Darkwave and Newwave. "As Above..." is about interconnectedness, a concept weaved into the haunting melodies and atmospheric soundscapes.
A testament of resilience and the transformative journey of the soul, delving deep into the realms of Darkwave and Newwave. "As Above..." is about interconnectedness, a concept weaved into the haunting melodies and atmospheric soundscapes.
On "Kosmocide", the band stretches their musical influences further, drawing inspirations from classic Black Metal acts, whilst still being able to maintain their sound.
Deutsch Nepal and Lina Baby Doll is back after 5 years in the retreat of the Swedish woods with a new album, containing mainly slow pounding Industrial music in the classic DN vein!
The second "Dystopian Partycollection" contain a mixture of orfan tracks, exclusive remixes and music that earlier could only be found on vinyl, as well as collaborations featuring some of the deepest underground's finest selection of artists.
Eight psychedelic pieces of Industrial music, Ambient beauty and darkness. Concrete sounds mixed with buzzing noises, drums banging as if all ancient armies in history were standing outside the door about to break it down!
A compilation of orphan tracks, re-recordings, alternative versions and remixes made by Lina Baby Doll alone or in co-operation with artists such as Mag-noz Air, Benny Nilson, Alessio Betterelli, Geoffrey Delacroix, Roger Karmanik or Thomas Ekelund.
Deutsch Nepal in an Artificial Cocktail-version ….Calm your nerves with some Amygdala Velvet’s Artificial Orkestra, Slow Down! …and Drop Out! Lim. 300x.
A hitparade from Deutsch Nepal performed at the Kosmo Kino Plaza - Cycle VIII - Le Saint Drone de Stockholm 2015. 10 tracks of Deutsch Nepal’s finest and a somehow sober Lina Baby Doll could be a guarantee for a good night
out on the streets.
One of the most remarkable and unique collaborations in the 90s Underground Black Metal scene wedded Magus Wampyr Daoloth (Necromantia) and Mika X6X (Impaled Nazarene) to deliver this unconventional Electro / Industrial bastard! Lim. 333x!
A shared vision of what orthodox Black Metal truly is — and always will be, from a project which unites members involved with the likes of Manes, Manii, Whoredom Rife, Kråbøl, Misotheist, Enevelde, Mare, Djevel, Vemod or Kaosritual.
A collection of radical re-workings of traditional and jazz standards, a solo piano interpretation of Thelonious Monk's “Round Midnight”, and live voice and piano interpretations of “O Death” and “Pardon Me I've Got Someone to Kill”.
Composed and performed by Galás in September 2019, this 21:19 minute piece is based on the expressionist poem Das Fieberspital (The Fever Hospital), a depiction of warehoused patients of yellow fever by Georg Heym.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
Galas takes a turn to the slightly more accessible with her collaboration with Jones on "The Sporting Life", with both Hammond organ and piano widely used throughout, alongside Jones' bass and production duties and Pete Thomas on percussion.
Employing a vast array of advanced vocal and instrumental techniques, "Broken Gargoyles" is arguably Galas’ most intellectually, sonically and viscerally formidable work to date.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
Diamond Dog’s dystopian punk and poetic vision draws its identity from the New Wave origins of the very end of the 70’s, and resonates with rhythmic, dance tracks, propelled in a vaporous setting with synthetic melodies where the chorus reigns supreme.
35 years after starting Diary of Dreams, the time has come for Adrian Hates, to record an entire album with a full philharmonic orchestra: 9 classic Diary of Dreams in a completely new acoustic guise.
A journey to discover completely new worlds of sound in the Diary. The title already offers a slight hint as to what we can expect – dark and apocalyptic scenarios as well as a retreat into one’s own thoughts.
Driving drum machine rhythms, fat bass and melancholic to desperate vocals, with the ever present screeching guitars that bring to mind the likes of Mephisto Walz. A wonderfully contemporary interpretation of the Goth-/Deathrock of the 80s and 90s.
A richly atmospheric and compelling album which plunges the listener into a dark, resonant sonic world — bass pulses and synth washes combine with guitar and vocals to evoke both tension and melancholy, in a blend of Cold-Wave, Post-Punk and Darkwave.
Flawless Goth/Deathrock with a few Darkwave touches, stripped of any Metal or Electro-influences, yet with a few Industrial touches which create a kind of machine hall backdrop for an even darker and more voluminous atmosphere. Lim. 200x.
Flawless Goth/Deathrock with a few Darkwave touches, stripped of any Metal or Electro-influences, yet with a few Industrial touches which create a kind of machine hall backdrop for an even darker and more voluminous atmosphere. Lim. 300x.
Flawless Goth/Deathrock with a few Darkwave touches - shrieking Deathrock-guitars, plus sometimes driving, sometimes dragging drum computer rhythms, hammering bass and the suffering vocals, which together create cosy old-school Goth-shivers.
