"Il duo Ungherese dei The Moon and the Nightspirit, sotto la forte ala protettrice della Equilibrium music, giungono con questo “Ösforrás” al terzo album in studio.
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The debut release from the trio of Stephen O'Malley (Sunn0))))), Daniel O'Sullivan (Guapo), and Vincent de Roguin (Shora), whose music is deep, cosmic, and equally epic, completely unlike anything you'd expect from three such heavyweights.
"En Form For Blå" documents the continued evolution of this unlikely collective, a collision of players from various Avant, Improv, Metal, and "other" threads who together make a unique and arresting sound often recalling Nurse With Wound.
A mix of Electronic, Experimental and surreal tracks by this regular Nurse With Wound / Current 93 collaborator. “LIAEP” comes in a fantastic cover made by Steven Stapleton / Babs Santini / Nurse With Wound. Lim. 100x copies.
Liles' first 'general' release since 2018. A compelling album full of unlikely twists and turns, in a unique homage to his dead father's memory and words which covers an array of styles, from Heavy Rock to Psychedelia. Lim. 250x.
A record created solely on the basis of treatment of the human voice without additional sounds or instruments. Over 50 minutes of pure experimental music, mixing minimal, ambient and even noisy sounds.
13.00EUR • approx. 18.9USD [ temp. out of stock ] : [ pre-order ]
A multilingual spoken word album laid over a soundtrack of Ambient, Industrial, Pop, World, Folk, free improv soundscape & Post-Punk, a musical hear-play (“hörspiel”) in a loose nod to German radio-plays of the 1920s. LP cover has a damaged/dented corner.
Boche’s third album in 25 years unites outtakes from his beat-oriented early phase with ambient pieces, generated mainly from manipulated shortwave radio recordings. Comes with a postcard stencil of the Boche logo.
Brian Eno, Holger Czukay, J. Peter Schwalm (UK / DE)
32.00EUR • approx. 46.4USD [ new : recommended ] : [ add to cart ]
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
Author Brian Evenson reads selections from several books over a sonic fabric created by Xingu Hill and Tamarin which prove to be similarly cataclysmic, although of markedly different scale, and ranging from morose synth rhythms to enigmatic drones.
Quite dramatic and atmospheric, Caesar Romero does recall legendary soundtracks from composers such as Wendy Carlos and Bernard Herrmann. Overall electronic based, the musical expression is strange and dark with a frequent use of classical music elements.
"Out of Reach" was the second album to feature percussionist Reebop Kwaku Baah and bass player Rosko Gee, both of Traffic, and continues to explore a new musical direction, inspired by Disco and Latin Rock.
"Can", also known as "Inner Space" is the tenth studio album by Can, released in 1979. This was the final Can album until 1989’s "Rite Time", and comes on 180g vinyl.
Can's eleventh and final studio album consisting of sessions recorded in the South of France in late 1986. "Rite Time" sees the return of the band's original singer, Malcolm Mooney, who had left the group in 1970 shortly after their debut album.
28.00EUR • approx. 40.6USD [ temp. out of stock ] : [ pre-order ]
Can’s influence is well known and far-reaching and the impact they made on music is felt today as keenly as ever has been. Of all the band’s oeuvre, "Tago Mago" has been most often cited as an influence for a host of artists.
25.00EUR • approx. 36.3USD [ temp. out of stock ] : [ pre-order ]
"Ege Bamyasi" drops the haze and hits with a sharp pang from the get-go. Often described as the "tense" Can album, "Ege Bamyasi" is actually the band at its most focused.
Considered by many the finest Can album, "Future Days" was the fifth studio album by Can. It is the last album to feature Japanese vocalist Damo Suzuki, exploring the Ambient direction introduced on "Ege Bamyasi".
Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century: a new piece recorded at the artist's studio in Belgium, and a eulogy for Tony Conrad, performed on the bells of St. Thomas Episcopal Church.
21.00EUR • approx. 30.5USD [ temp. out of stock ] : [ pre-order ]
Originally released in 1987, the hugely popular "Exotika" album includes classics as the crowd-pleasing 'BeatBeatBeat', the haunting ballad 'Dr. John (Sleeping Stephen)' and the original version of the seminal title track 'Exotika'.
The complete recording of "A Slow Fade To Total Transparency", recorded 24th August 1983. Personnel for the performance - John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell) and Peter Christopherson (Coil).
