"Musique Du Crépuscule fait parti de ces albums inattendus et non convenus dont l’attrait (pochette de disque terriblement gothique, nom du groupe passablement désuet) n’est pas franchement immédiat. P(...)"
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This compilation includes the only self-titled demo of the band from ’91 when they still played dark Death Metal, the infamous self-titled EP from ’91 and two rehearsal-songs from ’92, all carefully remastered by Patrick W. Engel at Temple of Disharmony.
Highly immersive atmospheric Black Metal - Impavida are finally back with new material, 11 years after their debut album. Lim. 300x copies. Comes in black cartonstock digipak with silver print, complete with inlay with lyrics and info.
A Drone/Neofolk-masterpiece from 1999! This third album was conceived during a period of complete isolation and the detection of new musical influences with a childlike passion, which add fresh inspiration and creativity to IGR's Dark Folk sound.
Re-release of In Gowan Ring's legendary 4th album, originally released in 2002, and featuring Michael Moynihan and Annabel Lee (Blood Axis, ex-Amber Asylum). A unique synthesis of folk, mediaeval and psychedelia that could only be In Gowan Ring.
The band´s final epitaph. A reissue of their three 7"EPs along with unreleased material and a few cover-versions. Gatefold 2LP (heavy 180g vinyl, black) incl. poster and printed inner sleeves, lim. 500 copies.
Released following intense touring with Immolation, Azarath and Blaze Of Perdition, "Lawa" consolidated ITE's worldwide recognition in the sinister Black Metal trenches.
Released following intense touring with Immolation, Azarath and Blaze Of Perdition, "Lawa" consolidated ITE's worldwide recognition in the sinister Black Metal trenches.
Released 14 years after the band's initial formation, in "Vanitas" the band shone through as a legit Black Metal band and raised the bar significantly.
Released 14 years after the band's initial formation, in "Vanitas" the band shone through as a legit Black Metal band and raised the bar significantly.
Emotional melodies that stick in your mind, combined with heavy/strong beats, and depicting a love for analogue synths striking riffs. “8.15” is inspired by the poetry of the great romantic poet of the 18th century William Blake.
Uptempo beats and a blend of analogue and digital synth sounds, emotional melodies and striking riffs shape the character of the songs by this electronic / minimal Synth duo based in Athens, Greece. Lim. 300x copies.
Isenordal play Doom with grim Black Metal undertones and a distinct Folk flavor while incorporating female and male voices as well as acoustic instruments, dragging the listener into the vast wilderness of their home region, the Pacific North West.
Isenordal have driven the interplay and cohesion of their musical core elements to a new level, bringing notable influences of Black Metal and beautiful acoustic American Neofolk to supplement their Funeral Doom.
Isenordal have driven the interplay and cohesion of their musical core elements to a new level, bringing notable influences of Black Metal and beautiful acoustic American Neofolk to supplement their Funeral Doom.
"Euprosopon" aims to evoke heroic medieval symbolism while taking musical cues mainly from Norwegian classics such as Enslaved's “Eld”, the “Dark Sorcery EP” by Aeternus and “...Again Shall Be” by Hades, to enrich its already established style and sound.
Iskandr continues to roam, wider and wistfully, with a epic new EP, offering yet more depth to their already-deep aesthetic. Impressively crafter atmospheric Black Metal which seemlessly taps into Folk elements for melodic inspiration. Breathtaking!
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
“Spiritus Sylvestris” marks a departure from the Black Metal roots of the project. The Psychedelic Folk Doom of the new album builds upon the directions of where both “Vergezicht” and “Glas” were already moving towards. Lim. 500x.
“Spiritus Sylvestris” marks a departure from the Black Metal roots of the project. The Psychedelic Folk Doom of the new album builds upon the directions of where both “Vergezicht” and “Glas” were already moving towards. Lim. 500x.
By 2019, ISON had continued to develop the inimitable sound they had been crafting for four years, and completed over an hour of material for which they enlisted Alcest mainman Neige as guest vocalist.
Guitar drones and ethereal whispers have been essential to ISON's peculiar and recognisable sound, and "Andromeda Skyline" expanded the palette of "Cosmic Drone" with hints of beats and synths, giving the whole album an off-world, sidereal mood.
Guitar drones and ethereal whispers have been essential to ISON's peculiar and recognisable sound, and "Andromeda Skyline" expanded the palette of "Cosmic Drone" with hints of beats and synths, giving the whole album an off-world, sidereal mood.
