"Once the combined driving force of UK pioneers (and one of my all time favourite bands) Anathema, Duncan Patterson chose the path less travelled after his swansong with the Liverpool lads-….1998’s(...)"
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Villainous poems gushing forth into the blurred awareness, connected by murky abstract sequences of disordered groans, layers of subdued guitar feedback and a sparing use of electronics. This will either inspire unrestricted repulsion or fascination.
Hundreds of tiny fragments of sound have been pieced together to form textures, bass lines, and drum hits. In essence, it’s the vision of using percussion as the basic building block of every sound.
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