These recordings were initially titled "The Side Effects of Life", which was a working title for Coil's legendary album, "Love's Secret Domain". These are demos / mixes of material that was later released as the "Love's Secret Domain" album.
Official reissue on single vinyl, with the original tracklist from 1991. A milestone produced by Coil & Danny Hyde, with an excellent sound and studio remastering by Martin Bowes (Attrition), on 180gr black vinyl.
Official reissue on single vinyl, with the original tracklist from 1991. A milestone produced by Coil & Danny Hyde, with an excellent sound and studio remastering by Martin Bowes (Attrition), on clear vinyl.
In 1991 Coil released the 3rd of their early classic full-length albums, seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast! Inc. 10 rare tracks!
In 1991 Coil released the 3rd of their early classic full-length albums, seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast! Inc. 10 rare tracks!
47.50EUR • approx. 68.9USD [ temp. out of stock ] : [ pre-order ]
In 1991 Coil released the 3rd of their early classic full-length albums, seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast! Inc. 10 rare tracks!
The legendary (and never used) soundtrack to Clive Barker's supernatural body-horror classic “Hellraiser”, composed by Coil! This “Expanded Ritual” edition includes previously unissued bonus material, with original artwork by Trevor Brown. Lim. 1000x.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
The legendary (and never used) soundtrack to Clive Barker's supernatural body-horror classic “Hellraiser”, composed by Coil! This “Expanded Ritual” edition includes previously unissued bonus material, with original artwork by Trevor Brown. Lim. 300x.
"Rank Sonata" goes its own way just like Potter has done since the early 1980s, venturing deep down into the realms of familiar music styles with the single goal of dismantling them entirely, like a brute force approach to rewriting music history.
One of the most widely known Russian electronic bands. Created using mainly old Soviet analogue synths, "Trivial Pleasures" is a bit ´alien´ to the previous works of the band, but at the same time is Cyclotimia´s most radical and experimental work.
A re-issue of their first MCD, now with additional bonus tracks totalling 74 min. The claustrophobic aura of the world dying in the strangling embraces of the new world order, the total horror of everyday life, the omnipresent tentacles of consumerism.
9.00EUR • approx. 13.1USD [ temp. out of stock ] : [ pre-order ]
Debut feat. Edward Ka-Spel (Legendary Pink Dots) and several guests (Tony Wakeford/Sol Invictus, Elena Fossi/Kirlian Camera, Albin Julius/Der Blutharsch). A mix of electronics and dark-psychedelic sounds, in a very strange collage of different styles.
Debut feat. Edward Ka-Spel (Legendary Pink Dots) and several guests (Tony Wakeford/Sol Invictus, Elena Fossi/Kirlian Camera, Albin Julius/Der Blutharsch). A mix of electronics and dark-psychedelic sounds, in a very strange collage of different styles.
Sophomore album from Thee Oh Sees mastermind John Dwyer’s solo electronic project. Lush, textural and psychedelic, the songs breathe with a otherworldly sadness and heart. A strange, beautiful, and oddly infectious addition to Dwyer’s oeuvre.
Urgent falsetto morbidities detail this most rhythmically adventurous offering yet: "Bunker Funk" — syncopating lush landscapes with moon-shot death rays. The Bug is back and more hideous than ever!
Sophomore album from Thee Oh Sees mastermind John Dwyer’s solo electronic project. Lush, textural and psychedelic, the songs breathe with a otherworldly sadness and heart. A strange, beautiful, and oddly infectious addition to Dwyer’s oeuvre.
The seminal ambient records by David Sylvian (of British Art Pop Band Japan) & Holger Czukay (founding member and bassist in legendary German Cosmic Band Can), originally released in 1988 and 1989, remastered for this reissue.
The seminal ambient records by David Sylvian (of British Art Pop Band Japan) & Holger Czukay (founding member and bassist in legendary German Cosmic Band Can), originally released in 1988 and 1989, remastered for this reissue.
A new opus devoted to drone meditations and beyond, which brings spectral compositions for solo Hammond organ, a multi layered cello poem and ARP 2600 synthesizer explorations. Lim. 100x.
