"Hexperos est duo italien composé de la soprano Alessandra Santovito qui assure le chant et la flûte et du contrebassiste Francesco Forgione qui assure aussi les claviers et la guitare. Pour leur pre(...)"
view titles by artists starting by...
... a : b : c : d : e : f : g : h : i : j : k : l : m : n : o : p : q : r : s : t : u : v : w : x : y : z : [ all ]
•
[
any format ] :
100 titles per page (page 15/59)
|
format:
click on desired title for detailed information and audio samples
Geoffroy Delacroix delivers here his 8th album, and probably also his best and most personal work, with links to 80's retro electronics and soundtracks, as well as current powerful beats and electronics.
The third album by the French masters of erotic Military Pop, gloomier than ever before and standing at a crossroad between Martial Industrial and Military Pop. Remastered edition with new artwork!
Re-issue of Dernière Volonté's debut album, which raised the standards of the genre upon its original release in 2000, with its beating, martial rhythms and gloomy keyboard patterns, orchestral samples, and of course Geoffrey D.’s characteristic voice.
A compilation of songs which appeared on some limited vinyls and deleted compilations, but also unreleased tracks as well as songs from different side projects which never got released. Lim. 250x.
Dernière Volonté's new and ninth album is coming three years after the highly acclaimed "Frontiers" and contains ten new tracks recorded between 2019 and 2022. Bright and gloomy electronics at its best. Dedicated to Albin Julius (1967 - 2022).
The former OOMPH! frontman delivers a massive statement of intent with a fascinating fusion of beloved Retro-Synth sounds, Synth-Wave, and EBM with contemporary electronic elements, and even a dose of his former life as a Rock and Metal musician.
The former OOMPH! frontman delivers a massive statement of intent with a fascinating fusion of beloved Retro-Synth sounds, Synth-Wave, and EBM with contemporary electronic elements, and even a dose of his former life as a Rock and Metal musician.
The former OOMPH! frontman delivers a massive statement of intent with a fascinating fusion of beloved Retro-Synth sounds, Synth-Wave, and EBM with contemporary electronic elements, and even a dose of his former life as a Rock and Metal musician.
An improved take on Deserta's approach to Indie/Post-Rock/Shoegaze with swirling guitars and gigantic soundscapes which weave tales of worry, frustration and catharsis that eventually stretch to a gentle resolution.
An improved take on Deserta's approach to Indie/Post-Rock/Shoegaze with swirling guitars and gigantic soundscapes which weave tales of worry, frustration and catharsis that eventually stretch to a gentle resolution.
With hints of classic Death Industrial and a unique cover version of Brighter Death Now's classic track "Necroses Evangelicum", Johan Levin exposes a new facet of his expanding discography. Nothing is Black nor White, we all fade to Grey... Lim. 300x.
A haunting ode to the night, to the darkness that is not blindness, to the intense tranquility and boundless inner wilderness of the void. Watch the sparkles glisten in the night, bathe in black light, for there is no light without darkness. Lim. 200x.
Dutch Coldwave produced using original vintage equipment as a deliberate form of artistic expression and identity. An absolute delicacy for fans of Fad Gadget, The Normal, Joy Division and early work from The Cure! Lim. 300x.
A story based in a dystopic and crime-ridden world where a group of people are trying to survive when machines start to come alive and become homicidal. Musically and production-wise, it is strongly inspired by 80s sci-fi and horror movie soundtracks.
Back in 1997, Destroyer 666's debut presented devastating yet dynamic to the bitter, bloody end, of Black Metal magick'n'might with an epic and anthemic songwriting, and gritty yet considered execution. This self-release re-issue comes with a poster.
2002's “Cold Steel…” unleashed another relentless assault of thrashing Black Metal misanthropy and spite. Now remastered, repackaged and featuring liner notes and a bonus track! Lim. 550x, with poster.
A furious assault of Black Thrash, chainsaw riffs, and warlike drums, offering no moment of reprisal as it rages on for 40 unyielding minutes. Collector's edition in deluxe clamshell box, with woven patch and 3D pendant! Inc. exclusive bonus track.
The band around mastermind KK unleashes "Wildfire" with burning tracks that will hunt you down like a pack of fiery wolves. Deströyer 666 deliver metal at its best – made powerful by an unbroken and unrelenting spirit. No compromise! Lim. 550x.
This savage 1994 demo from Destroyer 666 remains to this day the most vicious blast of Black Metal to ever come from Australia, and has set the tone for the career of one of metal's most infamous and uncompromising bands! Lim. 250x.