Cosmic Drone / Post Rock. Over 70 minutes of cosmic by Daniel Änghede (ex Crippled Black Phoenix) and with a deluxe cast of vocals which includes Sylvaine, Tara Vanflower (Lycia), Carline (Lethian Dreams) and Lisa Cuthbert. Lim. 150x.
The dreamy, delicate soundscapes of ISON first release have been greatly missed, and now six years after its original publication, "Cosmic Drone" is made available again. This was the first output by the Post-Rock / Drone duo.
By 2019, ISON had continued to develop the inimitable sound they had been crafting for four years, and completed over an hour of material for which they enlisted Alcest mainman Neige as guest vocalist.
ISON return with a new album, a fairly more organic and warm experience which features Lisa Cuthbert as the lead vocalist alongside a few others guest which include the gothic tones of Dark Tranquillity's Mikael Stanne. Lim. 300x.
Isvind's third full-length from 2013 is a latter-day highlight of Norwegian black metal. LP (black vinyl), outer sleeve with rough surface feel, inside cover print and poster.
Jesse Heikkinen (The Abbey, Henget, ex-Hexvessel) embarks on a bold foray across the boundaries between Folk Music, Black and Doom Metal, Neo-Folk, and Progressive Rock, orchestrating a symphony where every note is a harbinger of both darkness and light.
Jesse Heikkinen (The Abbey, Henget, ex-Hexvessel) embarks on a bold foray across the boundaries between Folk Music, Black and Doom Metal, Neo-Folk, and Progressive Rock, orchestrating a symphony where every note is a harbinger of both darkness and light.
By weaving together indigenous and contemporary thoughts, sounds and instruments, "Hugsjá" invites you for a vivid journey - exploring the distant history and traditions along coastal Norway. Includes the lyrics in Norwegian and English translations.
30.00EUR • approx. 43.5USD [ new : recommended ] : [ add to cart ]
A Slo-mo, Slo-fi, Sewer tech journey into utter gutter level filth. Overdriven, corroded, corrupted and absolutely blasted, it contains so many essential elements of clubland low life, but yet manages to remain beautifully original.
“The Cartographer” is a piece commissioned by the renowned Roadburn Festival, which explores the space where classical instrumentation and contemporary heavy music intersect.
Einstürzende Neubauten guitarist Jochen Arbeit presents a collection of 10 years of his solo works for film, theater, performance pieces, and installations. A richly detailed and often looped work!
Inspired by a recording of an IBM mainframe computer which Jóhann’s father made on a reel-to-reel tape machine more than 30 years ago, "IBM 1401" was recorded by a sixty-piece string orchestra which added to incorporated electronics of the original tape.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
A record that harnesses the punch and intensity of their blistering live shows with the band’s increasingly textural, cinematic and expressive sensibilities, redefining and expanding the role, function and parameters of what a guitar and drum duo can do.
Their 3rd collaboration album. “Opalus” dives further into the psychedelic cosmic vacuum that the previous albums only touched on, and sounds like a lost Cluster, Popol Vuh, or Tangerine Dream album with that magical old tone and spirit of the 1970s.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
Originally put together by a couple of Belgian Joy Division experts to celebrate the 25th anniversary of Ian Curtis. A collection of rare audio interviews, interspersed with superb live performances from various venues.
Manufactured in superb 180g cream vinyl. Limited to 1000 hand numbered copies. No information is given about the sources of the tracks on this album, but they are a mixture of studio, radio sessions and live recordings.
A piece comissioned by Cinémathèque Française in Paris which was to serve as the soundtrack to the restored original version of the “Nosferatu” film (1922). Lim. 1000x copies.
While one song written about the pandemic came to be the album's centrepiece, the rest grapples with the world as it moved on and all the dualism and dichotomies that followed. The luthe players contains to mesmerize with his unique instrument.
While one song written about the pandemic came to be the album's centrepiece, the rest grapples with the world as it moved on and all the dualism and dichotomies that followed. The luthe players contains to mesmerize with his unique instrument.
"Character", the cellist third album, refines the layering technique with which different cello motifs are interwoven. As an accompaniment to her actual instrument, she plays natural and ambient noises, which work as a kind of substitute voice.
On her fourth work, Julia Kent again masterfully combines the sound of the cello with electronic music, creating a completely unique acoustic world, which can be both mysterious and moving. Limited vinyl version including CD.
The fourth and most spectacular album from Icelandic Gothic trio Kælan Mikla features the highly praised singles "Sólstöður" and “Ósýnileg" and 8 other new songs, which include and appearance by French post-rock/shoe-gaze superstars Alcest.
This female three-piece Punk/No-Wave band from Reykjavík/Island slowly grew darker and deeper with new waves and more instruments, and songs consisting only of heavy bass, drums and screams with some softer, melodic synth parts in-between.