Known for her ethereal voice and eclectic musical style, Torrini returns with a fulminant new album after a 10-year hiatus in solo recordings. An extraordinary evocation of a woman's life, re-imagined by one of the most innovative artists around.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
Known for her ethereal voice and eclectic musical style, Torrini returns with a fulminant new album after a 10-year hiatus in solo recordings. An extraordinary evocation of a woman's life, re-imagined by one of the most innovative artists around.
14.00EUR • approx. 20.3USD [ temp. out of stock ] : [ pre-order ]
This collection of Dark Psychedelic/Industrial cabaret is a concept record about the cross, with one side of the record sonically representing the suffering and sacrifice and the flip side reflecting resurrection, or perhaps oblivion.
Composed in the classical Requiem format, "Rising..." continues to integrates field recordings, empty space, drones, and sonic processes alongside pounding percussion, ecclesiastical organs, gnarled guitars, and ritualistic chanting.
Twelve dreams of musicians, artists, and filmmakers, interpreted by FM Einheit (ex-Einstürzende Neubauten), with voices by: Lee Ranaldo, Genesis Breyer P-Orridge, Susan Stenger, Émilie Pitoiset, Erika Stucky, and the Gulbenkian Choir.
The co-founder and former percussionist of Ensturzende Neubauten returns with his long awaited new album, in which experimentation and metal percussions combine with the art rock of "Poetry Machine", displaying a more romantic and melancholic facet.
20.00EUR • approx. 29USD [ temp. out of stock ] : [ pre-order ]
An album overflowing with a frenzy of traditional and contemporary musical tropes, from early music instrumentation - with harpsichord or recorder fed through myriad electronics - to the compelling, ritualistic application of found sample-looping.
14.00EUR • approx. 20.3USD [ temp. out of stock ] : [ pre-order ]
Rooted in English pagan and sacred music, "Deep England" is an electronic-choral expansion of Gazelle Twin’s "Pastoral", radically reworked and with original compositions by NYX, a choir reshaping the role of the traditional female choir.
15.00EUR • approx. 21.8USD [ temp. out of stock ] : [ pre-order ]
A re-issue of Gazelle Twin's 2011 self-released debut, which gathered rapid acclaim and sparked a decade of creativity of dark, cinematic energy. This includes the twin album "The Wastelands", an unreleased work from the same period.
"The Wastelands" is an album of material made around the same period as "The Entire City" though never released commercially. It expands on "The Entire City"'s shadowy, futurescape, featuring foreboding, percussive songwriting, with euphoric choral.
Between the crushed Techno exoeskeleton of 'Unflesh', the woozy Ambient Pop of 'Anti Body' or the melting torch song of 'I Feel Blood', the closest comparison for her spectrum of strange vocals and technoid backing lies would be Planningtorock or Glasser.
Genesis Breyer P-Orridge and Thee Early Worm (United Kingdom)
A collection of recordings that capture the nascent creativity of an artist who would later become a pivotal figure in avant-garde music. A testament to P-Orridge's early commitment to pushing musical boundaries!
A collection of recordings that capture the nascent creativity of an artist who would later become a pivotal figure in avant-garde music. A testament to P-Orridge's early commitment to pushing musical boundaries! Lim. 500x.
A perfect mixture of surreal, curious, magical and dark moments, heavily influenced by Thelema. Unique art and certainly something like you never heard before!
"Murder Nature" stands as a pinnacle of forward-thinking Metal from the 2000s. It brought together Daniel Cardoso's compositions (Anathema, Sirius) with the unique voice work of Ulver’S Kristoffer Rygg. Inc. an extra CD of unreleased and demo material.
"Murder Nature" stands as a pinnacle of forward-thinking Metal from the 2000s. It brought together Daniel Cardoso's compositions (Anathema, Sirius) with the unique voice work of Ulver’S Kristoffer Rygg. Inc. an extra CD of unreleased and demo material.
"Beheaded Totem" leads us straight into the damp caves of our minds as HHY & The Macumbas continue their march into the undiscover’d countries of psychoacoustics. Febrile, haunting and at times overwhelming, nothing short of a dream for the necro-tourist.
"Beheaded Totem" leads us straight into the damp caves of our minds as HHY & The Macumbas continue their march into the undiscover’d countries of psychoacoustics. Febrile, haunting and at times overwhelming. Lim. 200x.