"To The Devil His Due" collects four long out-of-print 7" EPs from the one, and only, DESTRÖYER 666. Spanning from 1998 - 2010, this collection is satanic Speed Metal savagery! Lim. 250x.
A new Black Metal entity fronted by the poisonous tongue of MkM of Antaeus / Aosoth fame. Although slightly less filthy than Antaeus, it still holds the same vicious grip.
Black Metal rooted in both tradition and transgression – an offering bleeding from old wounds that refuse to heal, through a patchwork of soundscapes, samples and scalding riffs in which Destruction Ritual channel internal chaos into ritual discipline.
Black Metal rooted in both tradition and transgression – an offering bleeding from old wounds that refuse to heal, through a patchwork of soundscapes, samples and scalding riffs in which Destruction Ritual channel internal chaos into ritual discipline.
This is crazed-psychedelic-freek-noise guerrilla warfare and these are our streets. Destruction Unit sacrificed their ears to make this album as loud of a statement as possible. Will you lend them yours?
Two Swedish titans united: Nordvargr (MZ.412) and Trepaneringsritualen – teaming up for a bludgeoning dose of Death Industrial majesty. Punishingly heavy rhythmic tracks, with savage incantations flanked by death-scarred lamentations.
Two Swedish titans united: Nordvargr (MZ.412) and Trepaneringsritualen – teaming up for a bludgeoning dose of Death Industrial majesty. Punishingly heavy rhythmic tracks, with savage incantations flanked by death-scarred lamentations.
After two release on the UK-based label Unrest Productions, Detrimental Effect joins Tesco for their 1st CD release. Fresh Analog Power Electronic sounds that create an old school Industrial feeling.
A testament of resilience and the transformative journey of the soul, delving deep into the realms of Darkwave and Newwave. "As Above..." is about interconnectedness, a concept weaved into the haunting melodies and atmospheric soundscapes.
A testament of resilience and the transformative journey of the soul, delving deep into the realms of Darkwave and Newwave. "As Above..." is about interconnectedness, a concept weaved into the haunting melodies and atmospheric soundscapes.
On "Kosmocide", the band stretches their musical influences further, drawing inspirations from classic Black Metal acts, whilst still being able to maintain their sound.
Deutsch Nepal and Lina Baby Doll is back after 5 years in the retreat of the Swedish woods with a new album, containing mainly slow pounding Industrial music in the classic DN vein!
The second "Dystopian Partycollection" contain a mixture of orfan tracks, exclusive remixes and music that earlier could only be found on vinyl, as well as collaborations featuring some of the deepest underground's finest selection of artists.
Eight psychedelic pieces of Industrial music, Ambient beauty and darkness. Concrete sounds mixed with buzzing noises, drums banging as if all ancient armies in history were standing outside the door about to break it down!
A compilation of orphan tracks, re-recordings, alternative versions and remixes made by Lina Baby Doll alone or in co-operation with artists such as Mag-noz Air, Benny Nilson, Alessio Betterelli, Geoffrey Delacroix, Roger Karmanik or Thomas Ekelund.
Deutsch Nepal in an Artificial Cocktail-version ….Calm your nerves with some Amygdala Velvet’s Artificial Orkestra, Slow Down! …and Drop Out! Lim. 300x.
One of the most remarkable and unique collaborations in the 90s Underground Black Metal scene wedded Magus Wampyr Daoloth (Necromantia) and Mika X6X (Impaled Nazarene) to deliver this unconventional Electro / Industrial bastard! Lim. 333x!
A shared vision of what orthodox Black Metal truly is — and always will be, from a project which unites members involved with the likes of Manes, Manii, Whoredom Rife, Kråbøl, Misotheist, Enevelde, Mare, Djevel, Vemod or Kaosritual.
A collection of radical re-workings of traditional and jazz standards, a solo piano interpretation of Thelonious Monk's “Round Midnight”, and live voice and piano interpretations of “O Death” and “Pardon Me I've Got Someone to Kill”.
Composed and performed by Galás in September 2019, this 21:19 minute piece is based on the expressionist poem Das Fieberspital (The Fever Hospital), a depiction of warehoused patients of yellow fever by Georg Heym.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
Employing a vast array of advanced vocal and instrumental techniques, "Broken Gargoyles" is arguably Galas’ most intellectually, sonically and viscerally formidable work to date.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
Diamond Dog’s dystopian punk and poetic vision draws its identity from the New Wave origins of the very end of the 70’s, and resonates with rhythmic, dance tracks, propelled in a vaporous setting with synthetic melodies where the chorus reigns supreme.