A glorious universe comprised of bass-heavy grooves and detuned guitars! Witness the adventures of five rocketeers packing an entire career's worth of ideas and sonic echoes into one, stellar mission - to soundtrack the collision of passing worlds.
Composed as the original soundtrack for the game "Kingdom Two Crowns", this is Kalandra’s second studio album, featuring local Norwegian Folk musicians. It comes as a very unique and different project from their debut.
An immersive piece by composer Kali Malone featuring Stephen O’Malley on electric guitar, Lucy Railton on cello, and Malone herself on tuned sine wave oscillators. A study in harmonics and non-linear composition.
Malone’s new album presents her first compositions for organ since 2019’s breakthrough album "The Sacrificial Code" alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass.
15.00EUR • approx. 21.8USD [ new : recommended ] : [ add to cart ]
Malone’s new album presents her first compositions for organ since 2019’s breakthrough album "The Sacrificial Code" alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass.
Another profound and spellbinding journey and another meaningful chapter in Kammarheit’s indefinable story, from a true master of the craft of creating the most compelling and authentic Dark Ambient music. Lim. 500x.
"Norse" would bridge the gap between the band's debut, "Mellom Skogkledde Aaser", and the acclaimed "Fra Underverdenen", which earned them worldwide recognition as one of the early purveyors of Viking / Pagan Metal, rich in Folk-ish overtones.
The restored version of the one and only Kaosritual - "Svøpt Morgenrød", remastered by M. of MGLA/No Solace. A pillar of Norwegian Black Metal history!
The restored version of the one and only Kaosritual - "Svøpt Morgenrød", plus the infamous "Rituell Katarsis" demo and more, remastered by M. of MGLA/No Solace. A pillar of Norwegian Black Metal history!
Intense, bitter and heavier than ever, this new work is the epitome of the KS sound. It's all still there, the pounding metallic percussions, deep angst ridden atmospheric passages and all is held together by Make Pesonen's angrier than ever vocals.
A wordplay on the German title of Proust's novel, it explores the music styles of our childhood days as madeleines for the ear. While at first it may seem a bit shallow and kitsch, it can't hide Karl Kave & Durian's somewhat dark and melancholic lyricism.
“Traurig…” combines a homerecording sound with sureal lyrics that reflect living in rural Switzerland. Diving into an odd walk of inner repetitions. There are tales and studies about the Föhn driving people mad. Or inducing headaches at least… Lim. 200x.
Debut album by this Neo-Psych experimental band, with strong New Wave influences! Emotions pour down on the listener, giving freedom to create different visions, although it’s not lacking guitar crescendo and almost oniric wild rides. Lim. 200x.
11 years after its original release, the vinyl version of one of the very first Terratur Possessions releases. A limited version of this manic Black Metal demo is now pressed for the first time on vinyl format, the only material recorded by this project!
Second album from this excellent German horde - raw Black Metal of the highest quality. "Kruzifixxion" has a less thrashy sound compared to the debut and it’s a bit more atmospheric.
"666", originally released in 2000, was Katharsis' debut full-length release. A remarkable release that will surely bring to mind the first years of the second wave of Black Metal!
Kauan's fifth album revisits their angry Folk/Doom roots, and bringing together everything they've ever learned in a single, 40-minute track of brooding Funeral Doom mashed with the beauty of pensive Post Rock from these masters of Metal elegance.
An epic seven-song concept album built upon frigid atmospheres, Post-Rock melancholy, Synth-laden rapture and metallic triumph. Sparse vocals, sung in Finnish, range from the pensive to the blackened to the operatic.
Kauan's masterpiece "Sorni Nai", recorded live at MonteRay Live Stage in Kiev, Ukraine, 2016. This release features all new conceptual cover art and is packaged in a mini-vinyl replica gatefold sleeve. Remastered to the highest possible fidelity.
Live recording of the brilliant "Pirut" material. Kauan evoke feelings of languor and nostalgia, drawing upon viola, choirs, slow and melancholic piano melodies, ambient vibes and a neoclassical approach, often described a sort of Ambient Doom Folk.
Pulling from elements of Black Metal, Jazz, Pop and Driver's own wild sonic concoctions, Kayo Dot is constantly evolving. "Blasphemy" is their most forthright statement ever!
Kayo Dot deliver another beautiful and essential facet of their complex musical multiverse, although the album can easily stand on its own as a most impressive piece of dark Avant-Garde Metal which tilts towards harsher as well as heavier approach.