In his third album, Czukay continued exploring the methods of sampling and laidback jamming. Intended as environmental music for some underlit, velvet clad chillout room, the album can be seen as one long rumination on improvised understatement.
Under the Canaxis 5 name, In 1969 Can’s Holger Czukay and Rolf Dammers - his classmate from lessons under Stockhausen - made the cult detournement of "Folkways - Music Of Viet Nam". A cult record in experimental music.
17.00EUR • approx. 24.7USD [ temp. out of stock ] : [ pre-order ]
Holger Czukay’s beguiling, heavily grooving "Full Circle", starring crucial input from his Can bandmate Jaki Liebzeit on drums and Jah Wobble weilding the bass!
Holger Czukay's first post-Can solo album finds the bass player exploring Prog Rock jams with varied instrumentation, song-oriented lyrics and media samples from film, television and short-wave.
A sound meditation from 1997, now available for the first time remastered in the original form and in a “version” by die ANGEL (Ilpo Väisänen / Dirk Dresselhaus) and Zappi W. Diermaier from the Krautrock legends Faust.
A sound meditation from 1997, now available for the first time remastered in the original form and in a “version” by die ANGEL (Ilpo Väisänen / Dirk Dresselhaus) and Zappi W. Diermaier from the Krautrock legends Faust.
Jac Berrocal, David Fenech and Vincent Epplay (France)
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
An immersive piece by composer Kali Malone featuring Stephen O’Malley on electric guitar, Lucy Railton on cello, and Malone herself on tuned sine wave oscillators. A study in harmonics and non-linear composition.
An immersive piece by composer Kali Malone featuring Stephen O’Malley on electric guitar, Lucy Railton on cello, and Malone herself on tuned sine wave oscillators. A study in harmonics and non-linear composition.
33.00EUR • approx. 47.9USD [ temp. out of stock ] : [ pre-order ]
Malone’s new album presents her first compositions for organ since 2019’s breakthrough album "The Sacrificial Code" alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass.
15.00EUR • approx. 21.8USD [ temp. out of stock ] : [ pre-order ]
Malone’s new album presents her first compositions for organ since 2019’s breakthrough album "The Sacrificial Code" alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass.
A singular expression of fractured dream logic concretized in chiselled postpunk guitar, sinuous low-end electronics, a panoply of samples creating alternately twitchy and propulsive rhythm, and the anxious intimacy of her lyricism and vocals.
28.00EUR • approx. 40.6USD [ temp. out of stock ] : [ pre-order ]
Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it Folk — it is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions.
Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it Folk — it is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions.
Lark Blames continue to defy categorisation while producing their most masterful and accessible work to date. Live drums and bass provide driving rhythms to ‘Lunge’ and ‘Sunday’, whilst brass, acoustic guitar and programmed percussion propel ‘Cups’.
Recorded in 1997 near the end of their “Hallway of the Gods” tour of Canada and America, “Live at La Luna” reveals like never before the magical atmosphere of sound and light created by Edward Ka-Spel and his talented crew.
One of their most mature and finest works! Two years in the making, this is an enthralling, captivating release where distinctive vocals and lyrical imagery float over textural ambience, hypnotic guitar, synth washes & spellbinding bass pulses.
Song writing and recording for "The Museum..." were necessarily deemed to happen in cyberspace for 2020 and 2021. As a result, the lyrics are utterly poignant, desperate, yet sometimes bearing a flash of gallows humour. The soundtrack is a purging fire.
With members scattered across the globe, LPD's guilty confession is that quite a few Air Miles were consumed in its creation. Ideas were spun across Cyberspace for months, but the magic happened collectively in small spaces with the tape running.
With members scattered across the globe, LPD's guilty confession is that quite a few Air Miles were consumed in its creation. Ideas were spun across Cyberspace for months, but the magic happened collectively in small spaces with the tape running.
199.00EUR • approx. 288.6USD [ back in stock ] : [ add to cart ]
50th anniversary edition of their legendary milestone release and third studio album! 7 vinyl LPs ranging from the original album to live recordings and other rare materials related to "Mekanïk Destruktïw Kommandöh". Lim. 2000x.
The second album by French Rock band Magma, released 1971. It is a Rock Opera concept album telling the story of a failed expedition to the planet Kobaïa, marked by the prominence of Christian Vander's drumming and by Klaus Blasquiz's martial vocals.