35 years after starting Diary of Dreams, the time has come for Adrian Hates, to record an entire album with a full philharmonic orchestra: 9 classic Diary of Dreams in a completely new acoustic guise.
A journey to discover completely new worlds of sound in the Diary. The title already offers a slight hint as to what we can expect – dark and apocalyptic scenarios as well as a retreat into one’s own thoughts.
A journey to discover completely new worlds of sound in the Diary. The title already offers a slight hint as to what we can expect – dark and apocalyptic scenarios as well as a retreat into one’s own thoughts.
Driving drum machine rhythms, fat bass and melancholic to desperate vocals, with the ever present screeching guitars that bring to mind the likes of Mephisto Walz. A wonderfully contemporary interpretation of the Goth-/Deathrock of the 80s and 90s.
A richly atmospheric and compelling album which plunges the listener into a dark, resonant sonic world — bass pulses and synth washes combine with guitar and vocals to evoke both tension and melancholy, in a blend of Cold-Wave, Post-Punk and Darkwave.
Flawless Goth/Deathrock with a few Darkwave touches, stripped of any Metal or Electro-influences, yet with a few Industrial touches which create a kind of machine hall backdrop for an even darker and more voluminous atmosphere. Lim. 200x.
Flawless Goth/Deathrock with a few Darkwave touches, stripped of any Metal or Electro-influences, yet with a few Industrial touches which create a kind of machine hall backdrop for an even darker and more voluminous atmosphere. Lim. 300x.
Originally conceived as a hand-numbered CD for their 2025 European tour, demand dictated that this EP be committed to vinyl! Lim. 500x copies, this contains guest contributions and remixes from prominent musicians of renowned acts such as Ministry!
A mix of Electro, Darkwave, Synthpop and Italo Disco, with a clear nod to the second half of the 80s. "I Like It/I Hate It" brings to mind bands such as Clan Of Xymox, Trisomie 21, Twice A Man and, more recently, Martial Canterel or Linea Aspera.
Indebted to classic kraut, dreamy Creation-records psychedelia, and the primitive-crunch of late-80s Seattle, DIIV walk a divisive yet perfectly fused patch of classic-underground influence on "Oshin".
An extension and deepening of the musical ideas first expressed on "Oshin", "Is the Is Are" yields a multiplicity of textures, lyrical themes, and moods.
An extension and deepening of the musical ideas first expressed on "Oshin", "Is the Is Are" yields a multiplicity of textures, lyrical themes, and moods.
Rebirth takes place when everything falls apart. DIIV craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite…
Rebirth takes place when everything falls apart. DIIV craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite…
Dilk’s music blends Post-Punk, Cold-Wave and Electropop elements into a contemporary homage to the dark, electronic sound of the 1980s. "Hardship" collects the deepest and primary duels of the human being, takes your hand and invites you to dance.
Debut album by this folk project of Negura Bunget's Negru! Authentic Romanian traditional songs, sung by local performers and recorded in their original environment, meet Negru's personal visions and reinterpretations of Romanian traditional music.
"Avalanche" features collaborations with Lorenz Dangel, Dirk Mallwitz, Max Knoth and the Babelsberg Filmorchestra, in an album that brings epic symphonic pieces in addition to Maassen's unmistakable heartfelt and uniquely timed solo piano.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
The music here is heavy with seven years in the (rumpled, hair-mottled) life of the Dirty Three. Once again exploring spaces that immediately crumble and give way to more spaces to explore, which lends itself to thrilling and deeply touching music.
Dirty Three Ahoy! Appropriately disheveled, the Three emerge from the unending waves of time to pick up their guitar drum and viola/violin/piano/synthesizer/loops/percussion for their first album in a decade.
Dirty Three Ahoy! Appropriately disheveled, the Three emerge from the unending waves of time to pick up their guitar drum and viola/violin/piano/synthesizer/loops/percussion for their first album in a decade.
Originally released in 1993, Disembowelment cemented their status as one of the underground's most unique and enigmatic Doom/Death Metal bands with this landmark release. Crushing, atmospheric, and wholly engrossing. Lim. 2973x copies.
An interplay of fierce Metal with moments of both pure euphoria and introspection, "The Liberation" take you on the proverbial roller coaster of emotions that you’ve missed – perhaps since Opeth's "Watershed". Lim. 500x, with etching on side D!
