"Jeune formation créée en 2005 à l’initiative de Michel Villard (piano) et d’Ombeline Chardes (violon). A la base, compositeurs de bandes originales de court-métrages, moyen-métrages et films (...)"
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Two song collections: confounding songs which lead the listener into a surreal world of twisted tunes and perverted Pop, and improvisations, early/alternative versions of various Larvae tracks and unreleased pieces from the same period.
Renaldo & The Loaf's first ever live set, in over 40 years! An amazing experience, consisting of songs both old and new, and even a so-far unreleased track was presented for the first time ever. RSD 2021 release, lim. 950 copies.
Four albums of previously unreleased material from Hans-Joachim Roedelius of Cluster/Kluster and Harmonia fame, recorded between 1968 -1980 to 2-track Revox tape, now packaged in this limited edition boxset to celebrate his 90th birthday!
Ryuichi Sakamoto's first solo album from 1978, featuring the Synth classics "Plastic Bamboo", "End of Asia" and "Thousand Knives" is reissued outside of japan for the first time in decades.
28.00EUR • approx. 40.6USD [ temp. out of stock ] : [ pre-order ]
Ryuichi Sakamoto's landmark 1981 album reissued for the first time in decades outside of Japan in its rare Japanese edition! Remastered from the original tapes by Bernie Grundman.
Ryuichi Sakamoto's 1985 Synth and Ambient album featuring Yas-Kaz and Arto Lindsay, released outside of Japan for the first time with new introduction by Andy Beta and audio remastered in Tokyo by Seigen Ono.
The first ever international release of Ryuichi Sakamoto's landmark 1984 album "Ongaku Zukan" in its Japanese edition, featuring an extra 7" single with two extra tracks. Remastered audio, original gatefold artwork and new liner notes by Andy Beta.
Sakamoto’s first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto’s early development as a composer and performer.
Sakamoto’s first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto’s early development as a composer and performer.
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