Ke / HiL (Genocide Organ / Anenzephalia) (Germany)
B.Moloch and W.Herich, both active in Genocide Organ and Anenzephalia, join forces on a new, more personal concept. A dark oppressive sound, covering old school industrial music in its full range from power electronics to dark ambient tracks.
KeHil, the saints of the scum, are back with another bundle of reports from precarious minds and worlds, written in analogue noise reflecting degenerated inner city life and death. Nightmarish sounds and beats are the pulse of cities and areas in agony.
This debut presents Këkht Aräkh’s signature dichotomy of harsh traditional early Norwegian Black Metal and the more ethereal and delicate melodies, clearly influenced by a stark Gothic imagery that adds an extra layer of mystery.
Foreboding yet bittersweet melancholy delivered through poetic lyrics, soft interludes, raw and distorted guitars, eerie drums and harsh vocals - a fragile yet potent mix that successfully amplifies the ambience found on the somewhat Burzum-esque sound.
Foreboding yet bittersweet melancholy delivered through poetic lyrics, soft interludes, raw and distorted guitars, eerie drums and harsh vocals - a fragile yet potent mix that successfully amplifies the ambience found on the somewhat Burzum-esque sound.
Foreboding yet bittersweet melancholy delivered through poetic lyrics, soft interludes, raw and distorted guitars, eerie drums and harsh vocals - a fragile yet potent mix that successfully amplifies the ambience found on the somewhat Burzum-esque sound.
Now with Kerr on saxophone, synth, piano, percussion, and backing vocals, the album features a new palette of No Wave and Industrial-tinged sounds. Their adventurous Hardcore and Noise-Rock is now strengthened by shades of Swans and Neubauten.
Seamlessly blending together deep Metal riffs, Noise-Rock vocals, and Punk Rock chaos, Ken Mode came out of the suffering of the pandemic with fire and fury, ready to unleash it on the world wherever they see fit.
This Finnish mysterious and obscure act is back with their unmistakable sound. Mid-tempo, synth-laden and atmosphere packed Finnish Black Metal with nods to classic, timeless bands without neither creating anything new, nor copying the past.
Finnish Black Metal straight to the point of a freshly sharpened knife. Effective in its primitivity, these albums is a pure questionable delight in their harshness. This MCD was spawned from the same sessions than the new "Vexilloid" album.
Finnish Black Metal straight to the point of a freshly sharpened knife. Effective in its primitivity, these albums is a pure questionable delight in their harshness. This MCD was spawned from the same sessions than the new "Vexilloid" album.
Finnish Black Metal straight to the point of a freshly sharpened knife. Effective in its primitivity, these albums is a pure questionable delight in their harshness. For those who know what to expect: you get what you expect.
Khanate’s self titled debut (2001) has all the pleasant ambiance of a plane crash site, a bleak urban waste of mangled and torn metal beams and hissed alarms. Rarely has Metal ever sounded this convincing in its aim to unveil the depravity of humanity.
Khanate’s self titled debut (2001) has all the pleasant ambiance of a plane crash site, a bleak urban waste of mangled and torn metal beams and hissed alarms. Rarely has Metal ever sounded this convincing in its aim to unveil the depravity of humanity.
Khanate’s self titled debut (2001) has all the pleasant ambiance of a plane crash site, a bleak urban waste of mangled and torn metal beams and hissed alarms. Rarely has Metal ever sounded this convincing in its aim to unveil the depravity of humanity.
Destitute, barren, punishing heavy Doom! 2nd album from NYC's most grim metallic warriors. Khanate bend the rules of time, in a torturously slow and heavy work. Finally available again!
Destitute, barren, punishing heavy Doom! 2nd album from NYC's most grim metallic warriors. Khanate bend the rules of time, in a torturously slow and heavy work. Finally available again!
Destitute, barren, punishing heavy Doom! 2nd album from NYC's most grim metallic warriors. Khanate bend the rules of time, in a torturously slow and heavy work. Finally available again!
The hugely influential Khanate return with their first album in 14 years, evolving their unique and signature precise, time-abstract Doom beyond all bounds. "To Be Cruel" is all-encompassing, dry, lively, rich and overly heavy.
The hugely influential Khanate return with their first album in 14 years, evolving their unique and signature precise, time-abstract Doom beyond all bounds. "To Be Cruel" is all-encompassing, dry, lively, rich and overly heavy.
The hugely influential Khanate return with their first album in 14 years, evolving their unique and signature precise, time-abstract Doom beyond all bounds. "To Be Cruel" is all-encompassing, dry, lively, rich and overly heavy.
Master's Hammer 
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