The second album by French Rock band Magma, released 1971. It is a Rock Opera concept album telling the story of a failed expedition to the planet Kobaïa, marked by the prominence of Christian Vander's drumming and by Klaus Blasquiz's martial vocals.
21.00EUR • approx. 30.5USD [ temp. out of stock ] : [ pre-order ]
The second album by French Rock band Magma, released 1971. It is a Rock Opera concept album telling the story of a failed expedition to the planet Kobaïa, marked by the prominence of Christian Vander's drumming and by Klaus Blasquiz's martial vocals.
38.00EUR • approx. 55.1USD [ temp. out of stock ] : [ pre-order ]
The second album by French Rock band Magma, released 1971. It is a Rock Opera concept album telling the story of a failed expedition to the planet Kobaïa, marked by the prominence of Christian Vander's drumming and by Klaus Blasquiz's martial vocals.
8.50EUR • approx. 12.3USD [ temp. out of stock ] : [ pre-order ]
"Zhatva" (Russian word for "Harvest") is the final part of the trilogy by Majdanek Waltz (after "Pepel" and "Ophelia"). Aside from the features of their classical style, here you can find the depths of the band's experimental abyss. Lim. 250x.
Nodding God (feat. David Tibet and Andrew Lilles). "Play Wooden Child" is an album powered by Stars and Cuneiform and Pop, based on planetary correspondences—spirits, intelligences, demons, metals, and numbers, and with lyrics utterly sung in Akkadian.
Nodding God (feat. David Tibet and Andrew Lilles). "Play Wooden Child" is an album powered by Stars and Cuneiform and Pop, based on planetary correspondences—spirits, intelligences, demons, metals, and numbers, and with lyrics utterly sung in Akkadian.
Nodding God (feat. David Tibet and Andrew Lilles). "Play Wooden Child" is an album powered by Stars and Cuneiform and Pop, based on planetary correspondences—spirits, intelligences, demons, metals, and numbers, and with lyrics utterly sung in Akkadian.
14.00EUR • approx. 20.3USD [ temp. out of stock ] : [ pre-order ]
Originally a limited edition of 500 one-sided LPs comissed for the Nevers Festival, "Alice..." was later released on CD featuring the two songs from the original release plus an additional untitled piece from the same recording sessions.
A release that collates material from the period 2008 - 2011, including for the first time digitally the "Bacteria Magnet" and "Rushkoff Coercion" EPs, alongside previously unreleased remixes and exclusive tracks in disorienting sonic patchworks.
A follow up to 1999’s "The Swinging Reflective" album, featuring an array of Steven Stapleton’s favourite releases that are either his remixes of other artists, collaborations or have been cowritten with individuals who have worked extensively with NWW.
Demonic NWW loaded with some of Stapleton’s most febrile phantasmagoria, bar none. A selection of Stapleton’s favourite personal mixes of classic NWW gear, originally intended as a limited gig-only release to accompany their show in Austria. Handpackaged.
Peer into the abyss with NWW’s psychotomimetic batch of "Mutants, Misfits & Mongrels", salvaged from the making of 2018’s "Trippin’ Music" boxset! Seven alternate takes and inversions of material found on the 3LP and 2CD releases. Handpackaged.
3 LP Box set of all new material, now pressed on black vinyl to remedy issues found on the initial colored vinyls pressing. There is no track listing - no Side A, B etc. This music is to be played in whichever order the listener wants to!
16.00EUR • approx. 23.2USD [ temp. out of stock ] : [ pre-order ]
Long out of print and much in demand, this classic NWW CD is now back, now as a double CD set with a CD of a completely unreleased alternate mix and packaged in a stunning matt digipak with clear gloss print.
"Sylvie & Babs" as a picture disc LP, with new Babs Santini artwork.One of the most memorable, playful, and fascinating albums in the NWW oeuvre (though a decidedly unrepresentative one)…
A record that whilst unmistakably retaining that ineffable NWW character brought rhythmic and almost ‘musical’ elements into play. "Madonna..." functions as the bridge between the old and the new. Includes "I am the Poison", remastered by Andreew Liles.
Considered to be unfinished due to Covid restrictions interfering with travel and recording, the album is comprised of three sonic reflections on reading Otto Dov Kulka's 'Landscapes of the Metropolis of Death'.
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