Originally conceived as a hand-numbered CD for their 2025 European tour, demand dictated that this EP be committed to vinyl! Lim. 500x copies, this contains guest contributions and remixes from prominent musicians of renowned acts such as Ministry!
A blistering debut fusing Grunge, Punk, Metal, and Shoegaze into a restless, collaborative assault. Four songwriters swap instruments and vocals, delivering raw fury, feminist rage, and unexpected shoegaze tenderness across eleven unpredictable tracks.
A mix of Electro, Darkwave, Synthpop and Italo Disco, with a clear nod to the second half of the 80s. "I Like It/I Hate It" brings to mind bands such as Clan Of Xymox, Trisomie 21, Twice A Man and, more recently, Martial Canterel or Linea Aspera.
Esoteric Neoclassical and Martial Industrial exploring Golden Dawn teachings on cosmic balance. Majestic, powerful percussion contrasts with tender, beautiful melodic passages — a chemical marriage of light and shadow.
Indebted to classic kraut, dreamy Creation-records psychedelia, and the primitive-crunch of late-80s Seattle, DIIV walk a divisive yet perfectly fused patch of classic-underground influence on "Oshin".
An extension and deepening of the musical ideas first expressed on "Oshin", "Is the Is Are" yields a multiplicity of textures, lyrical themes, and moods.
Rebirth takes place when everything falls apart. DIIV craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite…
Dilk’s music blends Post-Punk, Cold-Wave and Electropop elements into a contemporary homage to the dark, electronic sound of the 1980s. "Hardship" collects the deepest and primary duels of the human being, takes your hand and invites you to dance.
Debut album by this folk project of Negura Bunget's Negru! Authentic Romanian traditional songs, sung by local performers and recorded in their original environment, meet Negru's personal visions and reinterpretations of Romanian traditional music.
"Avalanche" features collaborations with Lorenz Dangel, Dirk Mallwitz, Max Knoth and the Babelsberg Filmorchestra, in an album that brings epic symphonic pieces in addition to Maassen's unmistakable heartfelt and uniquely timed solo piano.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
The music here is heavy with seven years in the (rumpled, hair-mottled) life of the Dirty Three. Once again exploring spaces that immediately crumble and give way to more spaces to explore, which lends itself to thrilling and deeply touching music.
Dirty Three Ahoy! Appropriately disheveled, the Three emerge from the unending waves of time to pick up their guitar drum and viola/violin/piano/synthesizer/loops/percussion for their first album in a decade.
Originally released in 1993, Disembowelment cemented their status as one of the underground's most unique and enigmatic Doom/Death Metal bands with this landmark release. Crushing, atmospheric, and wholly engrossing. Lim. 2973x copies.
Rather than Electronic or even Industrial music, this duo's second album was a vibrant piece of domestic craftwork. Ani Zinc manipulated reality as if it were plasticine and "El alma de la estrella" gathered all the obsessions of this Yoko Ono fan.
An interplay of fierce Metal with moments of both pure euphoria and introspection, "The Liberation" take you on the proverbial roller coaster of emotions that you’ve missed – perhaps since Opeth's "Watershed". Lim. 500x, with etching on side D!
Disillusion offer their most dedicated followers a beautiful map to find some of the hidden gems on "Ayam". Without the magnificent vocals, other aspects of the songs begin to shine, and new aspects of each track come to the fore on this challenging opus.
With "Ayam", Disillusion again sail among the stars to new stellar constellations of heavy sounds. While true to their general course, the German avant-garde pioneers also continue dropping anchor to explore new planets with a multitude of radiant sounds.
A frostbitten debut forging melody with raw blackened fury. Sharper and more Death-Metal-inflected than its successor, it trades refined structure for relentless, razor-edged riffs and haunting classical breaks—an urgent, influential blueprint.
A 6-CD box documenting the final album's genesis: the original studio record, instrumental rehearsals, the last-ever band rehearsal, hall recordings, and rough mixes. Includes also the "Maha Kali" single and "Starless Aeon" demo! Lim. 666x.
Sonic Invocations to the Endless Dark Aeon! Originally released on Walpurgis Night in 2006, Dissection's third and concluding opus marks the seminal Swedish band’s crowning achievement.
A frostbitten debut forging melody with raw blackened fury. Sharper and more Death-Metal-inflected than its successor, it trades refined structure for relentless, razor-edged riffs and haunting classical breaks—an urgent, influential blueprint. Lim. 500x.
A manifesto of inconsolability. At its core lies a female voice of disarming authenticity, permeable and vulnerable, underpinned by throbbing analogue drums, whose stoic pulse carries the almost liturgical synthesizer motif. Lim. 499x.
Ghostly Kisses 
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