With "Ayam", Disillusion again sail among the stars to new stellar constellations of heavy sounds. While true to their general course, the German avant-garde pioneers also continue dropping anchor to explore new planets with a multitude of radiant sounds.
Disillusion offer their most dedicated followers a beautiful map to find some of the hidden gems on "Ayam". Without the magnificent vocals, other aspects of the songs begin to shine, and new aspects of each track come to the fore on this challenging opus.
With "Ayam", Disillusion again sail among the stars to new stellar constellations of heavy sounds. While true to their general course, the German avant-garde pioneers also continue dropping anchor to explore new planets with a multitude of radiant sounds.
A manifesto of inconsolability. At its core lies a female voice of disarming authenticity, permeable and vulnerable, underpinned by throbbing analogue drums, whose stoic pulse carries the almost liturgical synthesizer motif. Lim. 499x.
The sound of a band that hasn’t stopped for a breath, with its roots in the usual Ditz influences - classic Noise Rock such as The Jesus Lizard or Shellac, or the obtuse Post Punk of the Fall - but also brings in fresh influences.
The sound of a band that hasn’t stopped for a breath, with its roots in the usual Ditz influences - classic Noise Rock such as The Jesus Lizard or Shellac, or the obtuse Post Punk of the Fall - but also brings in fresh influences.
The first new DIVE album since 2004! Belgian electronic pioneer Dirk Ivens has again teamed up with Ivan Iusco (Minus Habens) + Rafael M. Espinosa for a maelstrom of minimalist Electronica that ranges from fasci-nating to unsettling.
Between droning Noise and marching Industrial, Dirk Ivens created his very own unique style with Dive. „Where Do We Go From Here?“ is his masterpiece – an album transfering sound and spirit of the classics in today's time.
Strapped with thunderstorms of crashing cymbals, crunchy feedback, stomach-churning riffs and neo-classical inflections, the new collection delves into the idea of freedom through impermanence and destruction vs compassion.
Strapped with thunderstorms of crashing cymbals, crunchy feedback, stomach-churning riffs and neo-classical inflections, the new collection delves into the idea of freedom through impermanence and destruction vs compassion.
The soundtrack of desperation, self termination against mind, on the 2nd album by the Indonesian machine which collects violent fragments of Power Electronics. A symphony of mental revolution enveloped in burning black fire.
In the wake of the monumental release of Dødheimsgard’s 2023 magnum opus, "Black Medium Current", Vicotnik Parvez brought Doedsmaghird into being as a parallel world and malformed companion of sorts.
The first of a three part-album cycle, named "Feuer, Nacht & Tod". Packaged in a gatefold jacket with UV spot lacquer. Comes with slipcase, A2-sized double-sided poster and booklet with lyrics (30x30cm). Limited to 300 copies.
The first of a three part-album cycle, named "Feuer, Nacht & Tod". Packaged in a gatefold jacket with UV spot lacquer. Comes with slipcase, A2-sized double-sided poster and booklet with lyrics (30x30cm).
Second chapter of a three release cycle from the (DOLCH) collective, which began with "Feuer". "Nacht" can be read as an interpretation of a journey through the night, an urban trip experienced while writing/recording in Seattle, Los Angeles and Berlin.
Second chapter of a three release cycle from the (DOLCH) collective, which began with "Feuer". "Nacht" can be read as an interpretation of a journey through the night, an urban trip experienced while writing/recording in Seattle, Los Angeles and Berlin.
Atmospheric and sustained music for the heart, soul and brain. This release collects (DOLCH)´s first two demos, which showed a unique melancholic soundscape, accompanied by sad female voices and lyrics, a bit like Urfaust's Doom sister.
A new project by members and former members of Dødheimsgard, Ulver, Satyricon, Ved Buens Ende and Strid, delivering a contemporary Norwegian Black Metal album with a proud heritage that stands on its own and is more than ready to take the test of time.
A new project by members and former members of Dødheimsgard, Ulver, Satyricon, Ved Buens Ende and Strid, delivering a contemporary Norwegian Black Metal album with a proud heritage that stands on its own and is more than ready to take the test of time.
Second album by this project from Funeral Mist's Daniel Rostén. "Gravrost" continues to explore Electronic / Dark Ambient moods, at times bordering on Dungeon-Synth yet is arguably darker and more menacing than "Sporer" with its apocalyptic undertones.
Spiritual Front 
add to cart ]